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CutBank

No abstract provided.

Cutbank 91

CutBank

No abstract provided.

Anaconda Washoe Theatre, J. M. Cooper

CutBank

No abstract provided.

Deer Lodge Prison Theatre, J. M. Cooper

CutBank

No abstract provided.

V.1 Spring Pandemic 2020-2021, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Spring 2020-Spring 2021 issue contains articles on the COVID-19 pandemic and its impact on RISD, students engaging with nature, racial and gender identity, art exhibitions and contemporary artists, D+M student work, and other topics of interest to students.

Entertainment Media Perceptions Of Minorities In Young Adult Adaptations, Kynnadie Bennett

Honors College Theses

This is an exploration of stereotypical and racist portrayals of minorities, specifically African-American, Latinx, and Native American communities, in film and television in the past and how that has affected representation in film adaptations of young adult literature. Young adult literature is one of the highest-selling genres in literature, purchased by both young adults and actual adults. In recent years, young adult literature has been adapted into film and television series and while representation has improved since the early years of entertainment history, there are still problems in the industry: many of the stereotypes remain, some minorities lack representation, and …

Murder Upon Murder, Patricia Rose Mckown Schuelke '20

Honor Scholar Theses

No abstract provided.

Gérer La Distance : Réflexivité Et Éthique Des Corps Meurtris Dans Les Documentaires Syriens D’Après 2011, Nicolas Appelt

Regards

Taking into account the post-2011 Syrian documentary, we realize that the question of the representation of “bruised bodies” occupies a major place which goes beyond crimes’ documentation committed during the conflict. In fact, in a large number of them there is a respect, an ethics towards “bruised bodies”. The question of their representation raised deep debates concerning both the fact of showing bodies and how to do it. By focusing more on how to represent bodies, we will be interested in the reflexive and ethical dimension that these representations involve. In this perspective, it will therefore be a question of …

Du Corps Écran À La Ville Corps, Noha Maroun

Regards

The human body always attracts and fascinates Arab filmmakers, that is why it is considered as an agglomerate of signs, which usually reveals the social and political instability of a nation. In the Lebanese cinema, the body representations are controversial and related to war themes. The men’s body becomes the screen and the receptacle of the violence when it exhibits its wounds and scars, while the moving women’s body holds within itself the early signs of safeguards. The moving women’s body is also correlated to the space that determines its trajectory. Beirut city emerges then as a huge body in …

Subversion, Subjectivité Et Critique : Le Corps Dans La Performance Artistique Aux Émirats Arabes Unis, Océane Sailly

Regards

Between 1982 and 1984, London-trained, Dubai-based artist Hassan Sharif produced and documented a body of performance work that is often seen to inaugurate the practice of contemporary performance art in the United Arab Emirates. In his wake, artists Mohammed Kazem and Ebstisam Abdulaziz have further developed this artistic genre and profoundly altered the relationship between art and corporeality. Subversive, critical and political, these three artists have made their bodies a tool for challenging established standards while claiming their artistic subjectivity. Based on a selection of performances and taking into account the socio-cultural context of their realization, this article proposes to …

Introduction – Les Régimes Esthétiques Du Corps Dans Le Monde Arabe, Gilles Suzanne

Regards

Que l’art, dans le monde arabe (qui nous servira de périmètre), voire, dans l’aire d’influence culturelle de l’Islam qui ne saurait s’y réduire, entretienne un rapport au corps, n’a rien d’une découverte...

Le Pouvoir Du Sang Féminin Dans L’Art Contemporain Arabe, Jana Mrad

Regards

After the 1970’s performances, and at the time the feminist collectives, whose artistic approaches often recall menstruation, emerged, feminine blood also found its place in the contemporary Arab art scene. Driven by a desire of emancipation and freedom, some Middle Eastern artists seized the feminine blood and made it into a paradigm in order to shed light on the female body and the way the latter is lived, perceived and controlled. By taking on this taboo, they found a way to elude censorship, waive the rules, cross the limits... in order to free women’s wounded bodies.

Résumé

Après les performances …

Le Corps Anamorphosé Dans Le Théâtre Marocain : Cas De Capharnaüm De Latefa Ahrrare, Imad Belghit

Regards

Given the territorial and cultural differences, some Moroccan plays produce a particular corporeality around which the scene is articulated. We then witness a questioning of ethos, a morality that incorporates postures and dispositions of the body. The show entitled Capernaum Auto-Sirate by Latefa Ahrrare is part of this scenic dynamic peculiar to the construction of corporalities in the context of contemporary Moroccan theater. The performance of this actress raises existential questions through her presence on stage and via a body subjected to the process of unveiling.

Résumé

Compte tenu des différences territoriales et culturelles, certaines pièces de théâtre marocaines produisent …

What Can A Body Do? Answers From Arab Cinema, Laura U. Marks

Regards

Baruch Spinoza’s statement “We do not know what a body can do” argues that bodies learn their powers not from divinely imposed laws but through experience in the world. Thought must pass through the body, in a way that menaces both existing thoughts and the body as it is at present. Great works of contemporary independent cinema in Arabic-speaking countries express the body’s forces of becoming in numerous ways, some of which this essay tracks: from not yet living to cultivating molecular forces, enfolding powers, expressing volatile passions, coming to life, and attaining adequate ideas. Some of these dynamics are …

Pays Rêvé (2011) De Jihane Chouaib, Joseph Korkmaz

Regards

The scenarist and director Jihane Chouaib returns, after a long absence, to her native country that she left during the war. She visits South Lebanon where she was born and wanders with her sister, who’s a dancer, in the places that marked her childhood. Her peregrinations are nostalgic and her memories are bitter-sweet. Her path crosses the path of the Lebanese-Canadian playwright Wajdi Moawad, of the director and journalist-photographer Katia Jarjoura, and of the French-Lebanese director Patric Chiha. To all these immigrants, Lebanon is the dreamed country that Jihane Chouhaib recalls through her view and her poetic comments.

Résumé

La …

Le Pouvoir En Images : Les Affiches Politiques Au Liban Entre 2005 Et 2010, Elie Yazbek

Regards

During the turbulent period following the assassination of Prime Minister Rafik Hariri in Lebanon, political posters were an important medium used by rival political parties to impose specific imagery on the public, contributing to set up a partisan discourse linked to the political position of each one. A war of images and slogans then took place, based on an audacious revaluation of the notion of image, reconsidered as both a symbol and an icon. The classical figurative representation system inherited from the Renaissance was confronted with ideological considerations that created a rupture and proposed original models of images.

Résumé

Durant …

Café Central, Joséphine Van Glabeke

Regards

Écriture blanche imprimée sur une tente en toile rouge vif, avec l’indication « Beirut » en exergue, pour rappeler où l’on se trouve…

Creative Writers Festival 2020 Poster, Department Of Theatre, Dance & Film

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Smith Center Lobby

Creative Writers Festival 2020

Saturday, March 21, 2020, 7:30pm

Sunday, March 22, 2020, 2pm

Bruess Reenvisions Msa

St. Norbert Times

• News
  • Bruess Reenvisions MSA
  • Leadershop: Love Your Community
  • Now Open: Zumba Session
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  • Cru Hosts EII Business Forum
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• Opinion
  • Immigration: Returning to Common Ground
  • The Fake News Epidemic
  • A Favorite Quote
  • The Benefits of Bad Friends
  • Coronavirus Around the World
• Features
  • Bringing us the Best of Broadway
  • Cancer Cells and Career Choices
• Entertainment
  • Student Spotlight
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  • Review: “I Am Not Okay With This”
  • Book Review: “Genderqueer”
  • A Place to Shine: Most Casting Directors Are Women
  • Junk Drawer: Favorite Video Game
  • Series Recommendation: “The Folk of the Air”
• Sports
  • Diving …

The Weave Of Youth Writing: Refiguring Authorship And Self-Representation In Michaela Deprince’S Collaborative Archive Of Life Narrative Texts, Alberta Natasia Adji

Research outputs 2014 to 2021

Young people have to struggle in navigating the complex cultural and socio-political frameworks of production if they would like to reclaim agency and legitimacy to voice their aspirations. This article focuses on questions of authorship and self-representation in both the traditional and digital life writing texts created by and produced for Sierra-Leonean-American ballet dancer Michaela DePrince, which turns out to be highly mediated by her Jewish Caucasian adoptive mother Elaine DePrince. I argue that the manners of Michaela’s collaborative archive of life narrative projects–which bring about issues of authorship–have conformed her self-representation to particular identity frames in terms of race, …

Father Ciferni Takes The Chair

St. Norbert Times

• News
  • Father Ciferni Takes the Chair
  • Knight Theater’s Tuck Everlasting
  • Making a Difference
  • College’s Against Cancer’s Hope Dinner
• Opinion
  • America’s Call Out Culture
  • Knowing Useful Stuff
  • Positivity in Social Media
  • Guatemalan Crime and Corruption
  • A Weird Winter Break Experience
• Features
  • What to Do Amidst All the Snow
  • Get Your Hands on ‘Handshake!’
  • Sensenbrenner Goes Co-Ed
• Entertainment
  • Student Spotlight
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  • Music Recommendation: Sammy Rae & The Friends
  • Greatest Movies of the 2010s
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  • Upcoming Events
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  • Junk Drawer
  • “The Lady and the Tramp” Review
• Sports
  • Men’s Volleyball Falls In …

Creative Writers Festival Media Release, Talia Triangolo

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Creative Writers Festival media release

February 2020

The Place Is What You See, Daniel Affsprung

CLAMANTIS: The MALS Journal

No abstract provided.

Spectrum, 2020, Northwestern College

Spectrum literary magazine

Literary journal

The Ciceronian - Volume 3, Morehead State University. Cicero Society.

Ciceronian Journal Archive

2020 issue of The Ciceronian.

Ua37/44 Faculty Personal Papers Gordon Wilson, Wku Archives

WKU Archives Collection Inventories

Personal papers of Gordon Wilson.

When Someone Asks Where I'M From, Phoebe M. Doscher

The Mercury

No abstract provided.

Wild Things, Kerry Madden

Nelle (literary magazine)

pp. 94-102

Birmingham Poetry Review 47 (End Matter), Birmingham Poetry Review Staff

Birmingham Poetry Review

pp. 233-253

Sequoya Review, University Of Tennessee At Chattanooga

Sequoya Review

No abstract provided.