Digital Commons Network^™

Volume 30

Articulāte

No abstract provided.

Echoes Of The Plague: The Black Death And The Evolution Of Religious Music In Medieval Italy, Emily Bost

Articulāte

No abstract provided.

“Restless And Uneasy…Thin And Stretched”: The Ring, The Ringbearers, And Bodies In Psychological Crisis In Tolkien’S The Lord Of The Rings., Sara Brown

Journal of Tolkien Research

The attachment that Tolkien’s Ring-bearers have for the Ring, a twisted and perverted form of love, is sterile and barren; it leaves those affected unable to settle and form fruitful, loving relationships with others, an effect that Tolkien referred to as a “Ring-restlessness.” Gollum, Bilbo, and Frodo all suffer, to their own degree, from the psychological crisis caused by the Ring that renders them uneasy and agitated. This paper examines this crisis through a psychological lens, exploring how the Ringbearers are living in discord with their true selves, and struggling with the meaninglessness of life that the Ring leaves behind.

Grief, Grieving, And Permission To Mourn In The Quenta Silmarillion, Dawn M. Walls-Thumma

Journal of Tolkien Research

Tolkien asserted on multiple occasions that death was a primary theme of his work, and there are over ninety deaths of named characters in the Quenta Silmarillion alone. In reading the Quenta Silmarillion as historiography, the universality and psychologically powerful experience of death, grief, and mourning allows the narrators of the Quenta Silmarillion to shape how readers perceive characters, events, and themes in the text. Assuming Pengolodh as the primary narrator, this paper investigates how Tolkien used a limited, flawed, and biased narrative point of view as a strategy to shape reader responses and theme. Characters who die in the …

Mourning And Melancholia In The Lord Of The Rings, Ali Mirzabayati

Journal of Tolkien Research

This paper analyzes how Denethor and Théoden respond differently to the deaths of their sons in J.R.R. Tolkien's The Lord of the Rings. Initially consumed by grief, Théoden embraces hope with Gandalf's support, while Denethor descends into despair. Employing Freud's essay "Mourning and Melancholia" (1917), we examine how Théoden and Denethor illustrate differing reactions to mourning and melancholy in the face of loss. Recognizing developments in psychoanalytic theory, the paper moves beyond simple binaries to offer a nuanced exploration of grief and attachment in Tolkien's narrative.

The Only Thriller J.R.R. Tolkien (Never) Wrote: Jungian Shapes Of Evil In “The New Shadow”, Martin Hauberg-Lund Laugesen, Bo Kampmann Walther

Journal of Tolkien Research

J.R.R. Tolkien's The New Shadow, a fragment set in the Fourth Age of Middle-earth, offers a rich but often overlooked exploration of the psychological and cultural implications of peace following the defeat of Sauron. Although Tolkien abandoned the project, dismissing it as a mere “thriller”, the text presents significant insights into the dynamics of generational conflict, the origins of Evil, and the moral challenges of a post-heroic world. This paper examines The New Shadow through a dual lens: first, by contextualizing Tolkien’s depiction of good and evil within Christian ethical frameworks, and second, by applying Carl Gustav Jung’s psychological …

The Moral Function Of Invented Languages In J.R.R Tolkien's Legendarium, Mareike Huber

Journal of Tolkien Research

For J. R. R. Tolkien, the languages he invented for Middle-earth came first, the stories second. Much of his linguistic creation was based on the idea that the sound of a language can create a sense of pleasure or displeasure in those hearing it, irrespective of the meaning behind the words. This can be seen in the ways the sound of the elvish languages on the one hand and Tolkien’s other invented languages such as Khuzdul or the Black Speech on the other, are described not only by Tolkien himself but also by readers of his works. The way a …

Tolkien And Attachment Theory : A Theory To Bind Them All?, Lelie Bremont

Journal of Tolkien Research

Tolkien and Attachment theory: One Theory to Bind Them All?

Ever since the first publication of The Hobbit in 1937, Tolkien’s works have been dominating the fantasy genre, often imitated but rarely equalled. Dozens of scholars over decades have looked for the reason behind this success, the secret ingredient that made Middle-earth so compelling.

Nicole Guédeney is a French psychiatrist specializing in Attachment Theory. Attachment Theory emerged in the early 20^th century and combines psychology with anthropology and ethnology to explore the early attachments created between a baby and the adults surrounding them and how these attachments determine the …

Perceiving The Perceiver: “Viewing” Sauron Through The Gestalt Theory Of Perception, Cameron Bourquein

Journal of Tolkien Research

This paper uses Gestalt theory, the Gestalt laws of perception, and the reception theory of Wolfgang Iser to elucidate the character “Sauron” as he appears in The Lord of the Rings, The Rings of Power, and Tolkien’s wider legendarium. It argues firstly that Sauron’s high degree of indeterminacy and ambiguity suggests he can be read as a gestalt entity, one the reader creates by mentally constructing a whole from (seemingly) disparate parts. Building on the semiotics work of Nagy (2013), it argues that Sauron in The Lord of the Rings can be read as gestalt across the spatial, …

Fears And Pains And Rages: The Psychology Of Gandalf's Anger, Nicholas Birns

Journal of Tolkien Research

We are used to seeing emotions in Tolkien as coded morally. Lust or possessiveness is evil whereas care and forbearance are good. There are some emotions, though, that cross these moral boundaries and one of these is anger Moreover, anger in Tolkien is very coded in terms of gender, as it is nearly always male rage. After examining the cases of Saruman and Wormtongue (angry because the world will not cooperate with their plans) and Thingol (angry because he realizes he has just postponed his doom rather than staved it off), we will examine the case of Gandalf. Gandalf is …

“What Ship Will Bear Me Ever Back”: Woundedness And The Western Sea, Janet Brennan Croft

Journal of Tolkien Research

The sea journey into the West is a multi-faceted symbol-system in Tolkien’s works. It is connected with healing, loss, and the numinous. A character may sail to find peace, to lay down burdens, or to challenge the gods or to beg their help. I will be considering both Tolkien’s literary inspirations in medieval and Arthurian literature, and the personal resonances arising from the significant sea voyages (to England as a young child, and to and from France during the Great War) which twice upended his life.

Absent Mothers And Their Effects On The Heroines' Self-Actualization In Jane Austen's Final Three Novels, Gillian Carter

Criterion: A Journal of Literary Criticism

No abstract provided.

Healing Through Collective Memory: Exploring Psychological Trauma And Community In Toni Morrison’S Beloved And Audre Lorde’S “The Uses Of The Erotic”, Cassia Mcphilliamy '25

Student Research

My project “Healing Through Collective Memory: Exploring Psychological Trauma and Community in Toni Morrison’s Beloved and Audre Lorde’s “The Uses of the Erotic”” is motivated by the traumatic images of the experience in enslavement. The symbolism that Morrison uses in Beloved through the dual role Beloved plays as both a spectator and experiencing trauma firsthand. Morrison surpasses the generic gothic tropes of the ghost through Beloved’s ghostly presence at 124 Bluestone, and later her ability to physically haunt Sethe, forcing her to confront her trauma. Beloved’s appearance collapses the past and the present, forcing Sethe to face her past in …

Theodore B. Taverner, Joshua Holt

Persimmon Creek

A war veteran with PTSD wakes on abandoned train tracks, a gun in hand, blood on his clothes, and a body by his feet. Disoriented and haunted by fragmented memories, he struggles to piece together the truth as sirens close in.

C. S. Lewis And The Process Of Sanctification: A Literary Analysis Of Till We Have Faces, Samantha Fullmer

Student Research

This article analyzes C. S. Lewis’s Till We Have Faces as a mythical representation of the Christian process of sanctification. Through the main character, Orual, and her transformation, Lewis portrays the Christian journey from pride to love through submission to divine intervention. This tale reveals how pride and self-deception can prevent humanity from recognizing the truth of the Divine. Orual’s story illustrates that the barriers between humanity and the Divine often come placed there by humanity themselves. By examining the process of transforming from hubris to love through sanctification, and by comparing this narrative to other works by Lewis, such …

Identity, Migration, And Folklore In Jamaican Postcolonial Literature: A Reading Of Paulette Ramsay’S “Aunt Jen”, Emily Mceachin

Student Scholar Symposium Abstracts and Posters

This project examines the formation of identity in “Aunt Jen,” a coming-of-age novel set in post-independence Jamaica, by exploring how colonialism, migration, and folklore shape the protagonist’s sense of self. Centering on the character Sunshine, the novel unfolds during Jamaica’s political and economic upheavals of the 1970s, including the rise of Michael Manley and the People’s National Party, depicting both the hopes and disillusionments of a young nation. Sunshine’s story parallels these challenges as she navigates her fractured self-image, intensified by the absence of her mother, Aunt Jen, who emigrated to England to escape Sunshine’s father and her internalized colonial …

The Wheel Of Fire: An Obsessive-Compulsive Reading Of Frodo Baggins, Andreas J.W. Minshew

Journal of Tolkien Research

Although addiction has been the main psychological framework for understanding the Ring’s influence, it does not fully capture Frodo’s inner conflict. This paper argues that an obsessive-compulsive reading accounts for his ego-dystonic relationship with the Ring and his lack of an initial period of using it for pleasure, both of which differentiate his experience from other Ringbearers. This reading, rather than in opposition to addictive or post-traumatic frameworks, can coexist with both to bring added nuance to how readers and scholars understand Frodo’s experience.

"You Know The Rules": A Dramatic Experiment In Aromantic Literary Theory, April Chronowski

English

This paper proposes a new literary theory framework based on the zine "an aromantic manifesto" by yingchen and yingtong, as well as the work of Erving Goffman, using theater as a device to examine romantic relationships. Blending English and sociology, I focus each chapter on a different literary period and examine two plays each: early modern (Christopher Marlowe's Doctor Faustus and William Shakespeare's Much Ado About Nothing), modern (Edward Albee's Who's Afraid of Virginia Woolf? and Djuna Barnes' "To The Dogs"), and contemporary (Caryl Churchill's Cloud 9 and Margaret Edson's W;t). In tandem with analysis of formal elements---like …

“Already My Heart Misgave Me”: Doomed Fantasy And Children In James Joyce’S “Araby” And William Faulkner’S “Barn Burning”, Kathleen E. Conner

Departmental Honors & Graduate Capstone Projects

While rarely put into conversation, William Faulkner’s “Barn Burning” and James Joyce’s “Araby” have a remarkable amount to say to one another. These parallel portraits of childhood each follow a young boy, Sarty Snopes and a nameless narrator respectively, struggling to find emotional clarity within a repressive society. While far from either authors’ most blatant critique of Southern or Irish culture, both stories subtly weave in the confining forces of Catholicism, imperialism, patriarchy, and poverty. To cope with the drudgery and cruelty of their surroundings, the boys retreat into fantasies of love and heroism. These idealizations allow the boys to …

Final Master's Portfolio, Sophia Michalski

Master of Arts in English Plan II Graduate Projects

This portfolio explores research in technical writing revolving around digital products and literary practices such as Post-Structuralism as literary theory and the methodology Docile Bodies within literary texts. While half the portfolio includes analytical essays which examine how these themes intersect and arise in literary landscape, the other half aims to investigate how the current digital marketplace prioritizes cloud-based products and what limitations are placed through extensive research.

"We All Of Us Have Our Particular Devil Who Rides Us And Torments Us": Sexuality And Identity In Trauma Narratives, Aysenur Zaza

Master of Arts in English Plan II Graduate Projects

This portfolio reads literary narratives through the lens of feminist trauma theory to critique how institutional powers like heteronormativity, misogyny, and racism shape the production and perception of trauma. Centering works by women writers (with an exception in Sir Gawain and the Green Knight) it examines how experiences such as childbirth, racial respectability, and gendered identity formation are silenced or pathologized under dominant frameworks, particularly the medicalization of trauma. Drawing on scholars like Laura Brown and Lucy Thompson, the portfolio challenges the white, male-centric origins of PTSD and critiques the expectation of “wholeness” imposed on women in both literature and …

“Bottom Nature”: Embodying History In Gertrude Stein’S The Making Of Americans, Yasmin Tehrani

Theses and Dissertations

This paper attempts to connect Gertrude Stein’s conception of being in The Making of Americans with her vision of the production of history. This paper then concludes that for Stein, historical subjects themselves, both individually and collectively, and the imbued qualities in their being, shape history.

Alienation In Virginia Woolf's Mrs. Dalloway, Chunying Xu

Theses and Dissertations

Mrs. Dalloway is one of Virginia Woolf’s best-known novels. It was published in London in 1925-seven years after the end of World War I. The novel centers on Clarissa Dalloway’s life on a specific day in June 1923, in preparation for a party she will host in the evening. The day is also the death of Septimus Smith, a subplot character who is an ex-soldier of World War I and serves as Clarissa Dalloway's doppelganger. Clarissa is a middle-class woman who has just recovered from heart disease. Septimus is a working-class young man, a victim of war, and a sufferer …

The Prescribing Of Gender, A Scope On The Societal Ideologies Showcased Within Le Roman De Silence, Derrian Fernandez

Master's Theses

Culture is constantly evolving, its ideologies cementing themselves within our minds, shaping how we as a society guide ourselves through living in such. Social class, religion, gender, all are forms of identity that have a place, and a certain understanding and standing within our culture and society. Through this understanding of ourselves, we are defined, creating multiple forms of distinct expression to help differentiate our place further. A pope is expected to wear a certain attire just as a bride is expected to. The same ideology trickles down, creating demarcations of attire that subsequently ingrain themselves into our culture and …

Transgressive Fiction And The Problem Of Negative Affect: A Case Study Of Samuel Delany’S Hogg, Brian Thornton

Master's Theses

Samuel Delany began drafting Hogg in March of 1969 and worked on it intermittently before completing the novel in October of 1973.1 Yet Hogg remained unpublished until 1995 before finally seeing the light of day “during the ‘transgressive turn’ in American literature” (Mitchell 1). As such, the novel is historically situated along what Jonathan Mitchell calls a “dual temporality,” which “allows the novel to be located as an intervention in two key moments in America’s LGBT+ history: first, the developments in identity politics coming out of the socio-political cultural shifts of the 1960s; and, second, the post-AIDS awareness 1990s”.

Everything And Nothing Found In The House Of Leaves: A Multiliterate Analysis Of Multimodal Writing., Jennings Collins

Electronic Theses and Dissertations

The postmodern horror novel House of Leaves engages in a bevy of discourses across the humanities, a complex work that invites readers to engage with several multimodal forms of reading and writing to experience it fully. This thesis hopes to explore the novel’s place in various sites of discourse including film theory, philosophy, and horror genre theory; applying a multiliterate perspective to the work to study how the novel encourages multimodal and multiliterate thinking by applying studies of typography, experimental literature, and literary ontology. This thesis will emphasize a filmic analysis of text-within-text The Navidson Record, to address a …

One-To-One Chromebook Best Practices In Secondary-Level English Language Arts Classrooms, Jonathan M. Cook

All-Inclusive List of Electronic Theses and Dissertations

This hermeneutic phenomenological study aims to examine the lived experiences of secondary-level English Language Arts (ELA) teachers to better understand what, if any, best practices exist for the use of one-to-one Chromebooks in these teachers’ classrooms. Seventeen participants agreed to be interviewed for this study. All participants had at least two years of teaching experience and at least two years of Chromebook experience. Interviews took place over Zoom and were digitally recorded. Five common themes emerged from these collected data: 1) the importance of training; 2) the frequently problematic oversight from administrators; 3) the overall lack of innovation in classroom …

Telling Their Stories: Contextualizing The Narrative, Legal Atmosphere, And Need For Individualized Care For Human Trafficking Victims, Joy M. Brown

Undergraduate Honors Thesis Collection

Though known in name, human trafficking is a silent plague that often goes unseen. Its prevalence is rendered invisible by both the circumstances in which trafficking occurs and the correlation it possesses with other criminal matters. Human trafficking is a deeply individual crime that is multi-layered, and thus is one that requires unique legislation. This essay seeks to ignite clarity as to what prevention, rehabilitation, and healing look like for victims of human trafficking via interviews with providers of legal and social services for survivors. Building on the content of these interviews and my own experience as a direct-care volunteer …

Shakespeare, Storytelling, And Science: An Exploration Of The Relationship Between The Early Modern Scientific Movement And Shakespeare’S 17th-Century Works, Morgan Mead

Undergraduate Honors Thesis Collection

The 17th-century scientific movement generated a “death of the metaphor” that reverberated across the literary landscape. The creation of the Royal Society in 1660 shifted the ways in which literature and art were represented and respected in Western society. Shakespeare's works, believed to have been written from 1592-1615, show the growing relevance of the scientific and philosophical issues and queries that led to the formation of the Royal Society. A deep dive into Shakespearean metaphor and the scientific works that were causing shifts within Shakespeare’s world provides insight into the mind of an artist consumed and perturbed by matters of …

Reconstructing A Voice In The Diaspora: Language And Hegemony In Theresa Hak Kyung Cha's Dicteé, Ryann Bahnline

Undergraduate Honors Thesis Collection

“Reconstructing a Voice in the Diaspora: Language and Hegemony in Theresa Hak Kyung Cha's Dicteé” is a close reading into the experimental work Dicteé by Theresa Hak Kyung Cha. The text explores the interplay of language, identity, and cultural hegemony and primarily focuses on how Cha deconstructs language and narrative to critique colonialism, patriarchy, and the diasporic identity that generations feel after losing their voice. The fragmentation of the text mirrors the effects of diasporic trauma, specifically with symbolic violence and the fragmentation of the self. Pierre Bourdieu, Antonio Gramsci, and Victor Turner’s theories — symbolic violence, cultural hegemony, and …