Digital Commons Network^™

Music Education And The Shrinking Public Space: Implications Of Richard Sennett's Sociological Ideas For Music Education, Paul Louth

Visions of Research in Music Education

Richard Sennett’s theory that industrial capitalism triggered the gradual elimination of shared cultural symbolism and thus contributed to the impoverishment of civic involvement deserves to be revisited in light of its implications for music education in an age of global information capitalism. In 1974 Sennett produced an extensive examination of the relationship between public culture and public space, arguing that our response to large-scale social and economic forces over which we have limited control is to retreat from public cultural expressions and consequently from public life. Extending Sennett’s sociological argument, I contend that the subjectivizing of musical meaning may lead …

Perspectives On Social Realism Within North American Higher Music Education, Kyle Zavitz

Visions of Research in Music Education

This article critically examines the suitability of Social Realist perspectives within North American higher music education, with a particular focus on its relationship with jazz musical knowledges. Social Realist scholarship continues to emerge within the field of education sociology, driven by claims to contribute to student access and opportunity. In spite of this, scholars have continued to critique Social Realist perspectives for various reasons including maintaining an ideological status quo and devaluing the experiences of students, going as far as argue that Social Realist frameworks may in fact limit the access and opportunity espoused by its proponents. Drawing upon past …

Director's Statement, Andrea Leland

Jamesie: King of Scratch

No abstract provided.

Ethics In Kakadu (1988): Finding Djilile’S “True Tracks”, Natasia T. Boyko

Electronic Theses and Dissertations

Tasmanian-born Peter Sculthorpe (1929 – 2014) was one of Australia’s most iconic modernist classical composers of the twentieth century. Kakadu (1988) seems to have sparked the most controversy of Sculthorpe’s works and has become one of his most well-known pieces. In the program notes provided in the score’s foreword, Sculthorpe asserts that “the melodic material in Kakadu, as in much of my recent music, was suggested by the contours and rhythms of Aboriginal chant.” Sculthorpe attributed this melodic material to the Arnem Land chant, Djilile. Consequently, Sculthorpe has been criticized for extracting Djilile from its authentic context as …

Rhythmic Theory Pedagogy, Ways Of Knowing, And Experiential Learning, Ben Duinker

Journal of Music Theory Pedagogy

This article proposes an approach to rhythmic theory pedagogy that foregrounds the intersection of performance, creation, and analysis. Daphne Leong’s recent work on this intersection uses the German verbs wissen (knowing that), können (knowing how), and kennen (knowing of) to describe the different kinds of knowledge generated and utilized by theorists and performers. I use Leong’s theory to identify a mismatch, or gap, between what undergraduate students learn about rhythm in the theory classroom and what their practical needs are as music majors—a plurality of whom specialize in performance. As a means of remedying this mismatch, I use David Kolb’s …

11. Dreamers: Adventures In Dreams And Dreams Of Adventures ... By David Kennedy, David Kennedy

Middle School Curriculum

Dreamersis a philosophical adventure novel for ages 12 and beyond, told through the eyes of four pre-adolescent children of varying ethnic and racial backgrounds living in a small town in the American Southwest, who embark together on a school inquiry project centered on the phenomenon of dreaming. Not only do they record and share their dreams with each other, they inquire together into the role and status of dreaming in cultures past and present, the interpretation of dreams, the scientific analysis of dreaming, and the role of dreams in mythology and religion. The dramatic events of the novel are …

Journal Policies, Jucr Staff

Journal of Urban Culture Research

No abstract provided.

Sorginak, Bruxas, Meigas, Bruixes… Performing Feminisms In Spanish Folk Revival, Marina Gonzalez-Varga, Inmaculada Vera-Carbonell

Journal of Urban Culture Research

The imaginaries constructed around witches and witchcraft throughout history have reflected non-accepted social conduct and behaviors. Assuming women’s bodies, knowledge, and social agency as a depiction of the savage, strange, and taboo figure. In this way, the witch linked to the feminine and negative aspects has been recently reappropriated and reshaped by feminism in the last decades. In this study case, I examine how Spanish revival folk has reflected female gender models through musical practices. The main goal of folk revival is revitalizing a countercultural movement, which shows a context of a clash of ideologies and identities. Identities and ideologies …

“Hin Le Le” Folk Songs In Phitsanulok Province : Identity And Existence In Times Of The Covid-19 Pandemic, Sasinut Phongnil

Journal of Urban Culture Research

The objectives of this qualitative research were to investigate (1) the identity of folk songs in Phitsanulok province, Thailand (2) the forms, methods and existence of folk songs during the COVID-19 pandemic, using musicological methodology. The examination of the background, musical characteristics, components and forms at present revealed that the identity of Hin Le Le folk songs is “the songs that reflect the way of life of the locals in Phitsanulok province, keep up with ongoing events for all age groups and are created by the elderly in the community.” The examination of the forms and existence methods of folk …

Revolutionary Songs From Myanmar: Reconsidering Scholarly Perspectives On Protest Music, Heather Maclachlan

Department of Music Faculty Publications

Since the February 1, 2021 military coup in Myanmar, Burmese musicians have been creating and circulating anti- coup songs. This article describes a representative sample of these songs, explaining how the lyrics reference important tropes in Burmese life and history. Further, the article argues that these anti-coup songs, while they can be understood as protest music, do not fit precisely into categories previously delineated for protest songs. Nor do these songs provide a neat answer to the question that scholars so often pose of protest music, to wit: do these songs work to persuade listeners to take an anti-authoritarian position? …

Don Mula (Original Dance) And The “Sacred Sound”Of Buddhism: Performing Collective Identity Among The Pwo Karen In Thung Yai, Thailand, Jarun Kanchanapradit, Sooi Beng Tan

Journal of Urban Culture Research

The Don Mula (Original Dance) represents an important part of the collective consciousness and identity of the Pwo Karen people in the Laiwo sub-district, Thung Yai Naresuan Wildlife Sanctuary in Western Thailand. Due to modernization and changes that have occurred in Karen society at the turn of the millennium, many functions of the dance have been transformed. While the dance continues to be performed to pay respect to the Rice Goddess, it is employed to educate the younger generation about Buddhist knowledge and Karen beliefs as expressions of "Karen-ness." Through in-depth interviews and a study of the musical lyrics and …

Kirtan In The Americas: Music And Spirituality In A Transcultural Whirlpool, Gustavo Moura

Theses and Dissertations (Comprehensive)

Kirtan (Sanskrit: कीर्तन; IAST: Kīrtana) is a broad term referring to various forms of devotional singing commonly done in South Asian traditions. It is a core practice in the Hindu and Sikh faiths that is becoming increasingly popular around the world among people of all ethnicities. Beyond its expected propagation within Hindu and Sikh diasporas, kirtan is also spreading among members of new religious movements such as ISKCON and the 3HO/Sikh Dharma, who may engage in this practice as part of their daily cultivation. Even more broadly, a form of what has been called “neokirtan” has been gaining popularity in …

Unconventional Wisdom In Resonating Echoes Of The Past: A Memoir On The Life And Music Of Royal Hartigan, Joseph Elias Boulos

Graduate Theses, Dissertations, and Problem Reports (ETD)

Unconventional Wisdom in Resonating Echoes of the Past:

A Memoir on the Life and Music of royal hartigan

Joseph Elias Boulos

Detailed fieldwork achieved by people in the discipline of social/humanistic studies, specifically ethnomusicologists, in any form: book, biography, documentary, etc., have contributed to the strengthening the understanding of any group of people, community, or culture. This research project is a co-authored memoir grounded in oral history and collaborative ethnography on, and with, Dr. royal hartigan. The purpose of this ethnographic research is to fill in the lack of information readily available on royal, from his sole perspective, and to …

Analysis And Performance Of Osvaldo Golijov’S Hebreische Milonga, Gerardo Sanchez Pastrana

Graduate Theses, Dissertations, and Problem Reports (ETD)

Argentinian composer Osvaldo Golijov is one of the most important and well-recognized composers of the 21^st century. His works are unique because of the diverse mixing of styles due to the interculturalism present in his music. In the program notes of his Hebreische Milonga, Golijov mentions that this piece can connect his Argentinian and Jewish roots as well as the influence of Astor Piazzolla’s music. In addition, there is a connection between the tango and the Jewish people residing in Buenos Aires, Argentina, that is not addressed frequently when discussing the history of the tango. This research begins …

Thai Government's Promotion Of National Culture That Affected Thai Traditional Music Research During 1982-2012, Patarawdee Puchadapirom

Journal of Urban Culture Research

This article reports on a study of the state of knowledge and other factors affecting Thai music research from 1982 to 2012. Since 1982, problems of stability and deterioration of national culture led the government to promote national culture through a “conservation approach” to Thai traditional music in accordance with the customs of the Royal Court. This received governmental support for promotion as national cultural heritage to be passed down to posterity. This involved, for example, securing the involvement of various relevant government agencies, opening Thai music education curricula in higher education institutions, creating criteria for what constitutes “Thai traditional …

(2023) Dreamers: Adventures In Dreams And Dreams Of Adventures ..., David K. Kennedy

Collected Papers of David Kennedy

Dreamers is a philosophical adventure novel for ages 12 and beyond, told through the eyes of four pre-adolescent children of varying ethnic and racial backgrounds living in a small town in the American Southwest, who embark together on a school inquiry project centered on the phenomenon of dreaming. Not only do they record and share their dreams with each other, they inquire together into the role and status of dreaming in cultures past and present, the interpretation of dreams, the scientific analysis of dreaming, and the role of dreams in mythology and religion. The dramatic events of the novel are …

The Three E’S Of Horn Repertoire: From Excerpts To Etudes To Employment, Briana Pepilascov-Childers

Theses and Dissertations--Music

This project explores effective solutions for practicing orchestral excerpts, a challenge often faced by young musicians preparing for auditions. It introduces a method of adapting practice ideas and composition to facilitate a more profound understanding of fifteen orchestral excerpts. While primarily directed at horn players, the concepts and techniques explored in this study are applicable to musicians of all instruments, offering specific ideas, practice tips, and original etudes tailored to each excerpt. These etudes serve a dual purpose by addressing technical aspects of both the horn and the excerpt itself while familiarizing the musician with the standard orchestral repertoire commonly …

Defining Music Of A Questionable Past: A College Musician’S Approach, Noah Whetstone

Williams Honors College, Honors Research Projects

In recent years, social movements have raised awareness on issues like whitewashing and the oppression of minority voices in fields such as music. These social movements have drawn attention to the cultural appropriation that sometimes occurs in music classrooms. Outcomes from recent legislation proposals and social conflicts across the United States threaten to limit educational opportunities. Although many people have understood these pieces of legislation to affect topics such as history and English, it may also affect music education. When choosing music to teach their students, music educators are often challenged as many songs have questionable pasts and make references …

‘Keep The Music Going’: How The Isolation Tour 2020 Maintained Community And Cultural Connectedness During The 2020 Covid-19 Lockdown In Western Australia, Brigitta Scarfe, Amy Budrikis, Clint Bracknell

Research outputs 2022 to 2026

The COVID-19 pandemic and subsequent social isolation measures had a profound impact on communities worldwide. In regional and remote Western Australia, the use of online platforms has become increasingly important for maintaining social and emotional well-being. This article examines the role of ‘The Isolation Tour 2020’ Facebook page in providing a lifeline for its mostly Aboriginal audience to stay connected with culture, Country, and one another during the 2020 COVID-19 lockdown in Western Australia. The authors conducted an in-depth interview with one of the administrators of the page and supplemented this with a thematic analysis of publicly available Facebook data. …

Feeling Analogue: Using Modular Synthesizers, Designing Synthesis Communities, Eliot Bates

Publications and Research

When Harald Bode nominally invented the modular synthesiser in 1960, it was not yet clear whether it was a musical instrument or a less-defined form of studio-sited audio technology (Subotnik 1970). Much of the technology, from the interface design to the specific parts, was shared with nonmusical test and measurement equipment. Sixty years later, hardware modular synthesis is used not just for musical creation but for noise, sound art and data sonification/visualization. Through an ethnographic study of the design and use of the Eurorack modular synthesis format, and of modular synthesis maker and user communities spread through North America, Europe …

The Origins Of Dance: Characterizing The Development Of Infants' Earliest Dance Behavior, Minju Kim, Adena Schachner

Psychology Faculty Articles and Research

Dance is a universal human behavior and a crucial component of human musicality. When and how does the motivation and tendency to move to music develop? How does this behavior change as a process of maturation and learning? We characterize infants’ earliest dance behavior, leveraging parents’ extensive at-home observations of their children. Parents of infants aged 0–24 months (N = 278, 82.7% White, 84.5% in the United States, 46.0% of household incomes ≥ $100,000) were surveyed regarding their child’s current and earliest dance behavior (movement by the child, during music, that the parent considered dance), motor development, and their …

ดุษฎีนิพนธ์ดนตรีสร้างสรรค์ : วรรณกรรมเพลงร้องร่วมสมัยแห่งกรุงสยามสำหรับเปียโนและขับร้อง, พูนสันต์ เตียรถ์ชัยวานิช

Chulalongkorn University Theses and Dissertations (Chula ETD)

“ดุษฎีนิพนธ์ดนตรีสร้างสรรค์ : วรรณกรรมเพลงร้องร่วมสมัยแห่งกรุงสยามสำหรับเปียโนและขับร้อง” มีวัตถุประสงค์เพื่อสร้างสรรค์เพลงไทยสำหรับเปียโนและการขับร้องและเพื่อสร้างผลงานทางด้านดนตรีร่วมกันระหว่างศาสตร์ 2 แขนงคือ ศาสตร์ด้านดนตรีตะวันตกและศาสตร์ด้านดนตรีไทย ในกระบวนการสร้างสรรค์ได้ศึกษาข้อมูลจากวรรณกรรมเพลงร้องตะวันตกสำหรับเปียโนและการขับร้องในยุคโรแมนติก บทบาทของเปียโนในการบรรเลงร่วมการขับร้อง วรรณกรรมเปียโนเพลงไทยของบรมครูคนสำคัญ และวรรณกรรมเปียโนเพลงไทยในยุคศตวรรษที่ 21 เพื่อนำมาเป็นต้นแบบในการสร้างสรรค์ผลงาน จากนั้นจึงลงมือประพันธ์ด้วยแนวคิด ทฤษฎีดนตรี และเทคนิคการประพันธ์เพลงตะวันตก ทดลองฝึกซ้อมและบรรเลงร่วมกับนักร้องด้วยแนวคิดและการตีความแบบการบรรเลงเปียโนตะวันตกร่วมกับการขับร้องตามแบบแผนไทย นำข้อบกพร่องมาขัดเกลาและปรับปรุงผลงาน จนได้เป็นผลงานเพลงสำหรับเปียโนและการขับร้องจำนวน 6 เพลง

“Americanized” Worship In Brazilian Churches, Leon C. Neto

Masters Theses

Motivated by the marketability of high-profile artists and bands, Christian churches worldwide may see the inclusion of profit-driven worship songs as a recruiting tool for their communities. This process of globalization or "Americanization" around the world, propagated by mass media, is yet to be thoroughly investigated. This trend is likely decreasing the use of indigenous styles in Christian worship. The primary purpose of this current study is to produce scientific data suggesting that “Americanized” worship is a trend in Brazil and is affecting the production of indigenous worship repertoire. An online questionnaire was developed and applied to Brazilian worship leaders. …

Using Popular Music To Engage The Multiculturally Diverse Secondary School Band, Todd Waldon Murphy

Doctoral Dissertations and Projects

Despite the increasing acceptance and enthusiasm for multicultural popular music in some high schools in the United States, traditional music teachers are often hesitant to embrace this trend. Even though the United States is responsible for creating many popular music styles, European music education philosophy is ahead with popular music education. Because of the United States' changing demographics, a new strategy must be developed to address this issue and implement it to the band director's advantage. Ethnic diversity and multiculturism have been creative factors in the United States, which explains why American culture has produced a wide variety of musical …

Through The Looking Glass: Worship Music With Indigenous Sounds In Los Angeles And Manila, Maria Rica Bartolome Silbol

Doctoral Dissertations and Projects

Despite the Philippines’ wonderful indigenous music and talents, Manila Baptist and Los Angeles Baptist churches do not utilize indigenous sounds in typical worship practices. This paper contends that the untapped resources of cultural sounds may contribute to a dynamic worship experience that resonates more effectively as Filipino. This study investigates the absence of indigenous sound in two Filipino Baptist churches from Los Angeles and Manila (QC). It analyzes relevant ethnic music components and each church’s response to the fusion of indigenous and traditional music in the worship experience. The explanatory sequential mixed method will focus on an artistic-creative study to …

Musikah V’Ḥalil, “Music And The Flute”: The Use Of Jewish Prayer In Flute And Piano Music, Kathryn L. Rudnik

Dissertations, 2020-current

Music has been a part of Jewish life since Biblical times and remains an integral part of the culture. Within Jewish music, instruments have also played an important role historically. The flute has been traced through Judaism back to Biblical times; however, it has lost prominence in modern synagogue and religious services. As Western music has developed into the twenty-first century, composers, both Jewish and Gentile, have been exposed to the music of the Jewish communities, some of whom have utilized it in their own compositions. Compositions based on Jewish prayer melodies have brought up the question of whether the …

Estás En La Sintonía De La Gozadera: En Vivo Desde Cumbiayork, El Movimiento Sonidero Del Futuro, Vita Dadoo

Capstones

For 30 years, New York's sonideros have been making noise on the central avenues of the city's Mexican and Latino ecosystems. The movement, made up of the sonidero (translated literally as "soundman"), his assistants, promoters, fans and dancers, has created a subculture that for a long time defined the relationship between the migrant and his native home in Mexico. Thirty years later, I explore how the movement has evolved, the traits that have distinguished it from the Mexican sonidero movement, and how it continues to flourish under a new generation of deejays.

Scholastic A Cappella And The Construction Of Whiteness, Community, And Power, Daniel Fister

Arts & Sciences Graduate Student Theses and Dissertations

Vocal-only student ensembles who cover contemporary popular music at most U.S. high schools and universities, known as a cappella groups, mold students as musical listeners and performers. Though predominantly composed of liberal and progressive people who value diversity and inclusion, a cappella communities perpetuate racialized inequities of sound and representation. I analyze how race, particularly whiteness, shapes the intersecting communities of scholastic a cappella through ideologies of sound (i.e. singing and arranging styles), social structures (i.e. audition processes, competition policies, and judging rubrics), and discourses (how a range of a cappella practitioners discuss, or not, social categories such as race …

A Senior Recital-Betsy Tullis And Julia Stowell, Betsy Tullis

All Music Department Programs

This recital is in partial fulfillment of the requirements for the degree of Bachelor of Music in Music Performance.

Ensemble Concerts: Music For The Holidays, December 10, 2022, Illinois State University School Of Music

School of Music Programs

Center for the Performing Arts
December 10, 2022
Saturday
3:00 pm and 7:00 p.m.

Center for the Performing Arts
December 11, 2022
Sunday
3:00 p.m.