Digital Commons Network^™

Co-Writing Nashville Style: A Recital Of Selected Country Songwriters, Joseph H. Wandass Iv

Recital Papers

Country music and songwriting have been hallmark features of the Nashville music scene for well over a century. Due to the development of the concept of "the Nashville Dream," the idea that one can "make it" in music by moving to Nashville and writing songs, migratory patterns to Nashville from across the United States have changed the ways in which Nashville-based music is created and disseminated. In the thesis and accompanying recital, these trends are analyzed through the lens of ten selected active Nashville songwriters who have seen these trends. Submitted in partial fulfillment of the requirements for the degree …

The Double Silence: Reflections On Music And Musicians, Antoni Pizà

Publications and Research

A translation of EL DOBLE SILENCI, published in Catalan in 2003. The book is a compilation of essays originally published in Diario de Mallorca (2000-2003).

Etcètera Ii: Notes Sobre Música, Art I Literatura (2020-2022), Antoni Pizà

Publications and Research

A compilation of essays on music, the arts, and literature previously published in Bellver, the arts section of Diario de Mallorca (2020-2022). This is the second part of ETCETERA.

New Music Ensemble, Chapman New Music Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.

Around The World In Two Days: Walt Disney's Epcot Center And The World's Fair Tradition, Annie Davis

Student Scholarship & Creative Works

This work views the performative and consumerist traditions of the World's Fair and how Walt Disney World's EPCOT Center was essentially created to exist as a "permanent World's Fair" in theme park form. From viewing the 1904 Louisiana Purchase Exposition in St. Louis and the 1964-1965 New York World's Fair alongside Epcot Center (1982) the similarities in the visitor experience are analyzed. Walt Disney's presence at the 1964-1965 New York World's Fair seems to work as testing grounds for ideas with lower stakes than presenting permanent attractions, some of which would later be moved to the parks. Epcot Center offered …

Vol. 45 No. 2 (2022): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 45, No 2-Dec 2022 edition of the Pacific Studies Journal.

Cultivating Music Educators For Engaging In Varied Pedagogy Within An Increasingly Pluralistic Society, Maggie Brown

Honors Projects

As society continues to grow increasingly pluralistic, questions arise concerning how to better prepare preservice educators in teacher preparation programs. The purpose of this study was to determine the connections between P12 teachers’ training, experience, and what is being done in the classroom. Three participants were hand-selected for participation due to their proven track record employing varied curricular practice. The participants represented a varied range of areas of expertise and years of experience. After exploring the experiences of these three teachers, themes of (1) getting outside of one’s comfort zone, (2) engaging in musical amateurism, and (3) synergizing traditional and …

Vol. 45 No. 2 (2022): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Como Lo Recuerdo: A Remembrance Of Mexican Folk Songs From Our Residents’ Hearts, Arturo Treviño Jr.

Theses and Dissertations

Educators today face the challenge of finding either the individual in the community or the community in the individual. This study applies Jeff Titon's idea on communities as musical ecosystems to explore the sustainability of John A. Lomax's April 1939 Southern Collection field recordings, examining how and where these musical works exist in Brownsville, Texas today and investigating the meanings of these Mexican folk songs to Rio Grande Valley community members. In this work, I put the Lomax song collection in greater cultural, historical, and musical context, and argue that the songs can assist Rio Grande Valley individuals in both …

The Romantic Style In The Piano Works Of Manuel M. Ponce, Oscar Vazquez Medrano

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

Manuel M. Ponce is one of the most recognized Mexican composers of the twentieth century. He is known for his contributions to the guitar and piano literature, but more importantly, for his efforts to introduce musical nationalism in a world where Romantic opera and salon music dominated Mexico’s music scene.

This document has an introduction, six chapters, a conclusion, a bibliography, and three appendixes. The introduction includes pertinent background on Ponce’s music and the types of research dedicated to him, as well as the stylistic division of his music by Ponce scholars.

Chapter one explains the historical context in Mexico …

An Acute Sense Of Place: The Songs Of Norman Blake, Thomas Jutz

Electronic Theses and Dissertations

American flat-picking guitarist, singer and songwriter Norman Blake holds legendary status among guitar players, bluegrass, and folk musicians.

The aim of this research is to analyze the interaction of sense of place in Norman Blake’s songwriting. This research will explore the techniques Blake uses to create that acute sense of place. Elements of literary criticism, cultural geography, ethnomusicology, and sense of place studies, as well as historical background information on Northern Alabama and North Georgia will be employed to show how this particular region of Southeastern Appalachia has informed Blake’s songwriting.

The research questions that I aim to answer are …

Ensemble Concerts: Symphonic Winds, December 1, 2022, F. Mack Wood

School of Music Programs

Center for the Performing Arts
December 1, 2022
Thursday Evening
8:00 p.m.

Ensemble Concerts: University Band And Symphonic Band, November 30, 2022, F. Mack Wood, T.J. Mack, John Gonzalez, Jeason Lopez

School of Music Programs

Center for the Performing Arts
November 30th, 2022
Wednesday Evening
8:00 p.m.

Becoming Camilla Urso: A Female Celebrity Violinist And The Transformation Of American Musical Culture, Maeve Nagel-Frazel

Undergraduate Theses, Capstones, and Recitals

Camilla Urso (1840-1902) was the first nationally famous female violinist in the United States. Between 1852-1902, Urso gave over a thousand concerts in the United States, becoming a musical celebrity on par with the Swedish soprano Jenny Lind. Through her public visibility, Urso transformed nineteenth-century American violin playing from a male-dominated field into an acceptable and even fashionable field for women. Despite her nineteenth-century fame, today Urso is mostly forgotten. Over the course of six chronological chapters, this thesis presents a contextual biography of Urso’s American concert career. Utilizing archival sources, digitized newspapers, and digital mapping methodologies, I argue Urso’s …

Volume Cxlii, Number 8, November 11, 2022, Lawrence University

The Lawrentian

No abstract provided.

Chanting The Medicine Buddha Sutra: A Musical Transcription And English Translation Of The Medicine Buddha Service Of The Liberation Rite Of Water And Land At Fo Guang Shan Monastery, Jeffrey W. Cupchik

Yale Journal of Music & Religion

A book review is presented for Reed Criddle, ed., Chanting the Medicine Buddha Sutra: A Musical Transcription and English Translation of the Medicine Buddha Service of the Liberation Rite of Water and Land at Fo Guang Shan Monastery. Recent Researches in the Oral Traditions of Music 13. Philip V. Bohlman, general editor. Middleton, WI: A-R Editions, 2020. 77 pages.

Shifting Paradigms, Pandemic Realities: The Reception Of Ishay Ribo’S Music In The American Hasidic Community, Tzipora Weinberg, Gordon Dale

Yale Journal of Music & Religion

The COVID-19 pandemic has irrevocably changed the landscape of social, communal, and religious life. Within the Jewish community, reactions to the virus have taken many forms. One of the most visible and criticized populations, the Hasidic community of Brooklyn, has been the focus of attention from the media and press, and has responded in unprecedented ways, both in political and social arenas. Our close study of the evolution of a particular instance of atypical musical permissiveness in the period preceding COVID-19, and its subsequent development during the pandemic period itself, follows this metamorphosis, limning the shift in communal norms as …

From The Islands To The Motherland: Motivic Traveling In Contemporary Gospel Music, Lauren Eldridge Stewart

Yale Journal of Music & Religion

Contemporary gospel musicians frequently use ad libs that describe diasporic desires, imagined identities, and the music itself. “To the islands” and “to the motherland” are directives that call audiences to join musicians in a motivic journey that spans the Black Atlantic, and flows between North America, the Caribbean, and Africa. Though deployed throughout the genre’s history, I focus here on the motivic traveling featured in gospel music released within the past two decades. I posit that musicians engage in this symbolism for three possible reasons: to enliven gospel music, to appeal to increasingly diverse congregations both within the U.S. and …

Congregational Music As Phatic Communication: Affect, Atmosphere, And Relational Ways Of Listening And Being, Anna E. Nekola

Yale Journal of Music & Religion

Much of the scholarship of congregational music focuses on participatory music in organized corporate worship. This article draws on theories of communication and affect to examine the secondary, background music that happens alongside other events in a worship service or in places other than the space of the sanctuary. Instead of understanding affects as an individual emotion, this article argues that music is made meaningful through a socio-cultural and relational affective process. This in turn enables one to understand how musics, particularly secondary non-participatory musics, work beyond language and representation in phatic ways that can engender powerful feelings of human …

Ensemble Concerts: Treble Choir, Men's Glee Club, And Belle Voix, November 6, 2022, Illinois State University School Of Music

School of Music Programs

Center for the Performing Arts
November 6, 2022
Sunday Afternoon
3:00 p.m.

The Global Jukebox: A Public Database Of Performing Arts And Culture, Anna L. C. Wood, Kathryn R. Kirby, Carol R. Ember, Stella Silbert, Sam Passmore, Hideo Daikoku, John Mcbride, Forrestine Paulay, Michael J. Flory, John Szinger, Gideon D'Arcangelo, Karen Kohn Bradley, Marco Guarino, Maisa Atayeva, Jesse Rifkin, Violet Baron, Miriam El Haljli, Martin Szinger, Patrick E. Savage

Publications and Research

Standardized cross-cultural databases of the arts are critical to a balanced scientific under- standing of the performing arts, and their role in other domains of human society. This paper introduces the Global Jukebox as a resource for comparative and cross-cultural study of the performing arts and culture. The Global Jukebox adds an extensive and detailed global database of the performing arts that enlarges our understanding of human cultural diversity. Initially prototyped by Alan Lomax in the 1980s, its core is the Cantometric s dataset, encompassing standardized codings on 37 aspects of musical style for 5,776 traditional songs from 1,026 societies. …

Video Gamers As Performers: Annotated Bibliography, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

This study is based on the concept and idea of video game players performing music through the games that they play. This serves as a very assessable way for people who do not have the money, time commitment, and or motivation to be able to play and perform music without any background in music literacy.

From Words To Grammar And Grammar To Speech: A Practical Analysis Of Charlie Parker, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

Today, there exists a respectable body of work analyzing the music and life of Charlie Parker. Parker left behind around 900 recordings, a prolific body of work. There remains a great deal of solos to be transcribed and studied although there is much research examining hundreds of Parker solo transcriptions and proffering pedagogy to be used by the student of jazz improvisation in order to learn how to improvise within the musical language of Charlie Parker. Scholars have not paid a great deal of attention to how to synthesize the various research and pedagogies into a methodical guide for the …

Why We Don’T Just Dance To A Metronome: Examining The Musical Characteristics Of American Rhythm And Smooth, Tommy Endicott

Musicology and Ethnomusicology: Student Scholarship

American Smooth and Rhythm are the fastest growing styles of ballroom dance in America, and as new ideas for how to perform the dances flood the dance floor, so do new ideas for what music best expresses the character of the dance. The music of American Smooth is trending towards electronic forms of the tango and towards pop ballads in place of traditional Viennese Waltzes; meanwhile, the music of American Rhythm is trending away from its Cuban roots and towards hip hop. These innovations could potentially revitalize ballroom dance music for new audiences and also help dancers to reach a …

Participation And Community Healing In The Me2/ Orchestra, Lee Cyphers

Musicology and Ethnomusicology: Student Scholarship

The Me2/ Orchestra is a Boston-based community orchestra for people living with mental illness and those who support them. Me2/’s mission, according to its website, is “to erase the stigma surrounding mental illness (including addiction) through supportive classical music rehearsals and inspiring performances.” In order to investigate the methods and practices used by Me2/ to fulfill this mission, this annotated bibliography compiles important literature on community music initiatives with social projects. Concepts of “participation” and “performance” are explored, as well as problems posed by research into the effectiveness of arts programs. In addition, the distinction is made between amateur music-making …

Adult Recreational Music-Making And Its Place In Piano Pedagogy: An Examination Of The Value Of Rmm To Both Student And Teacher, Jen Bowlds

Musicology and Ethnomusicology: Student Scholarship

This project aims to answer the following research question: How can the piano pedagogy community embrace the Recreational Music Making movement to expand its reach among adults and transform the piano teacher’s sense of professional satisfaction and career sustainability? I will examine the opportunities that exist within piano pedagogy and the growth potential for RMM as a valuable pedagogical approach for adult group piano classes. As is routinely used in strategic business planning, a SWOT analysis will be conducted to determine the strengths, weaknesses, opportunities and threats of the RMM movement within the piano pedagogy field. A relatively new (and …

The Developmental Influence Of Both Musical Notation And Wind Instruments On Electronic Music And Music Software, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

This annotated bibliography is meant for you – the person who wishes to learn more about electronic music and its roots. I argue that electronic music is a legitimate form of music, and despite films depicting machines and robots as cold and lifeless they have the potential to be humanistic and wonderfully expressive. Perhaps one day, sooner than later, electronic instruments will be quintessential for orchestras in the near future. Until that day these series of sources are critical in informing electronic music enthusiasts the history behind electronic music and synthetic sound.

Technology, Artistic Collaboration, And Performance Practice In Bella Voce’S 2019 Recording Of Brahms’ A German Requiem, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

How do the recordist, conductor, and performers work together to create a unique recorded statement within the discourse between a 19^th century composer and a 21^st century listener in Bella Voce’s 2019 recording of Brahms A German Requiem (1871 London Version)?

The complexity of preparing a musical work and creating a recording of its performance encompasses many disciplines and the collaboration of many individuals. The process involves questions of performance practice, recording technique, applications of digital technology, and artistic choices on the part of all involved. The 2019 Bella Voce recording of Brahms’ A German Requiem is an …

The Effective Concertmaster: A Look At The 21st Century Role, Eva Toncheva

Musicology and Ethnomusicology: Student Scholarship

The role and responsibilities of the orchestral concertmaster have evolved alongside the orchestra over the last several centuries, shifting away from composing music for the ensemble and organizing events, and towards being aware of union standards, etiquette, and musician morale, as well as the important task of writing bowings. What makes an effective concertmaster? In attempting to answer this question, this paper will be examining both the musical and extra-musical duties of the modern day concertmaster, primarily focusing on leadership qualities such as cueing and leading with the bow. The paper will draw on biographical sources of current concertmasters of …

The Story Of Orpheus And Eurydice As Told In L’Orfeo Vs. “Hadestown”: Annotated Bibliography, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

An analysis of the myth of Orpheus and Eurydice as told in Monteverdi’s L’Orfeo and Mitchell’s “Hadestown,” with some brief history and context of the time periods in which these works were written and performed, and how certain ideals and values have changed and altered over time within society. In addition to descriptions of musical form and orchestration of these works, comparisons between both works will be made as they relate to the original myth of Orpheus and Eurydice, as well as discussion on how much of the origin story was retained with each retelling.