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Balys Dvarionas: A Brief History, Analysis Of His Concerto For Horn And Orchestra, And The First Recording Of The Concerto, Jonathan Lewis Snyder

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document will concentrate on the currently unpublished and incomplete manuscript of the orchestral version of Concerto for Horn and Orchestra [Koncertas valtornei su orkestru], composed by Lithuanian composer Balys Dvarionas (1904–1972). Despite his popularity and importance in Lithuania, Dvarionas’s music is not as well known throughout the rest of the world. This document aims to redress this situation.

The document provides a more thorough English-language biography about the composer than those that currently exist in print. It discusses various aspects of the concerto, including its place in Dvarionis’s output and a brief analysis, a core aspect of which is …

Books Noted And Received, Patrick Scott

Studies in Scottish Literature

This list covers a first group of the books received or noted since publication of SSL 43:2; this preliminary proof version will be expanded shortly, and further titles from this period will be noticed in a future issue. Inclusion in this list need not preclude possible subsequent discussion in a more formal review.

Authenticity And Practicality: Evaluating And Performing Multicultural Choral Music, Jesse Noote

Dissertations

Many choral music educators believe that multicultural music is a vital part of any choral curriculum. However, the research shows that these same choral directors are reluctant to select multicultural octavos because they lack training in non-Western music, which prevents them from effectively teaching and performing this music authentically. The purpose of this dissertation is to equip choral directors with the necessary tools for bridging the gap between desiring to perform and actually performing multicultural octavos.

Six authors have provided authenticity checklists that are designed to help music educators evaluate and perform multicultural music. This research synthesizes those lists to …

An Analysis Of Western Art Music Arrangements For Steel Pan Chamber Ensemble, Ian Meiman

Dissertations

This dissertation is an analysis of western art music arrangements for steel pan chamber ensembles. Specifically, this dissertation will analyze how certain arrangers have adapted western art music for steel pan chamber ensemble while discussing the possible methods the arranger used to create this adaptation. The analysis will observe the melodic, harmonic, rhythmic, and other significant alterations made in the steel pan chamber arrangement, and discuss any changes made, whether due to the adaptation of the instruments or otherwise, from the original works. The dissertation will also include a brief historical discussion on western art music’s influence of early steel …

Vol. 42 No. 3 (2019): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Vol. 42 No. 3 (2019): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 42, No 3-Dec 2019 edition of the Pacific Studies Journal.

The Fusions And Confusions Of The Concierto De Aranjuez In Jazz: A Listener’S Musings, Antoni Pizà

Publications and Research

Reflections on Sketches of Spain (1960) by Miles Davis and Gil Evans, focusing on their jazz version of Joaquín Rodrigo’s Concierto de Aranjuez (1940). Motivated by Edward Said’s and Homi K. Bhabha’s writings, the recording is analyzed as a cultural artifact characterized by its “formal instability” and its typological “inbetweenness,” rendering it neither classical nor jazz; neither Spanish nor non-Spanish; and neither traditional nor modern, among other dualities. Sketches is an artwork that defies categories and inhabits the interstices of cultural expectations.

Fusiones Y Confusiones Del Concierto De Aranjuez En El Jazz: Reflexiones De Un Oyente, Antoni Pizà

Publications and Research

Este artículo lo conforman una serie de reflexiones sobre Sketches of Spain (1960) de Miles Davis y Gil Evans, centrándose en su versión del Concierto de Aranjuez de Joaquín Rodrigo (1940). Inspirándose en los escritos de Edward Said y Homi K. Bhabha, el autor analiza la grabación como un artefacto cultural caracterizado por su “inestabilidad formal” y su “indefinición” o “condición intermedia” (in-betweenness) convirtiéndolo en un álbum que no es ni clásico ni jazz; ni español ni no-español; ni tradicionalista ni moderno, entre otras dualidades. Sketches es una obra de arte que desafía categorías y habita los intersticios de las …

Cseas Weekly Bulletin (November 25, 2019), Center For Southeast Asian Studies

CSEAS Bulletin

No abstract provided.

Wind Symphony, November 21, 2019, Anthony C. Marinello Iii, Elizabeth Thompson

School of Music Programs

Center for the Performing Arts
November 21, 2019
Thursday Evening
8:00 p.m.

University Band And Symphonic Band, November 20, 2019, Marisa Miko, Zachary A. Taylor, Marykatheryne E. Kuhne

School of Music Programs

Center for the Performing Arts
November 20, 2019
Wednesday Evening
8:00 p.m.

Cseas Weekly Bulletin (November 18, 2019), Center For Southeast Asian Studies

CSEAS Bulletin

No abstract provided.

(Global) Hip Hop Studies Bibliography, Travis T. Harris, Travis Terrell Harris

Journal of Hip Hop Studies

This bibliography documents Hip Hop scholarship outside of America, including scholarly works that may be US centric, yet expands its analysis to other parts of the world. Hip Hop Studies outside the boundaries of the United States stretches as far and wide as Hip Hop itself. This scholarship started in 1984, and the amount of scholarship beyond American boundaries has continued to grow up through present day. The first wave, before Mitchell's Global Noise (2001), includes a wider range of scholarly works such as conference presentations and books written by journalists, in addition to traditional academic sources such as books …

Protest Movements Of The 1960s - 1970s In Latin America And The United States, Jean Potter

Master of Arts in American Studies Capstones

Music is an integral part of a complex transcultural and political connection that exists between Latin America and the United States. Exploring the transnational culture of music in the Americas, this project considers the historical and socio-political issues which contribute to this transcultural relationship. The long history of colonization and exploitation by Spain, Britain, and the United States has left an indelible mark on Latin American economic, social and cultural environments. Looking at the continuing effects of the Western Industrial revolution, including its effects on class struggle, national independence movements and cultural developments, this project begins by summarizing and engaging …

Songs Of Resilience, November 10, 2019, Illinois State University School Of Music

School of Music Programs

Center for the Performing Arts
November 10, 2019
Sunday Afternoon
3:00 p.m.

Isu Symphony Orchestra, November 9, 2019, Glenn Block, Aaron Gomez, Camilo Tellez, Teresa Fulling

School of Music Programs

Center for Performing Arts
November 9, 2019
Saturday Morning
9:00 a.m. Petting Zoo
10:00 a.m. Concert

A Child Of Our Time And An Oratorio For Soli, Chorus And Orchestra, November 3, 2019, Michael Tippett, Karyl K. Carlson, Michelle Vought, Elizabeth Thompson, Justin Vickers

School of Music Programs

Center for the Performing Arts
November 3, 2019
Sunday Afternoon
3:00 p.m.

Why Hip Hop Began In The Bronx- Lecture For C-Span, Mark Naison

Occasional Essays

No abstract provided.

Transformational Leadership: Flow, Resonance, And Social Change, Enas Elhanafi

The Journal of Traditions & Beliefs

No abstract provided.

South Africa As A Dynamic Teaching Experience, Robert A. Simons, Christine Dickinson

The Journal of Traditions & Beliefs

No abstract provided.

Jazz, Jobs, And Justice: From The American South To South Africa And Beyond, C. 1960-Present, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

An Integration Of East And West: History, Analysis And Reception Of The Yellow River Piano Concerto, Lin Tao

LSU Doctoral Dissertations

The Yellow River Piano Concerto remains as one of a few representative and major instrumental compositions within the Chinese repertoire since it was composed in 1969. Thanks to the devoted work of Chinese pianists, the Yellow River Piano Concerto has disseminated around the world and has become a musical symbol of Chinese culture in recent years. This piano concerto serves as a tool for the cultural communication between China and the world. The Yellow River Piano Concerto has a unique ability to depict Chinese culture and history through the language of music. Its exotic pentatonic melodies and eastern orchestrations make …

Wind Symphony, October 16, 2019, Anthony C. Marinello Iii, Marisa Miko, Zachary A. Taylor

School of Music Programs

Center for the Performing Arts
October 16, 2019
Wednesday Evening
8:00 p.m.

Symphonic Band And Symphonic Winds, October 4, 2019, Marykatheryne E. Kuhne, Anthony C. Marinello Iii, Zachary A. Taylor

School of Music Programs

Center for the Performing Arts
October 4, 2019
Friday Evening
8:00 p.m.

The Strategies And Risks Of Performing Citizenship And Rights Through Music, Carolin Mueller

Biennial Conference: The Social Practice of Human Rights

My work explores the capacity of cultural producers to perform “insurgent citizenship,” a term theorized by James Holsten (2008) to describe how the peripheries of social organization can propel alternative modes of civic participation, through music. I utilize Engin Isin’s performative dimension of citizenship (2017) to investigate such forms of insurgent citizenship as they evolve in social and cultural peripheries of the contemporary arts and culture industry in the city of Dresden, Germany to identify the pathways they open to socio-political participation and autonomy for refugees.

While Germany understands itself as a nation of culture, cultural policy unevenly addresses the …

Hate Music On Youtube: The Dark Side Of Advancing Digital Freedom In Myanmar, Heather Maclachlan

Biennial Conference: The Social Practice of Human Rights

The International Fact-Finding Mission of the United Nations has condemned Myanmar’s treatment of Rohingya people as one of the world’s worst instances of ethnic cleansing, calling it “genocidal in intent.” The Rohingya are only one of many Muslim communities in Myanmar, a number of which have been subject to violent attacks by Buddhists in recent years (Wade 2017). This presentation explains the role that music plays in fostering anti-Muslim prejudice in the country’s majority Buddhist population. I present an analysis of the lyrics and accompanying videos of a corpus of recently recorded songs, all available on Youtube, and argue that …

Guia Prático, Álbuns Para Piano By Heitor Villa-Lobos: A List Of Piano Pieces By Level Of Difficulty With Stylistic Annotations, Verena Benchimol Abufaiad

Theses and Dissertations

The Guia Prático, Álbuns Para Piano is a collection of fifty-nine piano pieces distributed in eleven albums that reveals not only the active role played by Heitor Villa- Lobos in music education in Brazil during the 1930s and 1940s, but also his unique compositional style. The purpose of this study is to provide a list of the fifty-nine piano pieces of the Guia Prático, Álbuns Para Piano by level of difficulty and with stylistic annotations. This study is also intended to equip piano teachers with information so they can practice informed pedagogy with their students and to expose students to …

Illinois State University Symphony Orchestra, September 29, 2019, Glenn Block, James Liu

School of Music Programs

This event is sponsored in part by the Harold K. Sage Foundation
and the Illinois State University Foundation Fun

Wind Symphony, September 22, 2019, Anthony C. Marinello Iii, Davis Hale

School of Music Programs

Center for the Performing Arts
September 22, 2019
Sunday Evening
5:00 p.m.

Critical Review Of Break Beats In The Bronx: Rediscovering Hip-Hop’S Early Years, Corey Lionel Spencer

Occasional Essays

No abstract provided.