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North Indian Sufi Popular Music In The Age Of Hindu And Muslim Fundamentalism, Peter L. Manuel

Publications and Research

No abstract provided.

Vol. 31 No. 1 (2008): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Brigham Young University–HawaiʻI

Pacific Studies

Front Matter for the Vol. 31, No 1-March 2008 edition of the Pacific Studies Journal.

Tributes To Leonard B. Meyer: He Was The Very Model Of A Modern Musicologist, Alexander Rozin

Music Theory, History & Composition Faculty Publications & Performances

No abstract provided.

A Documentation Of The Videography Process For Maintaining The Mountains: The Preservation Of Appalachian Music, Steven O. Middleton

Morehead State Theses and Dissertations

A thesis presented to the faculty of the Caudill College of Humanities at Morehead State University in partial fulfillment of the requirements for the Degree of Master of Arts by Steven 0. Middleton in May of 2008.

Instrumental Tango Idioms In The Symphonic Works And Orchestral Arrangements Of Astor Piazzolla. Performance And Notational Problems: A Conductor's Perspective, Alejandro Marcelo Drago

Dissertations

Tango performance practices and notational conventions included in the orchestral works of Astor Piazzolla belong in two groups. The first is tango performance manner, or the specific way of rendering the written musical text; and the second is tango special effects, which could be defined as a group of non-traditional (for European music) instrumental techniques specific to tango music. Both groups are part of a performance style that has been poorly systematized, if at all, and kept alive only by means of face-to-face transmission. The purpose of this dissertation is to identify and analyze the challenges that Piazzolla faced while …

On Est Ensemble: A Participatory Study Of The Jembe Tradition As Preserved By The Griots Of West Africa, Joel Rowe

Independent Study Project (ISP) Collection

In this study, I examine how a culture’s values are reflected in a specific pedagogical process through participant observation; in essence, I endeavor to examine first-hand the anthropology of pedagogy. The jembe, in truth, is comparable to a window into both the teaching model of a Senegalese master drummer and the cultural values reflected in his pedagogical method. In learning to play the parts of seven jembe rhythms with fluidity and recording their cultural significances, I discover the elements of criticism and sacrifice deeply inlaid in the tradition of this instrument. Relative to the communal setting of the griot family …

From Bulls To Music: Social, Religious, And Economic Aspects Of A Pilgrimage To Nuestra Señora, La Vírgen De Altagracia, Angelina Tallaj

Publications and Research

Every August 10th, about 800,000 pilgrims begin a five-day pilgrimage to the Basilica of the Virgin of Altagracia in Higüey, Dominican Republic. In this paper, I will show some interesting aspects of this pilgrimage’s economy that, while not unique to this pilgrimage, become much more tangible because of the presence of bulls as alms. I will continue, through the study of the music making and ritual, to show the role that music (and especially improvisation) plays in the social and devotional aspects of this pilgrimage. By examining the complex web of assumptions and expressions that contains the acts of music …

The View From Ventress - 2008, University Of Mississippi. College Of Liberal Arts

Liberal Arts Newsletters

Training tomorrow's leaders. New public policy leadership department is 18th in College; Special Section: Then and Now. The English and Music departments 50 years ago and today.

The Mass. Memories Road Show: Some Notes On Bridging And Bonding, Joanne M. Riley

Joseph P. Healey Library Publications

Four years ago, the Mass. Studies Project at UMass Boston launched a cultural heritage project that we dubbed the “Mass. Memories Road Show,” a real-world mashup of PBS’s Antiques Road Show (people bring their personal stuff to a local event for professional perusal) and the Library of Congress’ American Memory Project (digitize historic stuff and share it with the world). Our ambitious goal was – and still is! – to visit each of the 351 communities in Massachusetts, inviting residents to bring in photographs that reflect themselves and their families in that community. At the public “Road Show” events, we …

Open End: New Works And Improvisations, Open End

Setnor School of Music - Performance Programs

No abstract provided.

Medievalism And Exoticism In The Music Of Dead Can Dance, Kirsten Yri

Music Faculty Publications

In 1991, the alternative rock band Dead Can Dance released an album that caught the attention of music reviewers by constructing an aural allegiance to the Middle Ages. Suitably called A Passage in Time, the album was described as imitating medieval chant, troubadour music, Latin hymns and courtly songs and included Dead Can Dance’s hybrid medieval songs as well as performances of actual medieval repertoire. In modeling their songs and sounds after historical recordings of medieval music, Dead Can Dance also adopted some of the ideological parameters of these performances and historical reconstructions. Examining the output of Dead Can Dance …

Bells Of Change: Kathak Dance, Women And Modernity In India, Pallabi Chakravorty

Dance Faculty Works

The first critical study of Kathak dance within the discourses of the modern and the global, tracing the arc of two centuries of Kathak: the colonial nautch dance, classical Kathak under nationalism and postcolonialism and 'innovation' and 'new directions' under transnationalism and globalization. It blends various approaches from anthropology, ethnomusicology, and performance, media and gender studies to map the journey of Kathak from baijis and tawaifs to the global stage. The book uses dance as a lens to explore the interaction between the actors and forces of cultural change from power and patronage to television and film.

Scholarly Monographs On Rock Music: A Bibliographic Essay, Monica Berger

Publications and Research

Purpose This article is an overview of scholarly monographs on rock music from 1980 to the present. It provides an overview to the literature for practical purposes of collections development as well as giving the reader insight into key issues and trends related to a interdisciplinary topic that attracts scholars from many disciplines in the humanities and social sciences.

Design/methodology/approach This bibliographic essay, focusing on works related to American culture and of a general nature, includes an overview and historical background; a discussion of how music and ethnomusiciological scholars approach the topic; geographic approaches; literature on four key icons (Elvis, …

Fela Anikulapo-Kuti, Monica Berger

Publications and Research

No abstract provided.

Senior Viola Recital, Johannah Fenton

Senior Honors Theses and Projects

No abstract provided.

Author Biographies, Authors: Berry, Foreman, Guerrero, Hulse, John, Leong, Silver

Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic

Biographies of authors

Analytical Studies In World Music, Edited By Michael Tenzer. Oxford: Oxford University Press, 2006., Kelly Foreman

Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic

Review of Analytical Studies in World Music

Cover Songs: Ambiguity, Multivalence, Polysemy, Kurt Mosser

Philosophy Faculty Publications

The notion of a “cover song” is central to an understanding of contemporary popular music, and has certainly received its share of attention in writing about contemporary music, from the mainstream press to slightly more technical ethnomusicological studies such as “Cross-Cultural ‘Countries’: Covers, Conjuncture, and the Whiff of Nashville in Música Sertaneja (Brazilian Commercial Country Music)” (Dent, 2005). In many major U.S. cities, musicians make a living in “cover” bands, recreating the music of well-known groups such as the Beatles, the Rolling Stones, Pink Floyd, U 2, the Who, ABBA, the Dave Matthews Band, the Grateful Dead, and others. Consumers …

Tonalidad, Tradición, Y El Sabor Del Son Cubano, Peter L. Manuel

Publications and Research

A discussion of dual tonicity in Cuban popular music.

Sacred Sound: Experiencing Music In World Religions. By Guy L. Beck, Editor, Greg Hansen

BYU Studies

Guy L. Beck, editor. Sacred Sound: Experiencing Music in World Religions. Waterloo, Ontario, Canada: Wilfrid Laurier University Press, 2006.

Deconstructing The Corrido's Validity: The Transformation Of The Corrido Into The Narcocorrido, Wayne D. Meals

Theses & Dissertations

The classic corrido is a part of Mexican tradition and is woven into Mexico's rich cultural history. Listeners have endeared corridos for generations simply for the storytelling. They characterize small Mexican communities and their iconic heroes and represent the hope and courage that they must have in the face of injustice, oppression or danger. The protagonist in the corrido, commonly possessing the characteristics of Robin Hood, is a constant theme. This hero character also meets with an untimely death, usually the result of betrayal. The heightening of the element of conflict and violent death has transformed the classic corrido into …

Ensemble Concert: Illinois State University Chamber Orchestra, November 1, 2007, Glenn Block

School of Music Programs

Center for the Performing Arts
Thursday Evening
November 1, 2007
8:00 p.m.

Boletín V.13:No.1 (2007), Fordham University Latin American And Latino Studies Institute

Boletín (Fordham University. Latin American and Latino Studies Institute)

No abstract provided.

Kaya Hip-Hop In Coastal Kenya: The Urban Poetry Of Ukoo Flani, Divinity Lashelle Barkley

Independent Study Project (ISP) Collection

In the global world of the 21st Century, music is one of the few things that has the ability to cross physical as well as cultural borders, which is why my Independent Study Project (ISP) focuses on the role of hip-hop music in the youth culture in Kenya’s largest coastal city, Mombasa. Throughout history, music has proven its artistic power; inspiring people to resist oppression, challenge inequality, and even claim salvation.

This enduring characteristic of music is central to my ISP which explores the emergence of hip-hop in Kenya as well as the evolution of Ukoo Flani, one of the …

A Place In The World: Mh2o’S Construction Of A Peripheral Identity, Ryan Schutt

Independent Study Project (ISP) Collection

Hip Hop and, more specifically, Rap music, has been a culture rooted in the notion of the social periphery, the section of society excluded from mainstream, capitalist, bourgeois society. It has historically been a way for this voiceless, disenfranchised, and alienated population to criticize, question, and protest its societal position. The Movimento do Hip-Hop Organizado uses this medium as a way of politicizing and mobilizing the excluded members of Brazilian society. Using Hip-Hop, the organization constructs a socially informed, politically aware, and critically conscious community that is united through their common identification with Hip-Hop culture and MH2O. The case is …

On Musical Cosmopolitanism, Martin Stokes

The Macalester International Roundtable 2007

No abstract provided.

Ur Jazz Ensemble & Jazz Combo, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Rock Music Scholarship, Monica Berger

Publications and Research

My challenge is to take my master’s thesis, a lengthy annotated bibliography of academic monographs on rock in American culture, and make it come alive and, in the process, provide a sense of how the academic rock discourse has evolved.

The Music Of Senegal: A Way Of Life In West Africa, Lucien Delabruere

Independent Study Project (ISP) Collection

“Music is in the veins and blood of the Senegalese people” (Bakayoko 2007). This paper aims to take a look into the reason for why this is. By examining the historical and present context of music in Senegal, one can better understand the social aspects of its music. In addition, analyses concerning the rhythmic and pedagogical importance will help provide a better picture for how we, as Westerners, can try to comprehend this rather undocumented subject.

Pro Musica Newsletter, Spring 2007, Bowling Green State University. College Of Musical Arts

Pro Musica Newsletters

No abstract provided.