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Adapting The Classics: Making The Invisible Visible, Kate Isabel Foley

Theater Honors Papers

This project seeks to answer the question, “How can a writer use an old story to shine new light on modern issues and make the invisible visible?” My adaptation of Jane Austen’s Pride and Prejudice is a genderbent retelling with queer themes while my adaptation of J.M. Barrie’s Peter Pan is a dark reimagining of Mrs. Darling as an antihero protagonist who must become Captain Hook to try to save her children. Both my research and these two plays focus on bringing visibility to marginalized communities, specifically women and members of the queer community.

Confessions Of Crooks: An Analysis Of How Art Influences Society's View On Antiheroes And Redemption Through An Original Short Story Collection, Connor Thomas Wilkerson

Undergraduate Theses

The twenty-first century has successfully bred the notion that everyone who commits a morally reprehensible action is themselves a morally reprehensible individual with absolutely no redeeming factors. This notion, however, simply isn’t accurate as it is shown in not only some of the most popular media of the age but also some of the most famous crimes of the age that people who commit heinous actions aren’t always entirely heinous. With this thesis, I plan to make an argument that condemns judgement on the morality of individuals without knowing their full stories. Specifically, I plan to write a short story …

Reflections: A Meditation On Ballet And Pain, Claire Madeline Silverman

Honors Theses

The defining details of the character of Giselle are that she loves to dance even though she knows it could kill her (for she has a frail heart), and that she is in love with a peasant boy named Loys, though she knows her mother dislikes him. She is defiant, determined to follow her desires.

Giselle wasn’t one of the ballets that stuck out to me when I was younger. I loved the Tchaikovsky ballets — Swan Lake, The Sleeping Beauty, The Nutcracker — and later Romeo and Juliet (Macmillan’s version) became my favorite. Giselle existed at my periphery. It’s …

Diversity In Times Of Adversity: Sounding A Horn In Narnia, D. G. Kehl

Sehnsucht: The C. S. Lewis Journal

Why, one might ask, does Lewis go to such great lengths to specify twelve different varieties of animals—“all you variety of creatures”—if not to stress diversity? In Letters to Malcolm Lewis wrote: “If grace perfects nature it must expand all our natures into the full richness of the diversity which God intended when He made them.”

Volume 14, Ireland Seagle, Dalton C. Whitby, Cassandra Poole, Rachel Cannon, Heidi Parker-Combes, Devon G. Shifflett, Antonio Harvey

Incite: The Journal of Undergraduate Scholarship

Table of Contents:

• Introduction: Dr. Amorette Barber
• From the Editor: Dr. Larissa "Kat" Tracy
• From the Designers: Rachel English, Rachel Hanson
• Hungry Like the Wolf: The Wolf as Metaphor in Paramount Network’s Yellowstone: Ireland Seagle
• “Floating Cities”: Illustrating the Commercial and Conservation Conflict of Alaskan Cruise Ship Tourism: Dalton C. Whitby
• What Can You Do When Your Genes are the Enemy? Current Applications of Gene Manipulation and the Associated Ethical Considerations: Cassandra Poole
• La doble cara: un tema romántico en las obras de Larra y Hawthorne: Rachel Cannon
• Resolving a Conflict: How to …

Apocalypse Then And Now: Narrative Influence And Thematic Subversion Of Victorian Literature In Modern American War Narratives, Douglas James Scully

LSU Doctoral Dissertations

In this dissertation, I argue that by looking at the lasting impact of Victorian war literature on a variety of modern media, one can see that an increased cultural awareness of trauma has led to less humane depictions of the traumatized. The multitude of Sherlock Holmes adaptations produced and set in various time periods and covering assorted wars serves as a strong example in my first chapter of how a Victorian-produced text can have a lingering impact, and the veteran Watson serves as a strong tool for adaptors to use when commenting on the shifting nature of war and the …

Zur Ästhetik Des Widerstands Im Afrodeutschen Theater: Am Beispiel Von Olumide Popoolas Also By Mail, Bertrand Collins Ngong M.A.

Foreign Languages & Literatures ETDs

This research is titled On the Aesthetics of Resistance in Afro-German Theater: A Case Study of Olumide Popoola's Also by mail. The main purpose of this research is to show how Afro-German theater resists through creative processes on a symbolic and aesthetic level to address crucial challenges faced by the black minority in Germany. The play Also by mail by Nigerian-German playwright Olumide Popoola is an interesting example of this, as it is situated at the intersection of gender, race, and identity. Popoola’s engagement with the aesthetics of resistance provides a way to understand how Afro-German activism today uses …

Anti-Woman Invective On The Early Modern Stage: Abuse, Degradation, And Resistance, Savannah Xaver

Dissertations

On the early modern stage, gendered epithets like “strumpet,” “mermaid,” “minx,” “hobby horse,” “courtesan,” “drab,” and “whore” are not just markers of misogyny. Instead, these insults harm the male user as well as their female target. My cross-playwright and cross-genre connections show the complex, wide use and impact of anti-woman terms. A wide-ranging study of the plays of Shakespeare and his contemporaries reveals that gendered insults signify masculine mental decline in tragedies as well as comedies and tragicomedies. In tragedy, the increasingly violent language of male slur users – like, for example, the frustrated Othello, who declares, of his wife, …

"Everyone Learns, Nobody Changes": Images And The Ideal In Anna Karenina And Closer, Leah Kiers

English Senior Capstone

The main characters in Leo Tolstoy’s Anna Karenina and Patrick Marber’s Closer literally and figuratively surround themselves with images of themselves and others that define how they choose to see and be seen. Using the framework of Tolstoy’s What Is Art?, this paper evaluates how these images affect the characters’ relationships with one another. Tolstoy writes that art should enable humanity to pursue an ideal of unity with one another, but the characters’ ideals are more self-centered, making it so that the images they use prevent them from authentically connecting with each other. Proximity with suffering and death can tear …

Psychological Criticism And Shakespearean Allusions In J.M. Barrie’S Dear Brutus: A Neverland For Adults, Kathryn Alley

Senior Honors Theses

In Peter Pan, Sir James Barrie welcomes readers into Neverland, the realm of eternal youth. Barrie’s lesser-known play, Dear Brutus, ushers audiences into a supernatural garden free of responsibility, reality, and permanence. Referring to Cassius’ words in Shakespeare’s Julius Caesar, the 1917 tragedy explores the consequences of romantic escapism and the seductive power of second chances. Through the lens of Freud’s and Lacan’s psychological criticism, and Barrie’s connection to his might-have-been daughter, Margaret, Dear Brutus unveils the plight of eight mysterious strangers by illustrating that all adults are lost children. Dear Brutus feels in many ways like …

The Postmodern And The Personal In Edna St. Vincent Millay’S Aria Da Capo, Roxanne Rankin

Munn Scholars Awards

Aria Da Capo, Edna St. Vincent Millay’s 1919 play, has thus far been largely ignored in literary criticism. This essay, through a historical survey of Millay’s previous critical reception followed by a close reading of Aria Da Capo, attempts to explain and then bridge this gap in academic scholarship. A postmodernist reading of the play will then illustrate why Millay’s work still confounds scholars today and how Aria Da Capo specifically continues to be relevant more than 100 years after it was first produced.

Gothic Transformations And Remediations In Cheap Nineteenth-Century Fiction, Wendy Fall

Dissertations (1934 -)

My project considers the transformation of gothic characters as they move among different types of publications in the nineteenth century. As they meander from triple-decker novels to chapbooks, to theatrical scripts, to periodicals, and to penny serials, gothic stories and portrayals of people in them are altered by the length and technological capability of each form. They also mutate to reflect the tastes and ideologies of their changing audiences, and to hybridize genres under the popular influence of realism toward the mid-century. The mainstays of the gothic mode remain stable; these publications adhere to ambiguous or pluralistic ideologies, are obsessed …

Terry Pratchett’S Witches Novels And The Consensus Fantasy Universe: A Feminist Perspective, Clair J. Hutchings-Budd Ms

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Abstract

Between 1987 and 2015, Terry Pratchett published eleven novels and one short story within his Discworld universe that came to be known as his “Witches” sub-series. In these texts he engaged with the narrative imperatives, preoccupations, and tropes which together make up the consensus fantasy universe, and those deeper mythologies and legendarium with which the author necessarily has an intertextual relationship. This paper focuses upon one aspect of that consensus universe, which is the difference between male and female magical practitioners—witches and wizards—in the fantasy canon, and how Pratchett sought to challenge and subvert the stereotypes of the genre …

Gollum From Medieval Tragedy To Liberal Tragedy In J. R. R. Tolkien’S The Lord Of The Rings, Masoud Tadayoni, Mohsen Hanif

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

J.R.R. Tolkien’s legendarium represents different archetypal myths that constitute a diverse treasury of literary genres. Tragedy in variegated forms also appears in many of his mythological tales and characters. Gollum in The Lord of the Rings experiences a unique instance of tragedy when it is compared with Tolkien’s earlier sketches of the genre. We demonstrate that the character Gollum sustains a twofold type of tragedy that originates from Tolkien’s perception of medieval and modern spirits of thought. Raymond Williams in Modern Tragedy draws upon historical traditions of tragedy to survey different characteristics of “modern tragedy”. According to him, the cornerstones …

A New Atticus Is Afoot: The Portrayal Of Lawyers In Popular Culture, Anna Thrush

Senior Theses

This project analyzes the stereotypical image of lawyers in popular culture, focusing on either overly demonic or unrealistically heroic. Both stereotypes that are common portrayals of attorneys in popular culture are unrealistic and deny society a true comprehension of the profession. Popular culture has molded the image of lawyers to the characteristics that sell, rather than focusing on a realistic portrayal. Therefore, popular culture creates a falsely dramatized image of attorneys to generate revenue, putting the reputation and future of the profession as risk. These stereotypes are exemplified in this project through a close literary analysis of lawyer characters from …

"Real Women Have Bodies": A Study In Adaptation, Madison Ephlin

Honors Projects

The art of adaptation is a difficult process, and is often hard to please general audiences that have a connection to the source material. As a student who studies both English Literature and Film Production, the question asked through this study is what does it take to write a “successful” adaptation? What qualifies as “successful”? How does an adaptation balance the themes, characterization, and plot of a piece of literature with the continuous momentum and visual complexity that the medium of film requires, all in 120 pages or less? This study engages with these questions by actively practicing adaptation, adapting …

Transmisogyny In Popular Culture, Feminisms, And Shakespeare Studies, Lisa S. Starks

USF St. Petersburg Campus Faculty Publications

In this article, I deal with the disparagement of femininity and trans persons in multiple levels of our culture, including in some feminist theory and Shakespearean criticism. I point out that contemporary culture, patriarchal institutions, and some feminist positions share misogynistic stances towards expressions and embodiments of femininity; and these perspectives carry over into some criticism, as well as our academic institutions and classrooms. I examine the double-standard that is often applied to feminine-gendered behavior and bodies in contemporary culture and the profession. In so doing, I address the points of tension and common ground between feminist, queer, and transgender …

Too Good To Be White: A Journey To Lose Identity In Tony Morrison’S The Bluest Eye, Rasha Maqableh, Aya Akkawi

Association of Arab Universities Journal for Arts مجلة اتحاد الجامعات العربية للآداب

The history of African-American is a record of struggle for the right of existence and acknowledgement. An integral part of that struggle is the enforcement of the values and standards of the dominant ideals of white culture that made it impossible for African-Americans to hold on their identity. In The Bluest Eye, Toni Morrison focuses on the difficulties, facing women, in obtaining identity and self esteem in a society dominated by white ethnocentrism. This paper aims at displaying the hardships and challenges of Black female characters in a world dominated by a complicated system of race, class and sex oppression …

Vol. 42, No. 3 - Whole No. 276, Eleanor M. Farrell

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Wench, Witch, Wife, Widow: The Power Of Address Terms In The Witch Of Edmonton, Laura Kolb

Publications and Research

This chapter explores address terms and their power to shape social reality, especially for women and the socially precarious. The opening of The Witch of Edmonton—“Come, wench!”—is the first of many moments in which one character classifies another in terms of gender, class, or social position. Tracking characters’ reactions to being named (and thereby “placed”) reveals divergent perspectives on the fit between assigned social identity and self-evaluation.

Shakespeare On Zoom, Fandom, And The Uncanny Humor Of Imperfections And Plurality: A Comparative Study Of The Show Must Go Online And Zoom Shakespeare Productions, Hyemin Kim

Dissertations, Theses, and Capstone Projects

This thesis surveys the phenomena of Shakespeare performance on Zoom (‘Shakespeare on Zoom’) that have emerged during the current Covid pandemic in order to illuminate a complex intersection of lockdown culture, fandom, and new media’s techno-social archive, including its affective resonances. As case studies, this study pays attention to The Show Must Go Online (TSMGO) and Zoom Shakespeare Productions (ZSP) to examine countercultural fandom, vernacular creativity, and technologically imperfect aesthetics (or anti-aesthetics) in ‘Shakespeare on Zoom’ performed by underfunded artists or amateur fans. In analyzing TSMGO’s and ZSP’s endeavors of production and dramaturgy, I bring in Sigmund Freud’s …

Vol. 41 No. 5 - Whole No. 266, Eleanor M. Farrell

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Vol. 41 No. 1 - Whole No. 262, Eleanor M. Farrell

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Personal Touches: Translation Poetics In Chinese Translations Of Shakespeare Plays, Gabriella Smith

Masters Theses

Translation, rather than a process of equivalency, requires linguistic and cultural mediation on behalf of the translator. Thought of in this way, the translation process becomes a process of rewriting to fit the sociolinguistic context, and the translator becomes the most important factor in determining how well a translation can fill in gaps present in the knowledge of the target audience. To provide a better understanding of how those with no training in translation seek to fit a translation to the linguistic audience they are provided, I conducted a study of two native bilingual Chinese students on the Wadsworth version …

Contagious Animality: Species, Disease, And Metaphor In Early Modern Literature And Culture, Jeremy Cornelius

LSU Doctoral Dissertations

In my dissertation, Contagious Animality: Species, Disease, and Metaphor in Early Modern Literature and Culture, I close read examples of Renaissance drama alongside their contemporary cultural texts to examine anxieties around social differences as constructed and mediated through what I call “contagious animality” in early modern English culture. Animal metaphors circulated anxieties around social differences on the early modern cultural stage in English drama where animality elicits uncertainties about identitarian constructions of difference. In this vein, I close read formal elements and their interactions with early modern culture to argue that animal metaphors transmit modes of speciating difference in …

Shakespeare's Hamlet And Chekhov's Ivanov And The Type Of The Russian Intellectual Of The Late 19th Century Russia, Fuad Abdul Muttaleb

Association of Arab Universities Journal for Arts مجلة اتحاد الجامعات العربية للآداب

Shakespeare’s Hamlet influenced Chekhov's plays, from Ivanov to The Cherry Orchard. Ivanov was the first genuine literary figure to be created by Chekhov and his version of the character of the Russian Hamlet. This study is not only concerned with the Hamletian elements in Ivanov, but it also tries to stress the fact that Chekhov was casting an eye on Hamlet while creating the character of his protagonist. The personality of the hero of this play still provokes critical arguments. However, the work here looks at Ivanov as a tragic character, the Russian Hamlet of the 1880s, and views the …

Anthology On Racism, The Black Experience, And Privilege, Marshall University Society Of Black Scholars, Marshall University Office Of Intercultural Affairs

Marshall Books

RACISM IN YOUR LIFE

The depth, impact, and experience of “racism” in our personal lives is a story that we do not often tell. These are predominantly private matters, only occasionally shared and with only certain people in our lives. Unfortunately, many people in our world are unaware of its full existence and do not know the truth about the experiences of racism in our daily lives. Without knowledge of these truths, society, including university leadership, cannot make adequate advancements to address these demoralizing experiences of people of color. In this anthology, writings on this subject will bring clarity, truth, …

2023 Aegs Proceedings: Struggles And/As Transformation, Marquette University

Association of English Graduate Students

No abstract provided.

Environmental Aesthetics And Environmental Justice In Jonathan Edwards’S Personal Narrative And John Woolman’S Journal, Jay David Miller

Faculty Publications - Department of English

This essay examines the relationship between Christian theology, environmental aesthetics, and environmental justice in colonial America. As opposed to the work of secular writers from the early republic like J. Hector St. John de Crèvecoeur and Thomas Jefferson, the Christian environmental aesthetics of Jonathan Edwards and John Woolman have potential to address questions of environmental justice in American literary history, such as tenant exploitation, African enslavement, and Indigenous displacement. Edwards, however, worked in a pastoral literary tradition, which limited his ability to imagine environmental justice due to his commitment to the doctrine of election. Woolman, on the other hand, worked …

Parnassus 2023

Parnassus

The 2023 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.