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Articles 49741 - 49770 of 58025
Full-Text Articles in Entire DC Network
The Hollow, H. B. Dill
The Child And The Unicorn, Timothy Shaw
The Child And The Unicorn, Timothy Shaw
The Angle
In lieu of an abstract, below is the essay's first paragraph.
""She is not crazy!"
"She is too!"
"She is not!"
There are few things so boring as an argument between ten-year-olds. Their concept of debate is to shout louder and louder until the opponent gives up. I didn't know how long this had gone on before I showed up, but I decided it had probably been long enough, so I asked what started it.""
Full Issue, No Author
Ivy Leaves, 1980-1981, Ivy Leaves Editorial Staff
Ivy Leaves, 1980-1981, Ivy Leaves Editorial Staff
Ivy Leaves
The 1981 edition of the Anderson College journal of art and literature, Ivy Leaves.
The names of the known editors for this issue of Ivy Leaves were Andy Philhower, Mary Bruck, Joyce Carwile, Yvonne Felder, Dorothy Hagood, Jennifer Hayes, Marsha Keaton, Helen McGee, Jane McIntosh, and Doug Davison. Cover art by Susan A. Ware, drawings by Anne Manning Campbell.
Equinox, Joan Byles
Symphony No. 2, Nicolae Babuts
The Endlessly Elaborating Poem: A Comparative Study Of Walt Whitman, Wallace Stevens, And The American Experimental, Long Narrative Poem, Paul Freidinger
The Endlessly Elaborating Poem: A Comparative Study Of Walt Whitman, Wallace Stevens, And The American Experimental, Long Narrative Poem, Paul Freidinger
Masters Theses
Up to the middle of the nineteenth century, British and American poetry was expected to employ rigid metrical and rhythmical patterns. Any verse that did not conform was considered devoid of aesthetic merit. In addition, some critics, Edgar Allan Poe being one of those, argued that there was no place for a long poem in poetry. Walt Whitman and Wallace Stevens, two proponents of the long narrative poem, both wrote in free verse and, thus, directly confronted these traditional theories.
This study demonstrates that the verse of Whitman and Stevens constitutes a new approach to poetic style and structure. A …
Contemporary Appalachian Poetry: Sources And Directions, George Ella Lyon
Contemporary Appalachian Poetry: Sources And Directions, George Ella Lyon
The Kentucky Review
No abstract provided.
A Demanding Grace, Mary Beth Ross
Along Erie Canal, Nicolae Babuts
Preliminary Pages, No Author
It's Time, Claudia Wilson
I Waited For The Music, Lee Vurrare
Oct. 25th, Sue Frawley
The Eternal Prince Of Almost, Richard Barrington
Things Unseen, Laurie Collins
Things Unseen, Laurie Collins
The Angle
In lieu of an abstract, below is the essay's first paragraph.
"I walked to the sliding glass door, which led to the patio, now empty of the redwood furniture my father had built. I knew the patio was out there and I knew the furniture wasn't, even though a sheet of plastic covered the door and obscured my vision. The plastic was put up to keep the cold winds from escaping through the unseen crevices around the door, although I couldn't see why it would matter anymore. I could hear the winds blowing and I knew they were cold winds, …
Symbols Of Love, William Henry Jr.
Word Witchery, Tracy Darrah
Round Heels: Round Heels, Lisa Sinkovitz
Round Heels: Round Heels, Lisa Sinkovitz
The Angle
In lieu of an abstract, below is the essay's first paragraph.
""He was a wonderful man, Dot," they all said as they filed through the door. "A close friend and so handsome even in death," they said as they peered into the casket set up in the spare bedroom. Sometimes they'd touch the pressed lapel of his gray suit; other times they'd just stand and stare down, their bottom lips so low you could step on them."
Harold Winston, Richard Barrington
Harold Winston, Richard Barrington
The Angle
In lieu of an abstract, below is the essay's first paragraph.
"It was always silent in this particular apartment, a single room on the second floor of a brooding old building in the forgotten part of town. Looking around the room, one always noticed first a shapeless pile of frayed notebooks, the ever-dishevelled bed, and a grand old wardrobe whose drawers were never opened. It was only a second glance that would draw one's attention tot he room's threadbare appendage, a hollow-looking man who sat in the armchair by the bed. There he would remain for hours, motionless save for …
Simic Poem, Tracy Darrah
The Wind..., Laura Mccoy
Lights And Shadows - 1981, University Of North Alabama
Lights And Shadows - 1981, University Of North Alabama
Lights and Shadows
Art and Literature Magazine
The Midwest Quarterly; Vol. 22 No. 2, Tom Bailey, Charles E. Wynes, William E. Powell, Michael E. Connaughton, David Morgan Zehr, Jeff Rackham, Kelly Cherry, Joseph Di Prisco, Jack Flavin, Thomas Mcafee, V. J. Emmett Jr., Midwest Quarterly Editors
The Midwest Quarterly; Vol. 22 No. 2, Tom Bailey, Charles E. Wynes, William E. Powell, Michael E. Connaughton, David Morgan Zehr, Jeff Rackham, Kelly Cherry, Joseph Di Prisco, Jack Flavin, Thomas Mcafee, V. J. Emmett Jr., Midwest Quarterly Editors
The Midwest Quarterly: A Journal of Contemporary Thought
in this issue . . .
TOM BAILEY, who finds politics behind the self-help in Franklin's Autobiography, received his Ph.D. from Washington University in Saint Louis and teaches English at Western Michigan University.
CHARLES E. WYNES, who introduces Thorny Lafon, received his Ph.D. from the University of Virginia and teaches history at the University of Georgia. He has published books and numerous articles on American history.
WILLIAM E. POWELL, who studies the Cherokee-Crawford coal field, received his Ph.D. from the University of Nebraska and teaches geography at Pittsburg State. His articles have appeared in a number of journals.
KELLY CHERRY …
From Ritual To Resurrection: The Exploratory Poetic Of Seamus Heaney, Susan L. Morris
From Ritual To Resurrection: The Exploratory Poetic Of Seamus Heaney, Susan L. Morris
Masters Theses
Heaney's poetry has grown and changed since the publication of his first collection of poetry, Death of a Naturalist. This paper is an attempt to present the development of Heaney's exploratory poetic which was created through his use of language and image, allowing him metaphorical vehicles for the examination of oppositions.
Heaney began his poetic exploration, or "dig," with the collections Death of a Naturalist and Door Into the Dark. The poetry presents nature images which represent Heaney's search into the unknown, the dark places. These images symbolize a searching for the imagination and for the purpose of …
Spectrum, January 1981, Spectrum Contributors
Spectrum, January 1981, Spectrum Contributors
Spectrum literary magazine
Volume 3, Number 2 of Spectrum literary journal
Sequoya Review, University Of Tennessee At Chattanooga
Sequoya Review, University Of Tennessee At Chattanooga
Sequoya Review
No abstract provided.