Digital Commons Network^™

Basque Radical Rock: The Punk Ethos In Basque Identity, Edurne Arostegui

BOGA: Basque Studies Consortium Journal

This paper aims to chart the origins of the so-called Basque Radical Rock movement and its varied use by different social groups, from political organizations of the time to anarchist, marginalized youth needing to express the pessimistic view of their present circumstances. Basque Radical Rock represented a growing sense of modern Basqueness and difference that shaped the scene, moving away from pastoral images toward urban decadence. Although politics did influence the growth and spread of music throughout the Basque Country, many did not feel represented by these causes. The youth’s backlash against socio-economic conditions and their nihilistic view of the …

Mimicry As Movement Analysis, Rosa Abrahams

Faculty Publications

The analysis of movement to music often stems from examinations of video-recorded events. This allows the analyst an opportunity to re-watch, pause, and slow down the movements of their participants, and to produce descriptive notation that appears alongside a score (e.g., Roeder and Tenzer 2012). Unlike prescriptive forms of dance notation (e.g., Laban 1928), such transcriptions of movement often illuminate metrical connections between music and movement. However, when video-recording is not permissible, other methods of movement analysis must be developed. This paper pilots a new technique for rigorous analysis of the interaction between movement and music, which may be used …

“Because We Are Catholic”: Music As A Bridge Between Identities Within The Catholic Community Of South India, Johnathan Theodore Travis Rhodes

Electronic Theses and Dissertations

In this thesis, I argue that the music of the Catholic Church of South India, which draws from Indian and Western music genres, functions as a cultural bridge allowing the worshiper to express a distinctively Catholic identity without distancing themselves from their Hindu roots. This cultural connection reinterprets Karnatak musical styles, practices, and traditions as distinctively Catholic rather than Indian or Hindu. Thus, Indian cultures are recontextualized within a Catholic paradigm, as these practices are regarded as Catholic regardless of their historical, cultural, or religious origin. These identities, Indian and Catholic, are not in tension with one another, but instead, …

Guide To The Kenneth M. Bilby Oral History Collection On Foundations Of Jamaican Popular Music, Columbia College Chicago

CBMR Collection Guides / Finding Aids

Sound recordings and accompanying logs of oral history interviews conducted by Dr. Kenneth M. Bilby with studio musicians and arrangers active in the creation of Jamaican popular music during the 1950s, 1960s, and 1970s. The collection is open for on-site research use only and cannot be copied or distributed without the permission of Kenneth M. Bilby.

The Rong Ngeng Of The Andaman Coast : History, Ecology, And The Preservation Of A Traditional Performing Art, Lawrence Ross

Manusya, Journal of Humanities

This article examines recent grassroots strategies for preserving traditional performing arts along southern Thailand’s Andaman Sea Coast, focusing on rong ngeng, an idiomatic form of social dance and music, widely popular there in the post-World War Two years. Between 1935 and 1960 a small, mixed cohort of rural performing artists created networks of communities, scattered on Thai-Andaman, with a distinctive regional culture based in the shared repertoire of songs and dances they adapted, created an innovative lyrical style called phleng tanyong (Tanyong song), and a star system that turned village performers into local celebrities (Ross 2017, 68). More than …

Guide To The Dena J. Epstein Collection, Columbia College Chicago

CBMR Collection Guides / Finding Aids

The Dena J. Epstein Collection consists of correspondence, reference notes and materials, articles and presentations, illustration photographs, biographical information, and an oral history transcript which span her nearly 60 year career as music librarian and historian.

Guide To The Charles E. Hamm Collection, Columbia College Chicago

CBMR Collection Guides / Finding Aids

Charles E. Hamm was a musicologist, composer, author, and educator, The collection centers around his research trips to South Africa in the early 1980s to study and collect materials for is unfinished book on the history of jive. Present in the collection are notes, clippings and other research materials on South African popular music and South African radio, including a manuscript of a book on township jive.

Guide To The Collection Of Gerhard Kubik And Moya Malamusi Papers, Columbia College Chicago

CBMR Collection Guides / Finding Aids

This collection is simply a small sampling of the field research of both Dr. Kubik and Dr. Malamusi, including offprints of articles and photographs, sound recordings and publications documenting their work. Of particular interest are the videotaped recordings of African dance and music and the small collection of photographs taken primarily in the 1960s in Angola, Cameroon and Mozambique, among others, and the typescript for an essay entitled “African Elements in Jazz,” in addition to other writings.

Dyeing The Springtime: The Art And Poetry Of Fleeting Textile Colors In Medieval And Early Modern South Asia, Sylvia W. Houghteling

History of Art Faculty Research and Scholarship

This paper explores the metaphorical and material significance of short-lived fabric dyes in medieval and early modern South Asian art, literature, and religious practice. It explores dyers’ manuals, paintings, textiles, and mercantile and devotional poetry to demonstrate how the existence of ephemeral dyes opened up possibilities for mutability that cannot be found within more stable, mineral pigments, set down on paper in painting. While the relationship between the image and the word in South Asian art is most often mutually enhancing, the relationship between words and color, and particularly between poetry and dye color, operates on a much more slippery …

Singing Out: Gala Choruses And Social Change, Heather Maclachlan

Books and Book Chapters by University of Dayton Faculty

Can you change the world through song? This appealing idea has long been the professed aim of singers who are part of choruses affiliated with the Gay and Lesbian Association of Choruses (GALA). Theses choruses first emerged in the 1970s, and grew out of a very American tradition of (often gender-segregated) choral singing that explicitly presents itself as a community-based activity. By taking a close look at these choruses and their mission, Heather MacLachlan unpacks the fascinating historical and cultural dynamics behind groups that seek to change society for the better by encouraging acceptance of LGBT-identified people and promoting diversity …

Guide To The Caleb Dube Collection, Columbia College Chicago

CBMR Collection Guides / Finding Aids

Caleb Dube was an ethnomusicology scholar and teacher who studied blues music through an anthropological framework. The Caleb Dube Collection primarily contain general research in the fields of cultural anthropology and ethnomusicology, along with more narrow research linking these two fields of study to Chicago, and the blues.

Guide To The Dominique-René De Lerma Collection, Columbia College Chicago

CBMR Collection Guides / Finding Aids

Dominique-René de Lerma (1928–2015) was a prominent, pioneering scholar in black music research, an oboist, an author, and an educator. The collection contains his research materials, collected scores, and sound recordings.

Ancient Mesopotamian Music, The Politics Of Reconstruction, And Extreme Early Music, Samuel N. Dorf

Books and Book Chapters by University of Dayton Faculty

I write this piece primarily as a musicologist and amateur early music practitioner (viola da gamba player) who tries to understand the ways twentieth- and twenty-first century musicians and scholars have imagined and performed ancient music and dance. This essay emerged from my book project Performing Antiquity: Ancient Greek Music and Dance from Paris to Delphi, 1890-1935 and brings my training as a historical musicologist and dance historian to bear on issues typically of concern to archaeologists, classicists, and linguists.

While working on that book, I kept running across a number of individuals working now who are deeply engaged in …

Listen To Liston: Examining The Systemic Erasure Of Black Women In The Historiography Of Jazz, Victoria E. Smith

Theses and Dissertations

"First you are a jazz musician, then you are black, then you are a female. I mean it goes down the line like that. We're like the bottom of the heap." - Melba Liston (pg 2) The historiography of jazz has consciously and unconsciously excluded women. This exclusion is exacerbated when one examines the intersection of race and jazz for black women. This essay argues that due to overwhelming societal expectations, gendered language, and physical threats of sexual assault and violence, black women had to create alternatives spheres of affirmation and musical expression because jazz culture stymied their access to …

Resource Ecologies, Political Economies And The Ethics Of Audio Technologies In The Anthropocene, Eliot Bates

Publications and Research

Understanding how recorded and amplified stage musics contribute towards producing the Anthropocene necessitates attending to complex transnational flows of material, capital and labor, and how they coalesce into technological objects. This is complicated by the wide array of sites, practices and knowledges involved during various stages of the production process, from initial resource extraction, to smelting, component manufacturing, technology assembly, and distribution. To develop a suitable technological ethics, and to understand what happens to environments and to human, animal and plant lifeworlds, requires one to resist abstraction and undertake a global accounting of resource ecologies with recourse to planetary-scale political …

Inside Outside: The Cultural Paradox Of Salvation Army Brass Bands In America During The Age Of Nationalism, Nathan Miller

Theses and Dissertations--Music

By the turn of the twentieth century, the sight and sound of a little brass band of uniformed evangelists on street corners declaring war on sin became ubiquitous in American cities. Although Salvationists came to hold a cherished place in society, Americans greeted their initial invasion with contempt. They came with a message of transformative redemption for the poor and disenfranchised, loudly declaring that anyone and anything could be made holy and fit for God’s Salvation Army. This included minstrel tunes and other rough musics appropriated from the working-class Americans. However, eventually their music had less in common with poor …

Zappa’S Remembrance Of A Forgotten Style: The Relationship Between Frank Zappa And Doo-Wop As Illustrated In Cruising With Ruben & The Jets, Benjamin Adamo

Theses and Dissertations--Music

One of Zappa’s many cherished styles of music was the doo-wop of the mid-1950s through the early 1960s. His love for the style culminated in 1968 with a poor-selling and often forgotten doo-wop record, Cruising with Ruben & The Jets. While the record earned little praise from critics and fans, Zappa considered it as a landmark of his early career, as evidenced in his autobiography. This thesis investigates Zappa’s relationship to doo-wop and “perversion” of the style as it culminated in Cruising.

As revealed through autobiographical entries and interviews with Zappa, Ray Collins, and other collaborators, Zappa devised …

Johann Melchior Gletle’S Expeditionis Musicæ Classis Ii, Op. 2: An Edition And Commentary, Michael James Clifton Lukin

Theses : Honours

This dissertation aims to bring to light the music of Johann Melchior Gletle (1626-1683); a Swiss-German composer who lived the majority of his life working as the organist and Kapellmeister of Augsburg Cathedral. The primary focus of this dissertation is a single volume of music composed by Gletle in 1668: the Expeditionis Musicae Classis II, Op. 2. Consisting of thirty-six vesper psalms, it is conjectured that this publication was a form of ‘functional music’ intended for liturgical performance at Augsburg Cathedral. The first part of the dissertation (Chapters 1 to 3), is devoted to contextualising and analysing this volume of …

Handing Down The Heritage: Preserving Irish Diasporic Identities In The Festival City Of Montana, Margaret Mary Walsh

Graduate Student Theses, Dissertations, & Professional Papers

Butte, Montana is a tough, historic industrial town in western Montana known for its mining, its Irish, and strangely, its festivals. The city boasts countless parades and community events each year for a variety of holidays as well as for showcases of traditions and ethnic pride. Three celebrations in particular, St. Patrick’s Day, Fourth of July, and An Rí Rá, attract visitors from all over the country – and world – who seek to experience the enthusiasm and splendor of these celebrations. So, what can these popular celebrations in Montana’s Festival City, Butte, reveal about the Irish community living there? …

An Appraisal Of The Evolution Of Western Art Music In Nigeria, Agatha Onyinye Holland

Graduate Theses, Dissertations, and Problem Reports (ETD)

Nigeria has greatly evolved as an intercultural society given her history of colonization, the influence of foreign religion (Christianity and Islam, primarily) and the impact of globalization. Africa had her socio-cultural practices and art idioms before these foreign influences. For instance, music existed in everyday Africa as part of culture, religion, vocation, and drama. However, music never existed as an entity on its own. The culture of stage performers and audience never existed. This status quo changed with the introduction of Western art music through Christianity and education by the missionaries; since then, music assumed a bi-cultural status. This research …

The Transnational Construction Of National Music (Kugak): Musicking In The Korean Diaspora, 1903-1945, Heeyoung Choi

Graduate Research Theses & Dissertations

This dissertation examines the preservation and adaptation of Korean-ness through musical performances in the Korean peninsula and in Hawai‘i during the early twentieth century, when Korea was a Japanese colony. Hawai‘i deserves special attention because the first and largest Korean diasporic communities in America were established in Hawai‘i during this period. More importantly, cultural environments in early twentieth-century Hawai‘i and Korea were similar in that both featured diverse music cultures of different ethnic origins and new cultural infrastructures under the influence of imperialism. This study investigates the reactions of existing Korean performing arts to the influx of foreign culture affecting …

Reframing And [Re]Presenting Evangelism In Oral Cultures : A Case Study Of The Harare West (Mumc) Vabvuwi Choir In Zimbabwe, Irene M. Kabete

ATS Dissertations

No abstract provided.

The Influence Of Santería In Leo Brouwer's Solo Guitar Works (1955–1993), Eoin Flood

Doctoral

This study will assess the solo guitar works of Cuban composer Leo Brouwer (1939–present) in terms of influence from Santería, a ritual music derived from WestAfrican slaves and still practised in Cuba. This will be achieved by using both analytical and evaluative processes. For the former, a range of influential parameters have been identified, each falling under three strands: rhythmic and metric, structural, and melodic. These will be revealed in all of Brouwer’s solo guitar works written from 1955 to 1993. A parameter’s influence can be revealed in two ways: the multitude of its usage per piece, or the percentage …

“You Crossed My Mind … Before?”: An Intertextual Analysis Of Songs From 'To Pimp A Butterfly', Colin Outhwaite

Theses : Honours

Popular music often refers to, evokes and includes elements of other music from the past. This kind of intertextuality in popular music provides artists and audiences with short-cuts to making and interpreting meaning. It draws on nostalgia, past listening experiences and idealised perceptions of the past. Artists engaging in this practice risk criticism for being too derivative. Conversely, artists who are too innovative and forward-looking run the risk of not connecting to listeners. Kendrick Lamar’s hip-hop album of 2015 To Pimp A Butterfly is lauded as being simultaneously innovative and steeped in the recent history of African American music. Lamar …

Rhetorical And Musical Synthesis And The Strategies For Inter-Generational Resonance In Queen's Bohemian Rhapsody, Kiara Wiedman

EWU Masters Thesis Collection

This study critically examines the popular rock anthem Bohemian Rhapsody to understand why the song has remained a lasting and eminently compelling standard for the progressive rock genre and why it has appealed through an inter-generational scope. Through the use of Close Textual Analysis (CTA), with an emphasis on metaphoric criticism, combined with Music Analysis of the score using popular song analysis tools, this study deconstructs the song and uncovered rhetorical strategies of the music and the lyrics as they function separately. In the conclusion, the two methodological approaches are synthesized to reveal the intertextual interanimation of the music and …

Más Allá Del Nacionalismo: Fronteras Disciplinarias De Los Estudios Musicales Centroamericanos [Beyond Nationalism: Disciplinary Frontiers Of Central American Music Studies], Andrés R. Amado

School of Music Faculty Publications

Las investigaciones musicales en Centroamérica varían en su rigor metodológico, a menudo presentando un sesgo nacionalista que se ha visto reforzado en los marcos disciplinarios de la musicología histórica y la etnomusicología. Con base en dos ejemplos vinculados a estos campos de estudio —música colonial en Costa Rica y música indígena en Guatemala— el presente ensayo ofrece una reflexión sobre las contribuciones complementarias de la musicología y la etnomusicología a construcciones de nacionalismos que a menudo pasan por alto aspectos importantes de prácticas musicales e ignoran fenómenos que no se prestan a narrativas nacionalistas. Considerando la reciente vigencia de los …

It’S Just Muzak: Music, Activism, And Advertising., Avery Brzobohaty

Graduate Theses, Dissertations, and Problem Reports (ETD)

This thesis builds on recent scholarship explaining the relationships between music, advertising, and society through a series of focused case studies in the clothing industry. Globally ubiquitous and reaching all socioeconomic strata, the fashion industry offers a useful focus because, in addition products, it also sells identity. Fashion is a means for individuals to create and express identity by associating themselves with certain brands and styles that help express social, political, economic, and ethical standings as well as gender, sexuality, race, and religion. This thesis considers the ways that sound and music influence the aesthetic and mood of recent fashion …

Rebuilding As Research: Noongar Song, Language And Ways Of Knowing, Clint Bracknell

Research outputs 2014 to 2021

In Australia, language and song are integral to maintaining Aboriginal knowledge systems. British colonisation and ensuing Australian government policies of assimilation have adversely impacted these knowledge systems, at least partially by functioning to dramatically diminish the vitality of many Aboriginal languages and song traditions. As a Noongar researcher motivated by community-oriented goals, I employ a multidisciplinary approach to enhance the revitalisation of the endangered Noongar language and its song traditions in the south coast region of Western Australia. This work draws on established methods from ethnomusicology and linguistics, engaging with community knowledge-holders and archival records to rebuild repertoire while increasing …

Book Review: Singing The Congregation: How Contemporary Worship Music Forms Evangelical Community, John Macinnis

Faculty Work Comprehensive List

"The desire of concert attendees for an authentic spiritual experience maps onto the search for other authentic experiences by consumers today."

Posting about ­­­­­­­­the book Singing the Congregation from In All Things - an online journal for critical reflection on faith, culture, art, and every ordinary-yet-graced square inch of God’s creation.

https://inallthings.org/book-review-singing-the-congregation-how-contemporary-worship-music-forms-evangelical-community/

The Historical And Cultural Influences Of Gagok 가곡 (Korean Art Song): A Musical Guide, Sarah Kim

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document explores what Gagok (Korean Art Song) consists of, the origins and history of it and how one may approach it musically, vocally and interpret it textually. The main questions I answer in this document include: What makes these art songs distinctly Korean? What significance does the role of Eastern Asian history have in order to closely tie the inspiration of writing Gagok? How does the text and music express these important historical events? The answers to these questions are essential to understanding Gagok by analyzing and interpreting the songs also in relation to approach learning them.

The research …