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Articles 61 - 90 of 2446
Full-Text Articles in Entire DC Network
Swan Lake: Tchaikovsky's Lasting Influence On Ballet, Keely Hudspeth
Swan Lake: Tchaikovsky's Lasting Influence On Ballet, Keely Hudspeth
Student Scholar Symposium
Russian ballet has had a significant influence on this dance form since at least the nineteenth century. Pyotr Ilyich Tchaikovsky had an especially pivotal role, writing works that placed increasing emphasis on the artistic importance of music in addition to the choreography. A study of Tchaikovsky’s Swan Lake exemplifies his new emphasis on music and the evolution of ballet in the late nineteenth century. My research surveys the early history of ballet and provides a brief biography of Tchaikovsky. Most of my work, however, is an analysis of the music (score) and choreography of Swan Lake—demonstrating Tchaikovsky’s emphasis on music …
"Let Your Body Do The Talkin'": An Investigation Of Aesthetic Experience Through Phenomenological Psychology, Tone Roald, Anders Essom-Stenz
"Let Your Body Do The Talkin'": An Investigation Of Aesthetic Experience Through Phenomenological Psychology, Tone Roald, Anders Essom-Stenz
Duquesne Studies in Phenomenology
How does the experience of one’s own body contribute to aesthetic experience? This article answers the question from the point of view of phenomenological psychology by portraying how the body is lived from within in intense experiences with works of visual art. Based on descriptions of aesthetic experiences juxtaposed with phenomenological insights about the body and, in particular, Maurice Merleau-Ponty’s thoughts on concrete and abstract movement, it is shown how the lived body gives form to the experience. The experience of one’s own body reflects the expressions of the works of art and comprises not only movement, and with it …
Introduction: Duquesne Studies In Phenomenology Volume 5, Jeffrey Mccurry
Introduction: Duquesne Studies In Phenomenology Volume 5, Jeffrey Mccurry
Duquesne Studies in Phenomenology
No abstract provided.
Liminal Arts And Business: An Autoethnographic Analysis Of A New Arts Venture In An Entrepreneurial Startup Accelerator Program, Jill Schinberg, Rebecca A. Ferrell, Dan Sandfelder
Liminal Arts And Business: An Autoethnographic Analysis Of A New Arts Venture In An Entrepreneurial Startup Accelerator Program, Jill Schinberg, Rebecca A. Ferrell, Dan Sandfelder
Journal of Arts Entrepreneurship Education
In this study, we explored the intersection of performing arts and entrepreneurship through an autoethnographic study of a new arts venture, theLAB*, which participated in the Von Allmen Center for Entrepreneurship's accelerator program at the University of Kentucky. In creating theLAB*, we investigated the feasibility of establishing a dance-forward performing arts presenting organization within a profit-driven entrepreneurial ecosystem. As a multi-generational team of arts managers, we analyzed the experience utilizing scenario-planning and the DIEP (Describe, Interpret, Evaluate, Plan) model of reflection to assess the challenges and benefits of participating in this environment. Key findings reveal a significant disconnect between the …
Masters At Chapman: Dance And Fashion
Between The Calm Lake Waters, Adrian Martinez
So You Think You Can Teach Dance?: Evaluating Effective Indicators And Assessments For Teaching Ballroom Dance In A High School Setting, Alyssa Arnold
So You Think You Can Teach Dance?: Evaluating Effective Indicators And Assessments For Teaching Ballroom Dance In A High School Setting, Alyssa Arnold
Master's Theses
The purpose of this study was to determine the most effective learning indicators of ballroom dancing for high school dance educators in Utah’s DSD so that a later date, updated rubrics and assessments could be created and presented as artifacts to DSD’s Fine Arts Supervisor for future teachers. The researcher sought to answer the following questions:
Q1 How are teachers currently assessing students’ ballroom dancing?
Q2 What are the most important learning indicators to teachers?
Q3 Are the learning indicators in alignment with the required standards?
This research took place over two sessions held during students’ regularly held ballroom dance …
Dancing With Logic: The Impact Of Integrating Dance In Teaching Introductory Computer Science Concepts On Student Understanding And Engagement, April Monk
Master's Theses
The purpose of this study was to investigate the effectiveness of dance-integrated pedagogical methods in enhancing the learning experiences of students in an introductory computer science course. In particular, the research aimed to measure the impact of creative movement on student comprehension, engagement, and perceptions of computer science. To guide this investigation, the study explored three research questions: Does integrating dance into lessons impact students’ comprehension of fundamental computer science concepts? How does dance integration affect student perceptions of both dance and computer science? And what elements of dance contribute to differences in comprehension between dance-integrated and traditional lessons? A …
Fall Dances: Memory 2025 Poster, Providence College Department Of Theatre, Dance, & Film
Fall Dances: Memory 2025 Poster, Providence College Department Of Theatre, Dance, & Film
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Fall Dances: Memory 2025
November 21, 2025, 7:30pm
November 22, 2025, 2:00pm
Choreographers: Michaela Pendola, Heather Ahern, Nina Kossler, Debra Meunier, Katrina Pavao, Colin Stilwell
Fall Dances: Memory 2025 Playbill, Providence College Department Of Theatre, Dance, & Film
Fall Dances: Memory 2025 Playbill, Providence College Department Of Theatre, Dance, & Film
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Fall Dances: Memory 2025
November 21, 2025, 7:30pm
November 22, 2025, 2:00pm
Choreographers: Michaela Pendola, Heather Ahern, Nina Kossler, Debra Meunier, Katrina Pavao, Colin Stilwell, Rowan Locascio-McLaughlin, Emma Daigneau, Elizabeth Graney, Grace Sittig, Alyssa Rago, Kiley Vallee
Dancers: Lola Blessington, Emma Daigneau, Madyson Daley, Noël Rose DeRosa, Ella Ford, Caroline Guanci, Amanda Kleinman, Emma Preston, Katherine Pritchard, Alyssa Rago, Kiley Vallee, Lauren Gerew, Penelope Kearns, Heidi Nicholls, Elizabeth Graney, Anna Bernat, Kendal Forslund, Helena Gillin, Gabriella Girard, Anna Gross, Sophia Quinn, Jade Bocciarelli, Simone Chabot, Caroline Puccini, Grace Sittig, Heather Ahern, Elaina …
Fall Dance Concert (Nov. 20-22, 2025), Lindenwood University
Fall Dance Concert (Nov. 20-22, 2025), Lindenwood University
Student Dance Programs & Brochures
Event program for the Fall Dance Concert (Nov. 20-22, 2025), Lindenwood University.
Sync, Lauren Brown
Sync, Lauren Brown
Honors Theses
The goal of my thesis is to develop an efficient way for dance professionals to network with each other. The dance industry is saturated with talent; therefore, relationships are key to booking jobs. Relationships connect mentors and collaborative spaces that lead to consistent and long-term growth. Dancers enter the professional industry with limited experience. The financial pressure to afford the living costs in dance hub cities like New York and Los Angeles often requires dancers to work multiple jobs. Balancing multiple jobs causes dancers to struggle to find time and opportunities to network meaningfully. Thus, the core problem is when, …
Shrek: The Musical, David Lindsay-Abaire, Jeanine Tesori
Shrek: The Musical, David Lindsay-Abaire, Jeanine Tesori
Taylor Theatre Playbills
The playbill for Taylor University's performance of Shrek: The Musical with book and lyrics by David Lindsay-Abaire and music by Jeanine Tesori.
Performed November 20-22, 2025 in the Mitchell Theatre at Taylor University.
Shrek is, on the surface, a whimsical fairy tale full of comedy, color, and charm. But beneath the humor lies a story about seeing and being seen—about belonging, forgiveness, and the quiet courage it takes to live authentically in a world that too easily labels and excludes. “For you created my inmost being; you knit me together in my mother’s womb. I praise you because I am …
Becoming Her, Paris Meller
Becoming Her, Paris Meller
Honors Theses
This dance-for-camera project explores the age-old question, “What do you want to be when you grow up?” Using a mix of interviews, choreography, and 70s-inspired sound, the project highlights women stepping into male-dominated spaces and reclaiming their power, creativity, and confidence on and off the stage. Ultimately, it serves as a celebration of self-expression and a reminder that identity is something we define for ourselves, not something the world decides for us.
The work is approximately five minutes in length and combines contemporary dance, pedestrian movement, and multimedia editing to create a layered performance for the camera. The project features …
Godspell Costume Construction, Catherine E. Michel
Godspell Costume Construction, Catherine E. Michel
Departmental Honors & Graduate Capstone Projects
This submission contains progress photos and written documentation of a student's experience constructing a costume for the musical Godspell. This costume was a simple dress for the character performed by Sarah Lenahan.
Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray
Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray
Journal of Humanities and Social Sciences
The current study investigates the relationship between noun classes and plant folk taxonomy in Chasu (G 22). The study focuses on two objectives: the first objective is to describe the plant folk taxonomy in Chasu and the second objective is to determine the relationship between noun classes and plant folk taxonomy in Chasu. Data were collected from rural villages in Same and Mwanga districts by using free listing, field interviews (jungle-walk-and-identify), and written texts containing Chasu plant names. The findings reveal that Chasu folk taxonomy reflects different ethnobotanical categories; including a unique beginner which is mmea/mimea ‘plant(s)’, and three life …
Deslenguadas: A Photo Essay On The Performative Remembering Of The Impact Of 1940s Americanization Programs In Northern New Mexico, Yvonne M. Montoya, Fawn-Amber Montoya
Deslenguadas: A Photo Essay On The Performative Remembering Of The Impact Of 1940s Americanization Programs In Northern New Mexico, Yvonne M. Montoya, Fawn-Amber Montoya
International Journal on Responsibility
This photo essay captures the dance performance Deslenguadas by choreographer Yvonne Montoya. Deslenguadas, a dance inspired by a writing of the same name published in Gloria Anzaldúa’s Borderlands/La Frontera: The New Mestiza, is a series of three dances – one duet and two solos. The dances in the series explore the impact the forced loss of the Spanish language had on three generations of one nuevomexicano family from the 1940s to the present day. Through dance, movement, projected animation, and spoken word, the dances explore how each generation internalized racism and shame. At the same time, these generations …
Mary Victor And The Monster, Otterbein Theatre And Dance Department
Mary Victor And The Monster, Otterbein Theatre And Dance Department
2025-2026 Season Productions
No abstract provided.
Urinetown: The Musical, Otterbein Theatre And Dance Department
Urinetown: The Musical, Otterbein Theatre And Dance Department
2025-2026 Season Productions
No abstract provided.
Dust To Dust, Emma Ask
Dust To Dust, Emma Ask
SPARK Symposium Presentations
"Dust to Dust" is a small group dance composition inspired by Genesis 3:19 and other passages referring to the human experience as that which is Earthly (dust). In this piece, the scripture is used as a framework for telling the story of life and the cyclical nature of being molded and created by God, the interweaving pathways of life in Creation and the eventual return to that which we were created from. In this piece, we are offered a chance reflect on the juxtaposition of the intricacy of our individual lives and the vastness and beauty of the collective human …
Alicia Alonso’S Giselle: A Cuban Dancer’S Journey Into Romantic Ballet And Modern Dramaturgy | La Giselle Di Alicia Alonso: Il Viaggio Di Una Ballerina Cubana Nel Balletto Romantico E Nella Drammaturgia Moderna, Lester Tomé
Dance: Faculty Books
This article examines the trajectory of Cuban ballerina Alicia Alonso as both performer and restager of Giselle. After offering a historical overview of Romantic ballet in nineteenth-century Cuba, the study traces Alonso’s transformation into one of the most acclaimed figures in the performance history of Giselle. The text considers her interpretation of the eponymous role in the United States, Cuba and beyond, beginning with her 1943 debut as Giselle with Ballet Theatre in New York, and highlights the interplay between her performances and stagings of the piece. It charts the evolution of Alonso’s productions of Giselle from the first time …
The Glass Menagerie, Tennessee Williams
The Glass Menagerie, Tennessee Williams
Taylor Theatre Playbills
The playbill for Taylor University's performance of The Glass Menagerie by Tennessee Williams.
Performed September 25-28, 2025 in the Mitchell Theatre at Taylor University.
At its heart, The Glass Menagerie is a story about the grace that vulnerability makes possible. The Wingfield family—Tom, Amanda, and Laura—are fragile, flawed, and fiercely human. Their lives are marked by disappointment and desire, yet Williams invites us to approach them with tenderness. Laura’s glass animals, so delicate and beautiful, are not just a metaphor for her own inner world but for the human spirit itself—easily broken, but capable of reflecting light in ways that …
Dames At Sea, Otterbein Theatre And Dance Department
Dames At Sea, Otterbein Theatre And Dance Department
2025 Summer Theatre
No abstract provided.
Always... Patsy Cline, Otterbein Theatre And Dance Department
Always... Patsy Cline, Otterbein Theatre And Dance Department
2025 Summer Theatre
No abstract provided.
Living Heritage, Resilience And Ethically Informed Infrastructures In Malawi, Martha B. Lerski, Frank Puluputu Mwale
Living Heritage, Resilience And Ethically Informed Infrastructures In Malawi, Martha B. Lerski, Frank Puluputu Mwale
Publications and Research
Rooted in a rural community’s needs, this paper explores how historically, and ethically informed infrastructures can support community engagement towards identification, documentation, and dissemination of local, traditional, and indigenous knowledge relating to climate change. The paper examines climate adaptation and sustainability issues through the lenses of community organizing and Library & Information Science best practices. It draws on a growing body of literature identifying a role for expanded epistemological and subject discipline perspectives. While the impacts of climate on material culture are increasingly recognized, intangible, and biocultural heritage have not received as much attention. Living heritage traditions and knowledge systems …
Noverre’S Lament: Inscription, Posterity, And The Ephemeral Art Of Dance, Olivia Sabee
Noverre’S Lament: Inscription, Posterity, And The Ephemeral Art Of Dance, Olivia Sabee
Dance Faculty Works
Jean-Georges Noverre defined pantomime ballet, or ballet d’action, as an ephemeral art. In his published writings, Noverre argued that to notate a ballet’s movement was both inadequate – in that the present day’s dance notation could not record a pantomime ballet – and inappropriate – in that the passions, the core of pantomime ballet, could not be recorded as discrete, repeatable units the way steps could have been. At the same time, Noverre was deeply invested in posterity, both his own, and that of pantomime ballet as a form. This essay examines the values of ephemerality and posterity in …
Movement As Metamorphosis: An Examination Of Transformative Learning In Dance, Whitney Egstad
Movement As Metamorphosis: An Examination Of Transformative Learning In Dance, Whitney Egstad
Electronic Theses and Dissertations
Using the arts-based methodology of Educational Criticism and Connoisseurship (Uhrmacher, Moroye, & Flinders, 2017) to examine the curriculum and pedagogy of a Colorado-based dance studio, this qualitative dissertation explores how transformative learning (TL) unfolds within the context of adult dance education. Grounded in Mezirow’s (1991) theory of transformative learning, the study investigates how dance becomes a medium for personal transformation, identity reconstruction, and emotional healing. Data collection included six hours of interviews with instructors and students and twelve hours of class observations, focusing on how adult learners experience curriculum not just as technical instruction, but as an embodied, relational journey …
The Glass Menagerie, Otterbein Theatre And Dance Department
The Glass Menagerie, Otterbein Theatre And Dance Department
2025 Summer Theatre
No abstract provided.