Digital Commons Network^™

Labour As Violence In Dalit Households: Reading Autobiographical Narratives By Dalit Women, Pratibha

Journal of International Women's Studies

The everyday concerns of Dalit women are frequently overlooked in discourses about the emancipation of Dalits from Brahminical hegemony in favor of issues deemed weightier, such as reform ideology, caste conflicts, and political power struggles. The micro-politics of the sexual division of labour in Dalit households, with its corrosive effects on the well-being and self-perception of Dalit women, has remained side-lined. Even when discussed with reference to caste and gender intersectionality, the labour consigned to Dalit women is spoken of in additive terms to explicate their “double oppression” or victimisation through sexual exploitation at the hands of upper caste men. …

Ensemble Concerts: Symphonic Band And Symphonic Winds, October 6, 2022, F. Mack Wood, T.J. Mack, John Gonzalez, Jeason Lopez, Andy Rummel

School of Music Programs

Center for the Performing Arts
October 6th, 2022
Thursday Evening
8:00 p.m.

Utilizing Campbell's Listening Models In The Elementary Music Room, Rachel Haass Boyer

Masters Theses

Patricia Shehan Campbell work revolves around her created Listening Models to teach World Music to students of all ages utilizing a culturally accurate method. As a result, from her research, this study asks do Campbell’s Listening Models help students retain cultural and musical information on a music culture, specifically the Eastern Shoshone. Although example lessons exist in Campbell’s works as well as the Smithsonian Folkways website, research on the effectiveness is lacking. In order to test the effectiveness, this study offers a set of lessons based on the Eastern Shoshone for fourth and fifth grade students and tracks their learning …

Take Six, Their Music, And The Impact On Music Education, Roberto L. Burton

Doctoral Dissertations and Projects

While the inclusion of popular music and music ensembles in music education programs continues to gain momentum internationally, it appears that a need exists for music educators to develop a more concrete understanding of how somebody might construct a popular music education curriculum. And presented in a way that supports the shared vision of a democratic, inclusive, and rigorous music education. Although there is a rich tradition of choral singing and many fantastic works to share with students, music educators who studied Accapella changed our perspectives. They began to incorporate popular music with students because music educators found that it …

Ensemble Concerts: Wind Symphony, October 2, 2022, Anthony C. Marinello Iii, Ben Stiers

School of Music Programs

Center for the Performing Arts
October 2, 2022
Sunday Afternoon
3:00 p.m.

Contemporary Legacies Of Morocco’S Gnawa Music Communities, Luke Sheppard

Independent Study Project (ISP) Collection

Despite existing literature about Gnawa music and culture, there remains many discrepancies and holes a part of current understandings about the subject. This paper examines the existing literature in comparison with two site visits to different Gnawa music houses in Tangier and Khamlia Morocco. These visits including three interviews with musicians inform an understanding of the history, tourism, spirituality, performance aspects, and changing culture among the two distinct communities. The paper will draw upon these findings to evaluate what it currently means to be Gnawa, perform Gnawa, and spectate Gnawa performance in Morocco. Additionally, Gnawa music within the black Moroccan …

Changes In Identity: How Mongolian Musicians And Performers Have Responded To Geopolitical Transition, Heather Cook

Independent Study Project (ISP) Collection

During Mongolia’s socialist period, traditional forms of Mongolian music were deliberately altered as the government, heavily influenced by the Soviet Union, attempted to modernize Mongolian culture. Throughout this period, traditional instruments were modified, the types of music that could be performed were strictly censored, and the structure of performances was set to strictly mimic those of Western orchestras. After Mongolia’s Democratic Revolution of 1990, the artistic freedom of Mongolian musicians has greatly increased, but even now, socialist cultural policies are deeply intertwined with Mongolian musical culture. Why is this the case? What is the common perception among performers about the …

Music And Incitement To Violence: Anti-Muslim Hate Music In Burma/Myanmar, Heather Maclachlan

Department of Music Faculty Publications

his article examines a corpus of Burmese-language anti-Muslim hate songs archived on YouTube. Burma/Myanmar is the site of recent genocidal violence perpetrated against Muslims, and these songs are part of the hate speech campaign that undergirds this violence. Using the definition of incitement articulated by the International Criminal Tribunal for Rwanda, the article shows that the lyrics of these songs constitute incitement to violence. Further, the comments written by YouTube listeners provide evidence that the songs provoke additional dehumanizing speech. The songs and their creators are therefore complicit in the recent violent persecution of Muslims in Myanmar.

အနှစ်ခ ျုပ်။ ။ …

Qui Té Por Dels ‘Rosalía Studies’? Guia De Perplexos, Antoni Pizà

Publications and Research

Molt a principis dels anys noranta del segle XX, quan jo començava a veure la possibilitat de doctorar-me, la musicologia era, si se’m permet una caricatura, una disciplina de capellans i arxivers. A l’Estat Espanyol, per exemple, la carrera oficial encara no existia, si bé hi havia estudis i tesis a algunes escoles de doctorat de filologia o història de l’art. El mot «musicologia», de fet, ni tan sols era acceptat o pràcticament acabava d’entrar en alguns diccionaris prescriptius. Sense estudis reglats, els aspirants a musicòlegs emulaven la feina, la metodologia i les temàtiques dels seus mestres.

2022 Symposium On Education In Entertainment And Engineering, Mary K. Pillotte, Rich Dionne

Symposium on Education in Entertainment and Engineering

No abstract provided.

Ensemble Concerts: Symphony Orchestra, September 25, 2022, Glenn Block

School of Music Programs

Center for the Performing Arts
September 25, 2022
Sunday Evening
7:00 p.m.

Choral Showcase, September 25, 2022, Illinois State University School Of Music

School of Music Programs

Center for the Performing Arts
September 25, 2022
Sunday Afternoon
3:00 p.m.

Ensemble Concerts: Fall Collage Concert, September 18, 2022, Illinois State University School Of Music

School of Music Programs

Center for the Performing Arts Concert Hall
Sunday Afternoon
September 18, 2022
3:00 p.m.

Audiovisual Afterlives: The Soundtrack Of Liberal Nostalgia, Max W. Kaplan

Dissertations, Theses, and Capstone Projects

Following the 2016 American Presidential election, celebrity endorsements proved to be a more narrow gauge of public opinion than ever. The symbolic alignment with popular musicians, which had long abetted the Democratic Party’s standing with youth and particular identity groups, seemed only to reaffirm the party’s establishment status, drawing disavowal in a wave of anti-establishment sentiment on both the left and right. ‘Retromania,’ a term first coined by Simon Reynolds in 2010, can be tracked conceptually from the nostalgic inclinations of twenty-first century popular culture to the ideological sphere, where nostalgic, essentialized constructions of community, identity, and progress have coalesced …

Assembling The African City: Music Streets And Associational Life In Dakar's Médina, Brendan Kibbee

Dissertations, Theses, and Capstone Projects

What can you understand about a city through its music? Most days and nights in Dakar’s Médina­­––a crowded quartier populaire adjacent to the city’s central administrative zone–– streetscapes are transformed by musical assemblies, including life cycle ceremonies and events produced by the neighborhood’s robust array of civic and religious associations. This dissertation examines how the confluence of music, public spaces (streets), and associational life shapes the possibilities of urban living in the contemporary African city. The musical assemblies that fill the neighborhood, I argue, spatialize social life in the city, organizing people’s movements, exposing them to a common sense-world, and …

Voice, Arabness, And The Vocal Talent Competition Arab Idol, Insia Malik

Dissertations, Theses, and Capstone Projects

One of the most popular entertainment programs on Arabic television in the 2010s through to its most recent season in 2017, Arab Idol (Mahbub al-‘Arab) was an offshoot of the Idols television franchise that launched globally in the early 2000s. This dissertation is a study of how Arabness was voiced quite literally on Arab Idol, through rhetoric and production—but primarily through the music. A show in which an Arabness is implicit in the nomenclature, Arab Idol catered to an Arab audience and thereby featured music that might speak to this audience. What distinguished the offshoot from its …

Festivali11: The Long Sixties And Women In Communist Albania, Manjola Shehu

Dissertations, Theses, and Capstone Projects

Festivali11 is a digital project that aims to highlight the experiences of Albanian women during the communist period by collecting, digitizing and publishing oral histories for an Albanian and international audience. The heart of the project, which is hosted at www.festivali11.com, is a collection of educational materials built from two digitized interviews with an Albanian woman that describe her experiences during this period.

The project aims to showcase the potential of oral history in centralizing the experience of marginalized people in historical narratives and to provide contextualized, multimedia information and resources about this topic to an international public and facilitate …

Rupturismes: Art Sonor A Mallorca, Un Poc De Context, Antoni Pizà

Publications and Research

Antoni Caimari (1943-2021), com sap tothom, no era un músic com els altres; i tampoc no ho volia ser. Encapçalava els títols de les seves obres musicals amb les inicials EB o «esbós» (com altres compositors les inicien amb Op.) per donar una idea que no tenien res a veure amb les composicions tancades i immanents dels mestres del passat. Aquests EBs no tenien partitura perquè, com va dir Llorenç Barber, un altre compositor donat als aforismes, estaven alliberats de la tirania de la «partiturocràcia».

Analog Matters: Labels, Cassettes, And Alternative Economies In Argentina’S Independent Music Scenes, Maria Agustina Checa

Dissertations, Theses, and Capstone Projects

This dissertation is a multi-sited ethnographic study of current cassette production and circulation in Argentina. It analyzes the work of independent labels that record music available online onto cassette tapes, incorporating a variety of music styles. I examine practices of production, circulation, and exchange, and the alternative economies performed around cassettes, with particular attention to the materialities constituting these processes. Through cassettes, I conceptualize and trace "relational value," a notion to understand objects with different kinds of social agencies valued for their abilities to generate connections. Relational value is a theoretical construct that emerges from the ground-up approach to studying …

Sawer: Melampaui Ruang Dan Meluaskan Jangkauan Interaksi Pada Pertunjukan Dangdut, Michael H.B Raditya

Paradigma: Jurnal Kajian Budaya

This article deals with the issues of sawer that have appeared over time, both in live and online performances. This topic is interesting because sawer is intertwined in the interaction and participation of two active subjects, namely the singer and her audience. In live performances, the exchange between singers and their audiences happens in the same space and time. On the other hand, accommodating sawer in online dangdut performances is a challenge. However, in 2020 there was a lot of interaction and participation—and even sawer—in online shows. I believe this is not the first glimpse of this phenomenon because online …

The Japanese Church And Cultural Engagement, Sarah Jane Garon

Masters Theses

This thesis addresses the current cultural engagement done by the Japanese church, with particular attention given to music and the arts. Japan has hosted Christian missionaries for over five centuries and yet most of the population do not claim the religion as their own. Much research has been devoted to understanding the history of Christianity in Japan and the relationship between Japanese Christians and non-Christian Japanese culture. However, very little research has been done on the interactions between Japanese Christians and music and art specifically. This thesis, therefore, is dedicated to discovering how Japanese Christians are currently engaging with music …

Comparative Analysis Of The Associate Board Of The Royal Schools Of Music Of The United Kingdom And The African Music Curriculum Of Kenya, David O. Akombo, Barbra A. Akombo

Visions of Research in Music Education

The music curricula and the pedagogical methods used in the United Kingdom and in Kenya share trends that are both common and diverse. In this article we present our comparisons of the Associate Board of the Royal Schools of Music (ABRSM) and the Kenyan music curriculum. We approach this comparative study using Ralph Tyler’s definition of curriculum as a theoretical framework. The paper evaluates how the two curricular are shaped by Tyler’s sociocentric model by addressing the following four question:(1) What are the roles of a music education curriculum in the United Kingdom and in Kenya?; (2) What factors influence …

Vol. 45 No. 1 (2022): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 45, No 1-Aug 2022 edition of the Pacific Studies Journal.

Vol. 45 No. 1 (2022): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Grand Rapids Musical Life At The Turn Of The 20th Century: An Archival Study, Thomas J. Stutz

Student Summer Scholars Manuscripts

This project focuses on outlining the vibrant musical soundscape and traditions of Grand Rapids Michigan at the turn of the 20th century. At the forefront of this research is the contrast between men’s and women’s clubs at the time. Our analysis indicates that the foremost women’s club–the St. Cecilia’s Society–took a more nuanced and intellectual approach to musical programming and performance whereas their male counterparts were more focused on the social and public view of their club; this view is in line with the historical trend of women’s clubs holding a great deal of power in the arts at the …

Music: Seeking Pleasure, Emotional Language, Ritualized Communication, Jillian N. Gerlach

Interdivisional Studies Summer Fellows

The impetus for my project was how I view listening to music as a spiritual or religious experience. Listening to music, instead of practicing religion, satisfies my inclination toward spirituality. In the introduction to my paper, I outlined how music exists in my life. I thought it was valuable to provide my unique experience to give context to my research. I created a diagram that delineates how I interact with music and the benefits I derive from listening to music. During this self-reflection, I realized listening to music functions like a ritual for me. I noticed my individual ritualized listening …

'Space Is The Place:' Afrofuturism In Black Popular Music, Tamyka Jordon-Conlin

LSU Doctoral Dissertations

This dissertation focuses on developing a theory of Afrofuturist music. Afrofuturism is an umbrella term used to describe Black cultural productions that reflect on the African diasporic culture of the past while imagining potential futures, often while appropriating imagery of technology and science-fiction tropes. With the intent of redefining notions of blackness, Afrofuturist artists create alternative historical narratives and speculative future projections. These productions create space that allows the Afrofuturist to discorporately negotiate the limits of Black subjectivity. Poet, activist, and avant-garde musician Sun Ra is credited as the progenitor of Afrofuturism, and his model has since been adapted by …

Toybox: A New Approach For Auxiliary Percussion Instruments At The Beginning Level, Spencer Craig Jones

LSU Doctoral Dissertations

Currently, there exist little materials to introduce elementary students to auxiliary percussion instruments. There is a need for the creation of more instructional material for this age group that provides pedagogy descriptions for the instruments as well as playing examples. The purpose of this project is to create a method book that provides pedagogy examples for auxiliary percussion instruments while also providing playing examples to use.

Adapting North American Fiddle Bow Technique To The Double Bass, Spencer Jensen

Theses and Dissertations

Because of the pioneering work of Edgar Meyer in expanding the role of the double bass in American folk music, many bassists are inspired to engage with fiddle music in the way fiddlers do. Thus, bassists who perform in fiddle and string band traditions may seek greater artistic freedom and expression by shifting between a variety of accompanying textures to playing melody and improvised bowed solos.

In seeking to discover how bassists successfully adapt fiddle bowing techniques to the double bass, I have interviewed two bassists who are deeply involved in Americana music traditions, Paul Kowert and Ethan Jodziewicz. From …

“800 Years We Have Been Down”: Rebel Songs And The Retrospective Reach Of The Irish Republican Narrative, Seán Ó Cadhla

Articles

From the glamorous, cross-dressing “Rebel, Rebel” of David Bowie, to the righteous Trenchtown “Soul Rebel” of Bob Marley and The Wailers, both varied and various musical articulations of cultural and socio-political rebellion have long enjoyed a ubiquitous presence across multiple soundscapes. As a musicological delineator in Ireland, however, ‘rebel’ conveys a specifically political dynamic due to its consistent deployment as an all-encompassing descriptor for songs detailing events and personalities from the Irish national struggle. This paper sets out to examine the specific musical delineator of “rebel song” from both musicological and politico-ideological perspectives with a view to interrogating its appropriateness …