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1980s (Date Unknown), 90.9 Wmpg Em

WMPG Program Guides

No abstract provided.

Date Unknown (1980s), 90.9 Wmpg Fm

WMPG Program Guides

Trifold, light brown, undated.

Date unknown,

Date Unknown (Early 1980s), 90.9 Wmpg Fm

WMPG Program Guides

Trifold, light grey. Undated

Program Director Notes menion a recent move to "new studios".

Black Music Research Newsletter, Summer 1979, Samuel Floyd

Center for Black Music Research Newsletter

"Black Music Research Newsletter is devoted to the encouragement and promotion of scholarship and cultural activity in black American music, and is intended to serve as a medium for the sharing of ideas and information regarding current and future research and musical activities in universities and research centers." Editor: Samuel A. Floyd, Jr., Editorial Board: Lynne Davis, Anita Pulcher. Vol 3, No. 1. 14 pages.

The Lark On The Strand: A Study Of A Traditional Irish Flute Player And His Music, Lori Jane Kaplan

Masters Theses & Specialist Projects

This thesis provides an in-depth study of a traditional Irish flute player, Jack Coen. Jack, raised in the village of Woodford in County Galway, immigrated to America in 1949 at the age of twenty-four. With his large repertoire of Irish traditional dance tunes, Jack has played music at parties, dances, with the New York Ceilidhe Band, and at festivals such as the 1976 Festival of American Folklife in Washington, D.C. Jack teaches the flute and the tin whistle and is recognized both as a teacher and as a player.

By examining Jack Coen’s music we learn about the style, technique, …

Black Music Research Newsletter, Winter 1979, Samuel Floyd

Center for Black Music Research Newsletter

"Black Music Research Newsletter is devoted to the encouragement and promotion of scholarship and cultural activity in black American music, and is intended to serve as a medium for the sharing of ideas and information regarding current and future research and musical activities in universities and research centers." Editor: Samuel A. Floyd, Jr., Editorial Board: Lynne Davis, Anita Trumpler. Vol 2, No. 3. 6 pages.

The Relationship Between Prosodic And Musical Rhythms In Urdu Ghazal-Singing, Peter L. Manuel

Publications and Research

A study of how prosodic meter in Urdu ghazal is treated in light-classical singing

Ua77/1 Western Alumnus, Vol. 49, No. 6, Wku Alumni Association

WKU Administration Documents

Alumni magazine published by WKU. This issue has the following articles:

• Dero Downing Steps Down
• Douglas, Michele. Top Banana – Gary Riggs
• Egan, Sherry. WKU State Climatic Center
• Gibson, Debbie. I Kind of Believe It’s a Gift – Burt Feintuch, Folk Music
• New on the Gridiron
• Adams, Bob. Digital Voltmeter – Engineering Technology
• Schock, Jack. The Projectile Point – Archaeology
• Armstrong, Bryan. Confessions of a Journalism Intern
• Highland, Jim. Terry Climer
• Beauchamp, Donnie. Commonplace Things – Photography
• Miller, Richard. The Exceptional Student – Psychology, Biology
• Harry Snyder Speaks at Commencement
• Douglas, Michele. Students Take Advantage of Study Trips Abroad
• Western …

Black Music Research Newsletter, Fall 1978, Samuel Floyd

Center for Black Music Research Newsletter

"Black Music Research Newsletter is now the official publication of Fisk University's new Institute for Research in Black American Music. The Newsletter will retain its original purpose, format, and publication schedule." Editor: Samuel A. Floyd, Jr. Editorial Board: Lynne Davis, Anita Trumpler. Vol 2, No. 2. 4 pages.

A Climate For Intervention: Wilhelm Weiprecht And An Historical Study Of The Invention Of The Moritz Chromatic F Bass Tuba (1835), Charles Robert Turner

Morehead State Theses and Dissertations

A thesis submitted to the Department of Music at Morehead State University in partial fulfillment of the requirements for the degree of Master of Music by Charles Robert Turner on July 24, 1978.

Black Music Research Newsletter, Winter 1978, Samuel Floyd

Center for Black Music Research Newsletter

"BMR NEWSLETTER is devoted to the encouragement and promotion of scholarship and cultural activity in black American music, and is intended to serve as a medium for the sharing of ideas and information regarding current and future research and musical activities in universities and research centers. " Editor: Samuel A. Floyd, Jr., Editorial Board: Lynne Davis, John M. Eddins, Anita Trumpler. Vol. 1., No. 3. 8 pages.

Black Music Research Newsletter, Fall 1977, Samuel Floyd

Center for Black Music Research Newsletter

"BMR NEWSLETTER is devoted to the encouragement and promotion of scholarship and cultural activity in black American music, and is intended to serve as a medium for the sharing of ideas and information regarding current and future research and musical activities in universities and research centers." Editor: Sameul A. Floyd, Jr. Editorial Board: Lynne Davis, John M. Eddins, Anita Trumpler. Vol. 2, No. 2. 7 pages.

Vol. 1 No. 1 (1977): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Ko E Fakalangilangi: The Eulogistic Function Of The Tongan Poet, Eric B. Shumway

Pacific Studies

No abstract provided.

If I'D Been Polish, I Guess I'D Be Playing Polkas: An Examination Of The Social Contexts Of Traditional Irish Music In Rochester, New York, George Stoner

Masters Theses & Specialist Projects

Anthropologists, folklorists and popular writers have, in general, neglected to describe. the social contexts in which traditional Irish music is played. Although the dance was probably the most important context for traditional Irish music in Rochester, as elsewhere in the United States and Ireland, interest among Irish-born Americans and Irish- Americans in traditional dancing has waned. At present, the most important social contexts for Irish music in Rochester are the session, the Feis, and various representational contexts. The session is by far the most important, and has developed as interest in the dance has declined. Unlike the dance, it is …

The Carter Family: Traditional Sources For Song, Margaret Bulger

Masters Theses & Specialist Projects

The recorded repertory of the original Carter Family was analyzed for traditional influences. Of the 119 songs examined, it was found that fifty-five, roughly one-fourth of their total repertory, have definite roots in one or more traditional sources. The Carters employed traditional texts within their repertory throughout their professional career. Three genres of song were analyzed: sentimental songs, religious songs, and ballads. Of these, sentimental songs was the largest category with 113 songs. These songs were found to be remarkably similar in thematic content and moral sensibilities to Victorian parlor songs (ca. 1860-1910). The religious songs were shown to be …

Hi-O-Hi 1976, Oberlin College

Hi-O-Hi Yearbooks

No abstract provided.

A Selective Study Of Negro Worksongs In The United States, Margaret E. Hilton

Masters Theses

No abstract provided.

Night Without Moon: Aspects Of The Rebetika, A. A. Fatouros

Articles by Maurer Faculty

No abstract provided.

Nepal Studies Association Bulletin, No. 8, Nepal Studies Association, Donald A. Messerschmidt

Nepal Studies Association Newsletter

No abstract provided.

Tejano Music As An Expression Of Cultural Nationalism, Jose R. Reyna

NACCS Annual Conference Proceedings

No abstract provided.

Nepal Studies Association Bulletin, No. 9, Nepal Studies Association, Donald A. Messerschmidt

Nepal Studies Association Newsletter

No abstract provided.

Hi-O-Hi 1975, Oberlin College

Hi-O-Hi Yearbooks

No abstract provided.

Nepal Studies Association Newsletter, Issue 7, Nepal Studies Association, John Scholz

Nepal Studies Association Newsletter

No abstract provided.

Nepal Studies Association Newsletter, Issue 6, Nepal Studies Association, John Scholz

Nepal Studies Association Newsletter

No abstract provided.

The Southern Appalachian Dulcimer, Stewart S. Nutter

Graduate Student Research Papers

The Appalachian Plucked Dulcimer is an instrument neglected by musicologists for several reasons: (1) its history has been clouded in time due to the lack of written information concerning it, and (2) the plucked dulcimer is often confused with that of the hammered dulcimer, one of the early ancestors of the piano. Very little information is available concerning its history, construction and playing techniques.

Bryn Mawr College Annual Report , 1970-73., Bryn Mawr College

Annual Reports of the President of Bryn Mawr College

Includes the Bryn Mawr College annual Report of the President for the years 1970-1973, 1973-1974, 1974-1976, 1975-1976, and 1977.

Growth And Development Of Music Printing By Germans In Rome And Venice Before 1501, Bonita E. Blakefield

Morehead State Theses and Dissertations

A thesis presented to the faculty of the Department of Music at Morehead State University in partial fulfillment of the requirements for the Degree of Master of Music by Bonita E. Blakefield on May 25, 1970.

Music In El Paso 1919-1939, Robert M. Stevenson

Books

No abstract provided.

A Musical Bibliography For High School Libraries, Eugene Randall Emahiser

Dissertations and Theses @ UNI

This thesis is an annotated listing of music books for the high school library. In conducting this study, use was made of the music collections of four major universities in the Midwest. Chapter 3, the report of the findings of this study, contains three parts. The first part consists of the division of music books into fourteen categories. The areas presented are: General reference sources, Aesthetics, Music Appreciation, Orchestral Music, History of Music, History of Instruments, Musicology, Biography, Music Theory, Applied Music, Form and Analysis, Conducting, Music Education as a Profession, and Miscellaneous-Opera. Within each of these categories, the music …