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Full-Text Articles in Entire DC Network
George Maclean, Letitia Landon, And The Rumour Of An Edinburgh Fiancée, David E. Latane
George Maclean, Letitia Landon, And The Rumour Of An Edinburgh Fiancée, David E. Latane
English Publications
Brief discussion of an unindexed note found in the microfilmed archives of the publisher Richard Bentley and Son that makes a claim regarding the puzzling marriage of the poet Letitia Elizabeth Landon ("L.E.L.) and the Scottish colonial administrator George Maclean. The note retails gossip about Landon's seduction by William Jerdan, and makes claims that her later marriage to George Maclean was marred by Maclean's having made a prior engagement with a Scottish woman, who later died when her dress caught fire.
The Widow Of Malabar: A Digital Edition, Mariana Starke
The Widow Of Malabar: A Digital Edition, Mariana Starke
OER Student Projects
Mariana Starke’s The Widow of Malabar (1791) is a tragedy set on India’s Malabar Coast. The play depicts a widow reluctantly preparing to commit sati (the practice of a widow immolating herself on her husband’s funeral pyre). She becomes the point of contention in a conflict between a Hindu Brahmin and her former lover, the general leading an invading British force. Throughout the play, the Brahmins are portrayed as vicious barbarians, the British as noble harbingers of a more civilized way of life. The Widow of Malabar thus provides a valuable look into British views of India (and of its …
Elizabeth Robins Portrays Working Women In Suffragette Literature: A Reflection Through The Lens Of The 2015 Film, Suffragette, Joanne E. Gates
Elizabeth Robins Portrays Working Women In Suffragette Literature: A Reflection Through The Lens Of The 2015 Film, Suffragette, Joanne E. Gates
Presentations, Proceedings & Performances
I place the 2015-released film Suffragette within a context of the efforts Elizabeth Robins made to document and, by witnessing, to advocate, the early phases of the British Women’s Suffrage Movement in England. Robins wrote and participated across margins. An expatriate American living in England, she had no personal advantage to gain with a franchise. In her late forties and in ill health, she took perhaps only "safe" opportunities to thrust herself into the fray. But as Jane Marcus points out, with her research on the play that became Votes for Women, she took efforts to experience how working-class …
Matter, Nature, Cosmos: The Scientific Art Of The Early Modern English Stage, Jean Feerick
Matter, Nature, Cosmos: The Scientific Art Of The Early Modern English Stage, Jean Feerick
2023 Faculty Bibliography
How does our understanding of early modern performance, culture and identity change when we decentre Shakespeare? And how might a more inclusive approach to early modern drama help enable students to discuss a range of issues, including race and gender, in more productive ways?
Underpinned by these questions, this collection offers a wide-ranging, authoritative guide to research on drama in Shakespeare's England, mapping the variety of approaches to the context and work of Shakespeare and his contemporaries. By paying attention to repertory, performance in and beyond playhouses, modes of performance, and lost and less-studied plays, the handbook reshapes our critical …
Dispatches From The Home Front: Violet Hunt As War Writer And Reluctant Modernist, Heather M. Robinson, Melissa Dinsman
Dispatches From The Home Front: Violet Hunt As War Writer And Reluctant Modernist, Heather M. Robinson, Melissa Dinsman
Publications and Research
The life and work of Violet Hunt showcases the tension between modernism’s challenges to Victorian and Edwardian literary and social traditions, and the conservatism, particularly with regard to gender norms, of many of the modernist canon’s key figures: institutions, writers and critics alike. Although her work was well regarded during her lifetime, and she was a central figure in London’s literary scene in the early-twentieth century, Hunt is now best known for her long, and ultimately disastrous, relationship with Ford Madox Ford. Her copious literary oeuvre, comprising seventeen novels, three collections of short stories, and several works of biography, translation …
Treatment Of The Differently Abled: Representations Of Disability From Victorian Periodicals To Contemporary Graphic Narratives, Rachelle Echevarria
Treatment Of The Differently Abled: Representations Of Disability From Victorian Periodicals To Contemporary Graphic Narratives, Rachelle Echevarria
Honors Undergraduate Theses
In recent years, a number of efforts have been made to promote diversity, equity, and inclusion in academic institutions, the workplace, and to examine and analyze representations of marginalized populations in a variety of literary and cultural contexts. These efforts usually acknowledge past mistakes, emphasizing the idea that history shall not and should not repeat itself. While analyzing the representations of disability is important in its own right, it's also important to understand why these perceptions exist. This thesis suggests that when the representations of disabilities from different mediums and from different time periods are examined in relationship, readers may …
Entail, Elopement, And Marriage Law In Pride And Prejudice, Lynda A. Hall
Entail, Elopement, And Marriage Law In Pride And Prejudice, Lynda A. Hall
English Faculty Articles and Research
"The famous first lines of Pride and Prejudice, 'It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife' (3), alert the reader to a story about marriage. This 'universal' truth is presented ironically, of course, since it is the women without a good fortune who are in want of husbands. Remember that Emma Woodhouse indicates that she does not need to marry since she does not need “‘fortune’” or “‘consequence’” (E 84). But the Bennet sisters have neither, so '[t]he business of [Mrs. Bennet’s] life …
Imagining Change: Metatheatre, Empathy, And Action On Stage And In The Classroom, Jayna Gearhart Fitzsimmons
Imagining Change: Metatheatre, Empathy, And Action On Stage And In The Classroom, Jayna Gearhart Fitzsimmons
Dissertations and Theses
This dissertation examines the intersection of metatheatre and theatre for social change with a focus on how works of metatheatre, when combined with subject matter that illuminates social issues, systemically non-dominant characters, or de-centered stories, create opportunities for audiences to practice participation and empathetic care that has the power to translate to social action. While existing scholarship on theatre for social change often relies on one-off, site-specific, or performance art events as key to understanding socially focused theater, this dissertation considers alternative approaches to thinking and learning about theatre for social change that expand definitions of theatre for social change …
Passerby To Sonder: How Black Literary Sources Use Dance To Carve Out Relational Possibility, Zion Martin-Hayes
Passerby To Sonder: How Black Literary Sources Use Dance To Carve Out Relational Possibility, Zion Martin-Hayes
English Honors Papers
This thesis outlines the raw phenomenon of humans to exist in relation to each other as “passersby,” unaware of their tendencies towards desire and lack, when they should pursue “sonder,” the awareness that someone else’s life is as equally complex as your own. Relationality looks like a performance of bodies when it should embody the essence of dance. The performance of bodies equates to the purpose of passersby to prioritize movement as a way to remain unattentive of personhood. Whereas in dance, an appreciation for stillness to the same degree of movement brings people to sonder as a way to …
‘There Is No Gallery’: Race And The Politics Of Space At The Capitol Theatre, New York, Pardis Dabashi
‘There Is No Gallery’: Race And The Politics Of Space At The Capitol Theatre, New York, Pardis Dabashi
Literatures in English Faculty Research and Scholarship
This essay brings developments in Black film historiography and architecture studies to bear on the study of Northern picture palaces as the period of their prominence coincided with the Jim Crow era. Taking as my focus New York City’s Capitol Theatre – which opened in the immediate wake of the US race riots of 1919 and was the largest movie theater to date – I show how Northern middle-class film culture enforced racial segregation in the absence of legal protection. Southern movie theaters were able either to outlaw Black attendance or relegate their Black patronage to the gallery, a seating …
Lxs Caravanerxs And Nonsecular Protest: Rethinking Migrant Family Separation With Un Llanto Colectivo, Marcelle Maese
Lxs Caravanerxs And Nonsecular Protest: Rethinking Migrant Family Separation With Un Llanto Colectivo, Marcelle Maese
English: Faculty Scholarship
Written and directed by Celia Herrera Rodríguez and Cherríe Moraga in 2018, "Un Llanto Colectivo: Press Conference & Performa-Protesta" took place in front of ICE headquarters in downtown San Diego (September 15th) and then in front of Otay Mesa Detention Center (September 16th). Envisioned as an act of consciousness raising around family separation, Central American caravans, and the detention-industrial-complex, the flyer invitation read, "[T]his is ceremonial resistance." This writing is an extension of my witness of and participation in Un llanto colectivo. I provide a historical context for lxs caravanerxs, as well as interviews with Maestras Celia and Cherríe. The …
"Why Do You Keep Alone?:" Isolated Women In The Plays Of Shakespeare, Alexus Litchfield
"Why Do You Keep Alone?:" Isolated Women In The Plays Of Shakespeare, Alexus Litchfield
College of Graduate Studies: Theses & Dissertations
The works of William Shakespeare have been well explored, but there is a lack of criticism that examines how the depiction of women is shaped by the genre of the play. Linda Bamber is one of the few critics who have explored this connection between gender and genre. However, while she focuses on the plays’ psychological dynamics, I examine the social dynamics between characters in my study of gender and genre. I suggest that, in both tragedy and comedy, isolation is a strong marker of unhappiness for Shakespeare’s female characters. Examining three tragedies, I find that Lady Macbeth, Goneril, Regan, …
"Killers Who Preach": Horror And The "Victorian" Culture Text In The Modern American Musical, Amy Erickson
"Killers Who Preach": Horror And The "Victorian" Culture Text In The Modern American Musical, Amy Erickson
Graduate Research Theses & Dissertations
This dissertation examines American Broadway musicals adapted from Victorian horror and mystery novels, investigating the ways in which the musical adaptations represent and critique modern American social problems and traditional American values and ideology. Specifically, it analyzes Stephen Sondheim’s 1979 musical Sweeney Todd the Demon Barber of Fleet Street, a Musical Thriller, adapted from the anonymously published Victorian penny serial The String of Pearls; Rupert Holmes’s 1985 musical The Mystery of Edwin Drood, adapted from Charles Dickens’s unfinished 1870 novel of the same name; Frank Wildhorn’s 1997 musical Jekyll & Hyde, adapted from Robert Louis Stephenson’s 1886 novella The Strange …
Language As Resistance: An Exploration Of The Use And Implications Of Spanish In Three Memoirs By Female Chicana Authors, Ella Ross Franzoni
Language As Resistance: An Exploration Of The Use And Implications Of Spanish In Three Memoirs By Female Chicana Authors, Ella Ross Franzoni
Honors Theses and Capstones
No abstract provided.
Haunted Forms: Intermediality, Trauma, And Literary Memory, Gabriella Graceffo
Haunted Forms: Intermediality, Trauma, And Literary Memory, Gabriella Graceffo
Graduate Student Theses, Dissertations, & Professional Papers
This thesis considers contemporary literature’s use of intermediality as a method to heighten the affective embodiment of PTSD symptoms represented in text. Using the meaning-making structures of photography and film, the analysis examines how the writing of Georges Bataille, Annie Ernaux, Michael Ondaatje, and Bhanu Kapil use formal implicit reference—the type of intermediality in which the characteristics and semiotics of one medium are translated to another without direct reproduction—to represent both traumatic experiences themselves and the symptom domains of PTSD. Caroline Levine’s work on affordance theory from Forms: Whole, Rhythm, Hierarchy, Network provides a theoretical foundation as to how the …
Code-Switching In Jordanian Stand-Up Comedy A Humor Tool And A Means To Reflect Social Diversity, Ghaida Al-Quran
Code-Switching In Jordanian Stand-Up Comedy A Humor Tool And A Means To Reflect Social Diversity, Ghaida Al-Quran
Journal of the Arab American University مجلة الجامعة العربية الامريكية للبحوث
This article discusses the function of code-switching in Jordanian stand-up comedy. Drawing on Hoffman (1991) and Troike (1982), analysis of twenty performances presented by Jordanian stand-up comedians revealed that the alternation between colloquial Jordanian Arabic, the dialect these performances are mainly delivered in, Standard Arabic, and sometimes English does not only emphasize the humorous role of this genre, but also reflects the social diversity among Jordanians and helps in building rapport with them regardless of their different backgrounds.
Cesaire's Tempest Writes Back To The Empire, Sawsan Ahmad Daraiseh, Nancy Habis Al-Doghmi, Banan Ahmad Daraiseh
Cesaire's Tempest Writes Back To The Empire, Sawsan Ahmad Daraiseh, Nancy Habis Al-Doghmi, Banan Ahmad Daraiseh
Association of Arab Universities Journal for Arts مجلة اتحاد الجامعات العربية للآداب
Aimé Césaire, who lived the experience of colonialism, wrote back to Shakespeare’s play The Tempest in a play of his own, which he called A Tempest. Unlike notions of A Tempest as a simplistic writing back, the current research reveals A Tempest as a sophisticated play in which Césaire uses his own creative methods, some of which incorporate the colonizer and others the colonized, to write back to the Empire which Shakespeare represents well and reflects. This research performs a deep analysis of A Tempest, revealing the voice of the Other as enabled; arguing with and disabling The Tempest’s deep …
Books Received And Noted, Patrick Scott
Books Received And Noted, Patrick Scott
Studies in Scottish Literature
Brief reviews or notices of some recent books about Scottish literature, Scottish writers, and related topics.
Vol. 37 No. 2 - Whole No. 215, Eleanor M. Farrell
Vol. 37 No. 2 - Whole No. 215, Eleanor M. Farrell
Mythprint
Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.
Review Of Placing Charlotte Smith, Eds Elizabeth A. Dolan And Jacqueline M. Labbe, Heather Heckman-Mckenna
Review Of Placing Charlotte Smith, Eds Elizabeth A. Dolan And Jacqueline M. Labbe, Heather Heckman-Mckenna
ABO: Interactive Journal for Women in the Arts, 1640–1830
A review of Placing Charlotte Smith edited by Elizabeth A. Dolan and Jacqueline M. Labbe, written by Heather Heckman-McKenna
Review Of The Novel Stage: Narrative Form From The Restoration To Jane Austen, By Marcie Frank, Kathleen E. Urda
Review Of The Novel Stage: Narrative Form From The Restoration To Jane Austen, By Marcie Frank, Kathleen E. Urda
ABO: Interactive Journal for Women in the Arts, 1640–1830
A review of Marcie Frank's The Novel Stage: Narrative Form from the Restoration to Jane Austen by Kathleen E. Urda
Negotiating Gender, Representing Landscape: Teaching Lady Anne Lindsay Barnard’S Letters, Journals And Watercolours From The Cape Colony (1797–1801), Lenka Filipova
ABO: Interactive Journal for Women in the Arts, 1640–1830
The article focuses on Lady Anne Lindsay Barnard’s letters, journals and watercolours that she produced during her stay at the Cape Colony (1797–1801). Combining a series of tasks focused on close reading of Barnard’s work and a critical discussion of the historical context, the article provides a teaching strategy to examine her work with respect to the gendered discourse of the eighteenth century, and her approach to the Cape landscape and its inhabitants which both employs and, significantly, subverts contemporaneous conventions. More specifically, the tasks draw attention to Barnard’s use of ‘the modesty topos’ and the way she uses rhetorical …
Concise Collections: Teaching British Women Travelers, Tiffany Potter
Concise Collections: Teaching British Women Travelers, Tiffany Potter
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
Cooking Up Knowledge: Materiality, Recipes, And Jane Barker’S A Patch-Work Screen For The Ladies, Carolin Boettcher
Cooking Up Knowledge: Materiality, Recipes, And Jane Barker’S A Patch-Work Screen For The Ladies, Carolin Boettcher
ABO: Interactive Journal for Women in the Arts, 1640–1830
The recipes included in Jane Barker’s A Patch-Work Screen for the Ladies (1723) appear to be some of the most jarring and out-of-context inclusions in the narrative. This article explores the relationship between Barker’s novel and the form of the recipe collection in the late seventeenth and early eighteenth centuries on both a material and an epistemological level. The entanglements between recipes and the patchwork screen not only point to the processes of constructing and conveying knowledge, but also to the materiality of these processes as Galesia and the Lady build the patchwork screen. Her focus on the materiality of …
Postures After The Antique In Eighteenth-Century Portraits Of Women, Lauren K. Disalvo
Postures After The Antique In Eighteenth-Century Portraits Of Women, Lauren K. Disalvo
ABO: Interactive Journal for Women in the Arts, 1640–1830
This paper re-examines the relationship between eighteenth-century portraiture and the antique where women adopt the postures of floating female figures from Pompeiian wall paintings in eighteenth-century portraiture. I argue that eighteenth-century floating portraits afforded their female sitters an opportunity to assert classical knowledge while adhering to typical conventions of femininity.
Vol. 19 No. 12 - Whole No. 31, David Bratman
Vol. 19 No. 12 - Whole No. 31, David Bratman
Mythprint
Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.
Shakespeare And The Supreme Court: How The Justices Reveal Their Ideologies By Referencing His Works, Rachel Anderson
Shakespeare And The Supreme Court: How The Justices Reveal Their Ideologies By Referencing His Works, Rachel Anderson
Honors Projects
The works of William Shakespeare have been referenced many times throughout history, even by Supreme Court justices. Building off of an observation of a mock trial by James Shapiro, this project puts the utilization of Shakespeare from three Court opinions in relation to its context within the play and the opinion to examine what the reference reveals about the authoring justices' ideology. In doing so, this project concludes that the justices utilize Shakespeare's works in their opinions for various reasons, including to infuse their beliefs into their argument. This implies that Supreme Court justices do not base their opinions on …
Vol. 50 No. 2 - Whole No. 367, Jason Fisher
Vol. 50 No. 2 - Whole No. 367, Jason Fisher
Mythprint
Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion, and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.
Vol. 49 No. 8 - Whole No. 361, Jason Fisher
Vol. 49 No. 8 - Whole No. 361, Jason Fisher
Mythprint
Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion, and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.
Vol. 49 No. 6/7 - Whole No. 359/360, Jason Fisher
Vol. 49 No. 6/7 - Whole No. 359/360, Jason Fisher
Mythprint
Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion, and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.