Digital Commons Network^™

Investigating Creative Possibility Using Automated Composition, Kian Drees

Undergraduate Honors Theses

As a constructive method, Johann Joseph Fux’s theory of counterpoint defines a space of musical possibility for contrapuntal composition. I developed a computational method for generating melodies to systematically investigate selected properties of this space. My program recursively generates a tree of all possible cantus firmus melodies of a specified length or all possible first species counterpoints on a given cantus firmus, starting with an empty root node and adding child nodes representing possible musical notes at each step until the specified length is reached. I then investigated several properties of the generated melodies, such as the approximate relationship between …

Database: A Poetry Collection, Lara Dominique D. Solante

Undergraduate Honors Theses

Poets wield their pens to respond to various societal or cultural stimuli—including politics, art, science, and more. Today, artificial intelligence (AI) is an exponential development that has become a leading topic of discussion. This project, titled Database, is a collection of poems that interrogates the tensions that exist between humanity and technology through the use of modern imagery, such as robots and virtual reality. These poems also examine the once distinct markers of humanity that characterized classical poetry, including emotion and sensory experiences, and reframes them within a contemporary context, giving technology and artificial consciousness a voice. Although this collection …

Theatrical Roles: An Introduction To Theatre, Gibson A. Cima

Faculty Books & Book Chapters

 

Theatrical Roles: An Introduction to Theatre is an open educational resource (OER) created by Gibson Alessandro Cima for Introduction to Theatre at Northern Illinois University. Published through the Humanities LibreTexts platform under a Creative Commons CC BY 4.0 license, the textbook is designed as a free, accessible alternative to traditional introductory theatre textbooks.
Rather than organizing theatre history around a conventional Western canon, the OER approaches theatre through the major collaborative roles involved in production: playwright, director, performer, designer/technician, and audience. The structure emphasizes theatre as a collective human practice rather than a linear history of great men and canonical …

Missional Hospitality: A Contextualization Of God’S Hospitable Mission For New Lisbon Christian Church, Jonathan Willmore

DMin Project Theses

The town of New Lisbon, originally called Jamestown, has been home to Restoration Movement churches. The first congregation began in 1839, not long after the town’s official incorporation and renaming as New Lisbon. It unfortunately died out in the decades that followed, and not much is known about its history. The second is called New Lisbon Christian Church (NLCC) and was planted in 1893.1 The records indicate that NLCC changed Senior Ministers approximately every three years, until the 1970s, when a pastor stayed at New Lisbon for nine years. That minister was the longest tenured until the most recent one …

Closing The Revolution: The Criticize Water Margin Campaign And The Politics Of Surrender In Mao’S China, Yaowen Dong

Asia Pacific Perspectives

The mid 1970s witnessed a massive Maoist campaign to attack the late imperial vernacular fiction Water Margin, which had been previously favored by the Chinese Communist Party because of its elements of rebellion and egalitarianism. The paper examines the Criticize Water Margin Campaign in 1975 and 1976 that interpreted the fiction as class-reconciliation and surrender. I argue that the dramatic shift of the narratives surrounding Water Margin manifested the deeply embedded paradox between rebellion and normalization in the communist revolutionary project. Such paradox of revolution is not only the product of the infringement of the coming neoliberal world order, …

Panorama, Qian Shen

MFA in Visual Art

This thesis examines the uncanny, bodily, grotesque, and metamorphic states of beings that exist between human and non-human forms. In my sculptural practice, I approach the body not as a fixed or self-contained object, but as a fluid, unstable, and continuously transforming condition. Working primarily with wool, foam, silicone, wax, latex, and metal, I use material interaction, fleshy quality, gravity, and open-ended processes to generate forms that appear unresolved, bodily, and in the middle of becoming. These sculptures often suggest skin, organs, wounds, hair, membranes, or other bodily elements, yet they resist clear identification and remain suspended between attraction and …

Interdisciplinary Practices In The Band Room: Repertoire As A Tool To Enrich Student Learning, Ainsley L. Brouse

Theses - ALL

Interdisciplinary learning is an educational theory approach that emphasizes the importance of incorporating content from different subject areas into the teaching of one’s own topic of study. Research has presented that the use of interdisciplinary teaching practices can have several benefits on students' learning outcomes and overall academic success. Music has deep and rich historical roots that can provide students a more hands-on experience with the concepts and events they are learning in their history classes. The use of interdisciplinary practices through specific repertoire selections will not only provide students with a deeper, more meaningful experience with the music they …

Brief Candles: Memory, Degradation Of Time, Indices And Activation, Jared A. Dominique

Theses - ALL

This thesis explores the relationship between landscape, memory, and image-making through a multidisciplinary practice spanning photography, painting, and collage. Rooted in early experiences with skateboarding as a framework, the work adopts a subcultural way of seeing that reinterprets urban space as fluid, contingent, and open to reconfiguration. This perspective informs an ongoing investigation of post-industrial and altered environments as sites marked by both physical and historical violence. The project frames these landscapes as “spectral,” holding traces of human activity, memory, and absence. Alongside this external mapping, it examines an internal landscape shaped by visual memory, personal experience, and mediated imagery, …

Silence After Freedom, Md Minhajul Abedin

Theses - ALL

The project examines how the 1947 Partition of Bengal and India and its fraught legacies continue to shape communal identities and lived experience in Noakhali, Bangladesh. I have used photography as a tool to construct historical memory and to examine how memory and violence are inscribed in place, while visual practice can revisit histories and engage with contemporary lived experience, which official narratives have ignored. I chose Noakhali as a site to understand the regional realities of the Indian subcontinent in a post-colonial era. Noakhali is a southern district of Bangladesh, where I was born and raised. This area has …

Cruising The Unseen: Queer Semioerotics And The Aesthetics Of Denial, Carl Voss

Theses - ALL

My art practice is rooted in the body—its pleasures, longings, limits, and shared vulnerabilities. I work across painting, printmaking, and drawing, utilizing a strategy coined Queer Semioerotics. My process starts with lived experience in queer communities, particularly within nightlife, the Pup Play community, and other intimate spaces of connection. My work traces how desire, memory, and care take visual form through documentation, material play, and modes of denial. These works explore how joy and intimacy continue despite anti-Queer sentiment, social isolation, and state violence. Through gestures of withholding, redaction, and illegibility, the works create openings for longing and recognition rather …

Drowned, Pleasured And Veiled, Taylor Simone Gearhart

Theses - ALL

Drowned, Pleasured and Veiled explores how societal ideas around romantic passion can mask manipulative and violent behavior. It examines historical and pop cultural representations of romance that give cover to the everyday violence that patriarchy visits on women within intimate relationships. ​This body of work explores themes of shame, control, desire, and the ways physical and emotional violence can be threaded throughout those experiences. Through photography and performance, the artist visualizes and interrogates the ways power pervades intimate relationships.

The Unfolding Of Memory, Ali N. Downs

SPARK Symposium Presentations

The house if our first universe, a space where memory and contextual experience are formed. Within that house are rooms and within the rooms or specifically a room, a singular experience is born. The memory of a childhood bedroom is hazy and even discombobulated. Each crevice holds markings of what once was thus changing our perception of the physical space. It is with the current bias and the present mindset where this space is directly transformed. In this piece, memory and the physical space of a room are intertwined. The memory of experience and physicality translated into sculptural form through …

Women In Literature And Their Ephemeral Bodies, Madeline Zafon-Whalen

English Honors Theses

This thesis is a comparative analysis of women writers from the twentieth to twenty-first century. Works by authors such as Virginia Woolf, Margaret Atwood, and Otessa Moshfegh, contain an emerging pattern and relationship linked through an ephemeral bodied aesthetic which depicts women's bodies as deconstructed, intangible, and undefined.

The first chapter analyzes works by Woolf, including To the Lighthouse and A Room of One's Own. Starting in the modernist age we see the body coming into question, becoming denaturalized while the institution of the "novel" is renewed through women's contributions to the literary canon. Women’s productivity, and the potential to …

Talking To The Eyes: Paradoxes Of Ineffability And Effusivity In Mark-Making, Theodore Xavier Berg

Theses - ALL

Redefining mark-making as an active form of material signification has helped me understand my experience of the paradox of ineffability. This experience is as accurately described by the term effusivity as it is by ineffability, because it is not a matter of what cannot be expressed, but rather of what cannot not be expressed; of the experience that inescapably accompanies expression and signification. As our material means of expression and signification evolve digitally, the consequences of their contradictions become more discernible.

Avicenna On Non-Rational Voluntary Motion, Hamed Shirmohammadi

Dissertations - ALL

This dissertation investigates Avicenna’s theory of non-rational voluntary motion. Avicenna’s most significant innovation in this domain is his theory of the internal senses, and in particular, his account of the estimative faculty (wahm) and its proper objects, the intentions (ma'nā). Intentions are non-sensible features of perceived particulars—such as the hostility of a wolf—that carry evaluative significance for the perceiving animal. This dissertation argues that understanding the nature of intentions is the key to explaining how a non-rational animal can pursue goals through relatively complex courses of action. Avicenna recognizes two ways in which intentions are acquired: through instinct and through …

Hands On: An Exploration Of Techne Via Everyday Embodied Practices, Molly Mcconnell

Dissertations - ALL

In the field of Rhetoric, Composition, and Writing Studies (RCWS), techne has been a longstanding focus of the field, notably as it pertains to our understanding and practice of rhetoric and how we teach writing and rhetorical practices. Some scholars have focused on techne as it is taught in the writing classroom; others have focused on how rhetoric is understood and applied in the classics. My research builds on previous work by considering techne in connection to embodied practices. I argue that discussions of techne have thus far focused on individual learning, especially in relation to composition and rhetoric. In …

Everything Waits In The Dark: The Silence Had A Pulse And It Was Mine, Sophia Hashemi

Theses - ALL

Sophia Hashemi’s work examines collage and screenprinting as methods for navigating uncertainty, memory, and the shifting architecture of the self. Her practice engages making as a negotiation between control and surrender, where meaning emerges through attention to instability rather than resolution. Drawing from Dada photomontage, German Expressionism, and film noir, alongside frameworks such as Legacy Russell’s Glitch Feminism and Michel Foucault’s Power/Knowledge, she explores disruption as a psychological and structural strategy in works that move between visibility and concealment, past and present, intuition and construction. Hashemi positions art-making as a cyclical practice where fragmentation reconstructs memory and multiplies the self …

Apparatus Of Relief: On Sustained Exhaustion, Jiayue Yu

Theses - ALL

This thesis examines how contemporary capitalism manages a shared condition of exhaustion—the accumulation of stress, alienation, and mental fatigue—by offering calibrated forms of relief that leave its underlying causes intact. Approaching exhaustion as a collective and structurally produced condition, I make photographs that trace how it is softened and normalized within the spaces we inhabit and move through in our daily lives. Central to the project are what I describe as “apparatuses of relief”: infrastructural features embedded in public and semi-public spaces that are designed to regulate affect and soothe nerves. Operating beneath the surface, these elements promise momentary relief …

Cooperating Music Teachers And The Edtpa: Negotiating The Demands Of Mentoring Student Teachers In The Face Of A State Mandated Performance-Based Assessment, Deborah Alane Cunningham

Dissertations - ALL

This qualitative case study examined how cooperating music teachers navigated mentoring student teachers during implementation of the Educative Teacher Performance Assessment (edTPA), a state-mandated performance-based assessment required for initial teacher certification in New York State from 2014–2022. Initial data analysis suggested utilizing Roegman and Kolman’s (2019) cascading, colliding, and mediating framework to better understand the experiences of the participants, fifteen cooperating music teachers who hosted student teachers from a large private university in the Northeastern United States. Participants represented diverse contexts (elementary through secondary, instrumental, vocal, and general music) with an average of twenty years of experience. Data were collected …

“The Fluid Archive” Innovating The Past, Protecting The Future (Virtual Reality And Cultural Preservation), Umar Bashir

Theses - ALL

ABSTRACT This thesis repositions cultural preservation as an experiential and interpretive practice rather than a purely documentary one. Centered on selected Mughal-era monuments of the Walled City of Lahore—structures increasingly affected by environmental decay and urban transformation—it investigates how the sensory and atmospheric dimensions of heritage can persist beyond material deterioration. Rather than reconstructing these sites through strict architectural fidelity, the project proposes The Fluid Archive, an immersive Virtual Reality (VR) environment that prioritizes embodied experience, spatial perception, and memory-driven reconstruction. Acknowledging that history is a constructed narration of the past, the project engages digital technologies as active agents in …

In Memoriam: Madhav Gadgil, Editorial Board

The International Journal of Ecopsychology (IJE)

No abstract provided.

Book Review--Luke Kemp’S Goliath’S Curse: The History And Future Of Societal Collapse (2025). Ny: Alfred A. Knopf.

The International Journal of Ecopsychology (IJE)

No abstract provided.

Disability: An Autopathography, Isabell A. Collins

The International Journal of Ecopsychology (IJE)

No abstract provided.

Editorial 12(1), May 2026, Matthew R. Jamnik

The International Journal of Ecopsychology (IJE)

No abstract provided.

Artist Interview: Sarah Crooks, Sarah Crooks

The International Journal of Ecopsychology (IJE)

No abstract provided.

Developmental Ecological Psychology Meets Organicist Biology: The Example Of The Ecological Self, Catherine Read

The International Journal of Ecopsychology (IJE)

In this paper we outline an ecological-organicist theoretical framework to understand human development. The ecological approach to development (Developmental Ecological Psychology, DEP) places the organism at the center and has a mutualist theoretical framework with an epistemic foundation in direct perception. While research in this tradition has paid much attention to specific developmental questions at a young age (such as perceptual learning, affordances, and action coordination), less effort has gone into the discussion of theoretical issues of overall development at the level of organism-environment mutuality. Meanwhile in biology, a new emphasis on the organism as an explanatory concept and level …

Relevance Of Mario Perniola’S Philosophy Of Transit (Transiting) To Ecopsychological Modi, George Conesa

The International Journal of Ecopsychology (IJE)

Mario Perniola’s construct of transit is here examined with an eye toward its implications to ecopsychological discourse and practices that include psychological and philosophical notions of authentic “mobility” and active exploration during person-natural spaces affiliations. As in most qualitatively revealing ideas of “relations,” authentic “mobility” and active exploration include instances of confrontation, disorientation, fusion, confusion, biomechanical insights, animalization, totemism, disgust, etc. As a means to sharpen our focus, the insights of writer Enea Bianchi on Perniola’s writing are very useful and will be referred to, in particular, while reimagining our perception of space as “a deep world made of …

Co-Constituted Mandala-Making In Nature: A Trauma-Sensitive Field Protocol For Investigating Attention, Regulation, And Relational Orientation Toward Place, Merve Kurt

The International Journal of Ecopsychology (IJE)

This article presents a theoretically grounded field protocol for mandala-making in natural settings using only already-fallen materials and intentional dissolution. The mandala is treated as an anthropogenic cultural form whose structural features, including radial organisation around a centre, bounded containment, and provisional totality, are shown to be analytically consequential for the process-level shifts the protocol seeks to foreground. Drawing on posthumanism, new materialism, Buddhist psychology, and ecopsychology, the article conceptualises this process as co-constituted mandala-making, a descriptive term for a field in which human attention and choice operate alongside material and ecological constraints and affordances, without attributing volition to nonhuman …

Ije Table Of Contents 12(1), May 2026, Editorial Board

The International Journal of Ecopsychology (IJE)

No abstract provided.

American Letters--John Burroughs Excerpts From Chapter I: The Art Of Seeing Things In Leaf And Tendril (1908)

The International Journal of Ecopsychology (IJE)

No abstract provided.