Digital Commons Network^™

Mobilities, Migration, And Digital Humanities, Mayurakshi Chaudhuri, Chiranjoy Chattopadhyay, Nirmala Menon, Paul Longley Arthur, Sarah Kenderdine, Mattius Rischard, T. Shanmugapriya

Research outputs 2022 to 2026

No abstract provided.

History And The Teaching Of Dialect And Slang In Screenwriting, Mitch Olson, Chris C. Palmer

Faculty Articles

This article explores academic and industry perspectives on the use of dialect, slang, and historical language in screenwriting. It offers a chronological overview of major screenwriting manuals’ treatment of dialect and slang (or lack thereof) 1946-2020. It then presents survey data of 53 currently-practicing screenwriters’ views on working with dialect and historical language in scripts, as well as their sense of possible changes in the industry regarding attitudes towards diverse voice representation on the page. It concludes with examples from a teaching sequence that illustrates strategies for writing with dialect, researching it, and ethically considering its usage in scripts. Situating …

Periodizing The Long Eighteenth Century — Across Generations, Katarina O'Briain

ABO: Interactive Journal for Women in the Arts, 1640–1830

This paper approaches the topic of intergenerational thinking by asking it what it might mean to stretch the conventional periodization of the long eighteenth century across generations. Reading Phillis Wheatley’s heroic couplet poems alongside Earl Wasserman’s mid-twentieth-century work on neoclassical poetics, it explores some of the surprising possibilities unleashed by revisiting the work of earlier critics. This mid-twentieth-century scholarship, the essay suggests, establishes a mode of eighteenth-century poetics that lends itself to more recent understandings of abolition and structural change. Earlier generations of critics trace an eighteenth-century poetic theory that resonates in the present moment; many generations before that, Phillis …

Photo-Feminists: The Inter-Textual Discussion Of Eighteenth-Century Periodical Frontispieces, Karenza Sutton-Bennett

ABO: Interactive Journal for Women in the Arts, 1640–1830

The visual afterlife of the two frontispieces from the first volume of Eliza Haywood’s periodical, The Female Spectator (1744-46) promotes the argument that middling women should be allowed to learn the same proto-disciplinary topics that men studied by representing how women could include both amusements and informal learning in between their duties as wives and mothers. The Female Spectator’s frontispiece, the emblem to Frances Brooke’s The Old Maid (1755-56), the frontispiece to Charlotte Lennox’s The Lady’s Museum (1760-61) and the 1789 frontispiece to The Lady’s Magazine (1770-1847) have the common element of the image of Minerva to visually continue the …

Knighthood In The Wilderness: Ecocritical Readings Of Nature And Chivalry In The World Of Sir Gawain And The Green Knight, Dajana Memko

Theses and Dissertations

Many interpretations of the Green Knight portray him as a personification of nature or as nature’s embodiment. Ecocriticism, however, challenges a more anthropocentric approach, calling into question deeply ingrained ideals of chivalry and human dominion over nature. The Green Knight is a hybrid creature whose striking features mark his otherness; yet, through his familiarity, he challenges the knight of Camelot and asks them to consider their chivalric identities as well as the nature of their Trojan ancestry and legacy. Among them, Gawain is forced to confront his identity as he ventures into the wilderness of Wirral, and his interactions with …

Examining State Development In West Africa, Through Senegal And Nigeria, Kasandra L. Housley

All-Inclusive List of Electronic Theses and Dissertations

This paper studies the relationship between the state and armed conflict in West Africa with an emphasis placed on the value, influence, and role of social institutions on the long-term stability of the West African state. The countries of the Republic of Senegal and Nigeria represent the primary focus of the paper. Comparisons are made of the history of each country/state and experience with socio-political conflict in an effort to explain the penultimate place of social as opposed to legalistic or political influences responsible for the long term survival of the independent state in West Africa. The central question explored …

Mapping The Modern Geography Of Floyd Dell’S Port Royal And Susan Glaspell’S Freeport, Megan Yarusso

English: Student Scholarship & Creative Works

No abstract provided.

Cultural Memory And The Search For Identity In Victorian Fantasy Fiction, Sadie Boggs

Honors College Theses

Fantasy literature's origins can be traced through myths and folktales, medieval romances, enlightenment fairy tale fantasy, and Romanticism, before finally taking firmer root in the Victorian period and blooming into its own genre in 20th century modern fantasy. Victorian thinkers reacted to the Enlightenment’s realism and technological innovation by “rediscovering” the Middle Ages as a time of beauty, simplicity, and moral virtue. Simultaneously, Psychology developed as a recognized field of study, and theories emerged about the psychological process of memory formation and retrieval, as well as its reliability and relation to identity.

Considering these psychological theories, Victorian fantasy's cultural memory …

Navigating The Anglo-Irish Landscape: Imaginative Geographies In Bram Stoker And Elizabeth Bowen's Novels, Natalie Pearson

Theses/Capstones/Creative Projects

There has been great work done by scholars of Anglo-Irish Gothic tradition to assess the place of classic fictional characters within that tradition. Could a character’s identity contain an Irish dimension? Could they be, perhaps, an allegorical embodiment of the Anglo-Irish Protestant Ascendancy or native Irish peasantry? All excellent questions; however, this present study looks to explore a different perspective by considering “place” itself across four Anglo-Irish Gothic novels: that of Bram Stoker’s The Snake’s Pass (1890) and Dracula (1897) and Elizabeth Bowen’s The Last September (1929) and Bowen’s Court (1942). I seek to highlight the physical landscape in each …

A Qualitative Study Of Iranian Efl Teachers’ Perceptions Of A Digital Diversified Education, Seyed Mohammad Reza Marvasti Zadeh, Azizollah Dabaghi Varnosfadrani Advarnosfadrani, Mohammad Amiryousefi

The Qualitative Report

Because Iran is a country of learners of diverse languages, socio-economic classes, genders, and ages, digital diversified education seems appropriate to address needs in English language education. However, there is a notable gap in research on teachers’ perceptions about this type of education. To fill this gap, this study aimed to investigate the perspectives of Iranian teachers of English as a foreign language (EFL) regarding a diverse digital education. Data were collected via an open-ended survey with 30 EFL teachers, both male and female, who were selected through convenience sampling. Analysis revealed several key themes, including the utilization of diverse …

Vol. 12, No. 6, Glen Goodknight

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion, and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Vol. 11, No. 6, Glen Goodknight

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion, and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Vol. 10, No. 5, Glen Goodknight

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion, and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Vol. 44, No. 11 - Whole No. 308, Eleanor M. Farrell

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion, and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Vol. 40, No. 12 - Whole No. 261, Eleanor M. Farrell

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion, and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Vol. 39, No. 2 - Whole No. 239, Eleanor M. Farrell

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion, and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Vol. 38, No. 11 - Whole No. 236, Eleanor M. Farrell

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion, and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Vol. 34, No. 10 - Whole No. 187, Eleanor M. Farrell

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion, and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Vol. 34, No. 3 - Whole No. 180, Eleanor M. Farrell

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion, and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Rimmo Nín Bruinen Dan In Ulaer!: Waters Of Wisdom And Wonder In Tolkien’S The Fellowship Of The Ring (1954), Noelia Ramos Soria

Journal of Tolkien Research

Tolkien's profound and enigmatic incorporation of water elements has captivated not only Tolkien enthusiasts but also scholars from various academic fields, positioning this elemental motif as a significant focus in contemporary literary studies. Although environmental themes in Tolkien's works have been widely researched, the specific role of water in Elven realms—and its possible Celtic cultural connotations—remains largely overlooked. This paper examines J.R.R. Tolkien's engagement with Celtic influences in The Fellowship of the Ring (1954), focusing on the motif of water in elven realms. Despite critiquing Milton Waldman’s idea of “Celtic Things,” Tolkien paradoxically integrates Celtic mythology, creating complex aquatic landscapes …

Tolkien’S _Beowulf_-Poet And His Dantean Tower, Michael David Elam

Journal of Tolkien Research

J.R.R. Tolkien’s tower metaphor in “Beowulf: The Monsters and the Critics” shows significant affinities with views of the sea presented in Dante’s Purgatorio. These affinities combine with relevant similarities between Dante and Tolkien’s view of the Beowulf-poet to show an underlying preoccupation Tolkien has about the purgation of source material and the sanctification of authors. Ultimately in Tolkien’s perspective, the Beowulf-poet’s view from the top of his tower looks ahead to the hope of eternal life promised to the Chrisitan elect.

Tolkien And Laʒamon, Deidre Dawson

Journal of Tolkien Research

In this essay I argue that the Arthurian poem that had the greatest influence on The Lord of the Rings was Laʒamon’s Brut. In a Letter to editor Milton Waldman from 1951 Tolkien expressed his regret that England lacked a mythology and stories of its own that were “bound up with its tongue and soil, ” explaining that the Arthurian world was “associated with the soil of Britain but not with English,” and that “its ‘faerie’ is too lavish, and fantastical, incoherent and repetitive.” Perhaps to rectify these deficiencies in the Matter of Britain, Tolkien began writing his own …

J.R.R. Tolkien’S Utopianism And The Classics By Hamish Williams, Robert T. Tally

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

The Catholic Imaginations Of J.R.R. Tolkien And Oscar Wilde, Frazier A. Johnson

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This paper uses terminology from The Catholic Imagination by Andrew Greeley to explore the influence of Catholicism on the writings of Oscar Wilde and J.R.R. Tolkien. Greeley asserts that Catholics see metaphors for the transcendent in matter, value community within a well-ordered hierarchy, and sanctify suffering—qualities that abound in the writings of Wilde and Tolkien. I begin with short biographical sketches of both authors, paying special attention to Wilde’s and Tolkien’s varied involvement with orthodox Catholicism. I then move into a discussion about both authors’ aesthetic philosophies and the similar value they see in art. Next, I detail the authors’ …

Fantasy, Colonialism, And The Middle Landscape, Brian Attebery

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Weaving together Anglo-American folklore, the Indian captivity narrative genre, and science fiction and fantasy with Midwest settings, Attebery explores the lasting influence of the pastoral chronotope of the “middle landscape” and its entanglement with colonialism and empire. Scholar Guest of Honor Address, Mythcon 53.

Elmar, Aerin, And Aredhel: Female Enslavement In Tolkien’S Legendarium, Clare Moore

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Argues that Elmar, Aerin, and Aredhel’s narratives convey experiences of female enslavement. Understanding these characters as enslaved reveals the violent nature of their experiences, necessitating an interpretation of their relationships with their husbands/enslavers as sexual assault. Their narratives reveal patterns within the legendarium connecting beauty and violence. However, these three stories also demonstrate Tolkien’s interest in portraying this kind of story and its value to the legendarium. These narratives offer a unique female perspective on loss and lived experience within the legendarium.

Vol. 28, No. 1 - Whole No. 127, David Bratman

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion, and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Vol. 26, No. 5 - Whole No. 108, David Bratman

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion, and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Vol. 30, No. 8 - Whole No. 156, David Bratman

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion, and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Virtual Bonds And Transformed Homes: Diaspora And Ict In Inaam Kachachi’S The Dispersal, Asmaa S. Altalafeeh, Yousef Abu Amrieh

An-Najah University Journal for Research - B (Humanities)

Objective: This research aims to explore the significant impact of Information and Communication Technology (ICT) on literary representations of diasporic experiences, particularly focusing on its role in connecting immigrants worldwide. Methodology: The study employs an analytical approach to examine the influence of ICT on diasporic literature. Key Findings: The findings reveal that ICT has played a crucial role in reshaping the concept and portrayal of diasporic experiences in literature. In Inaam Kachachi’s novel The Dispersal (2023), Iskander’s technological skills highlight ICT's potential to maintain family connections. He uses technology to preserve his family’s history by creating a virtual graveyard, allowing …