Digital Commons Network^™

The Metamodern Aesthetic As Reconciliatory Theology In Gilead, Henry Purser

Criterion: A Journal of Literary Criticism

No abstract provided.

Translating The Book Of Mormon Into Spanish: A Case Study Of The Translation Of Sacred Texts, Gabriel González Núñez

Writing and Language Studies Faculty Publications

The translation of sacred texts is one of the oldest forms of translation, one which has helped develop our understanding of what translation is. Even so, the question arises as to whether there is anything particularly distinctive about translating sacrality. On the one hand, it can be argued that translating sacred texts is just like translating any other historical or cultural texts (Naudé, 2010). On the other hand, it can be argued that the translation of sacred texts deserves its own category because, for some members of the population, these texts play a special role (Long, 2013). This study seeks …

Identity Restoration Theory: Reclaiming Cultural Identity As A Pathway To Reintegration, Sigifredo Castell Britton

Journal of Social, Behavioral, and Health Sciences

This article introduces Identity Restoration Theory (IRT), a new theoretical framework that explains what formerly incarcerated individuals need to reconnect with disrupted cultural identities as a pathway to reintegration. Grounded in qualitative fieldwork with Raizal ex-offenders and community leaders on San Andrés Island, Colombia, IRT is designed to conceptualize reintegration, not as institutional resettlement, but as a culturally rooted process of re-embedding identity within community and place. The framework delineates five interdependent constructs—cultural memory, place reconnection, narrative repair, communal belonging, and agency activation—that emerged inductively from participant narratives. Anchored in the postcolonial context of an Afro-Caribbean island society, IRT provides …

Linguistic Realization Of Marketing Strategies In Food Discourse: A Pragmatic Study On Instagram Account, Titik Sudartinah, Emi Nursanti, Regita Sekar Arrum

Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya

In today's digital era, speech acts are not only realized through face-to-face communication but also manifested in online interaction. One of the prominent platforms where online interaction occurs is Instagram. Nowadays, Instagram functions not only as a medium for sharing personal moments but also as a powerful business tool for promotion. This study examines (1) the types of speech acts employed in the @voilajogja culinary Instagram account and (2) how these acts manifest marketing strategies in food discourse. The study applies Searle's (1979) speech act theory and Kotler and Keller's (2021) marketing management framework within a mixed-method design. The analysis …

The Ghosts Of Times Square: A Zine Exploring Representations Of Times Square Through Film, Kel R. Karpinski

Publications and Research

My zines are often an extension of my research—either a jumping off point or a way to create a more visual project (or both). They are in their own way a form of excess - they are often too scandalous, too smutty, too much — everything that is spilling out of the margins.

My zines and research focus on lesser known queer histories, trying to highlight them and bring them to a new audience and new generations.

Using zines as a creative form of research, I am able to reach a broader audience both inside and outside of academia. I …

Tolkien's Joyful Sorrow, The "Gift Of Tears" Of Medieval Mysticism, And John Donne's Sermon "Jesus Wept", Giovanni Carmine Costabile

Journal of Tolkien Research

At the field of Cormallen, the emotion of joy felt by the victorious Hobbits is so great that Sam wonders whether everything sad will come untrue. At the same time, their joy is so great that it is described as "poignant as grief". Dimitra Fimi in 2017 pointed out Tolkien's probable indebtedness to Christian Orthodox tradition of "charmolype", or joyful sorrow. Another relevant parallel of the intermingling of joy and sorrow is the eleventh century Norman monk and abbot John of Fécamp's notion of the "Gift of Tears" (Gratia lacrymarum) from God, which brings true happiness. …

/Βi.Ðe/: A Conlang, Layla Allen

The Knowledge and Creativity Expo

Constructed Languages (CONLANG) are frequently found in creative mediums like books or television. Famous stories like Lord of the Rings (Elvish), Star Trek (Klingon) or Game of Thrones (Dothraki) create these languages to help immerse us in the world of the characters. Despite the language being different from our own, this display of human culture helps us to understand their existence better and connect the way we would with others despite linguistic similarities and differences. My presentation of /βi.ðe/ or Vitae, a CONLANG inspired by my own creative writing, seeks to guide the audience in how they can discover a …

Leonard Bernstein In Context, Edited By Elizabeth A. Wells, James Leve

Music & Musical Performance: An International Journal

No abstract provided.

The Sound Of Difference: Race, Class And The Politics Of “Diversity” In Classical Music, By Kristina Kolbe, Kailan R. Rubinoff

Music & Musical Performance: An International Journal

No abstract provided.

Nadia Boulanger: War Years In America And Her Last Decades, By James Whipple Miller, Kimberly Francis

Music & Musical Performance: An International Journal

No abstract provided.

The Paradox Of Musical Vernaculars, By Marina Ritzarev, Jacob Gran

Music & Musical Performance: An International Journal

No abstract provided.

Chapter 3. The Remarkable Career Of Leonard Slatkin, Robert S. Freeman

Music & Musical Performance: An International Journal

No abstract provided.

Chapter 1. A Brief History Of The American Symphony Orchestra And Its Future, Robert S. Freeman

Music & Musical Performance: An International Journal

No abstract provided.

Foreword, Mark Adams

Music & Musical Performance: An International Journal

No abstract provided.

William Vincent Wallace: Composer, Virtuoso And Traveller, By Andrew Lamb. West Byfleet, Uk: Fullers Wood Press, 2012 [Review]., Philip C. Carli

Music & Musical Performance: An International Journal

No abstract provided.

Musical History As Seen Through Contemporary Eyes: Essays In Honor Of H. Robert Cohen, Edited By Benjamin Knysak And Zdravko Blažeković. Vienna: Hollitzer Verlag, 2021 [Review]., Diana R. Hallman

Music & Musical Performance: An International Journal

No abstract provided.

The Lied At The Crossroads Of Performance And Musicology, Edited By Benjamin Binder And Jennifer Ronyak. Cambridge: Cambridge University Press, 2024 [Review]., James Parsons

Music & Musical Performance: An International Journal

No abstract provided.

Berlioz And His World, Edited By Francesca Brittan And Sarah Hibberd. Chicago: University Of Chicago Press, 2024 [Review]., Peter Bloom

Music & Musical Performance: An International Journal

No abstract provided.

Coda: On My Six Experiments In Conjoining (And Contrasting) Two Composers, James Porter

Music & Musical Performance: An International Journal

The author has previously published six essays, each based on a novel technique: pairing one piece each from two different composers, in an attempt at teasing out important implications of these (mostly little-known) works. These implications would have been harder to glean if one focused instead, as is normally done, on a small number of oft-performed canonical works by a few great masters.

The present “Coda” offers reflections on the implications of those six essays for a continuing exploration of important themes in the history of Western art music, including romanticism, modernism, “progress,” tonality, text-music relations, and nationalism (including the …

In Black And White, Or Gray? Two World War I Settings Of Walt Whitman’S Poem “Reconciliation”: By Helen Hopekirk (1915), And By Ivor Gurney (1919), James Porter

Music & Musical Performance: An International Journal

Musical settings of Walt Whitman’s poems have proliferated ever since the turn of the twentieth century. Many of these settings were by British composers reacting to the effects of World War I in Europe: the two settings of Whitman’s short poem “Reconciliation” (1865–66) discussed here are those by the Scottish-American composer and concert pianist Helen Hopekirk (1856–1945) and the English composer and poet Ivor Gurney (1890–1937). Both settings reflect the immediate emotions aroused by the poem in the different situations in which the two composers found themselves: the immigrant Hopekirk teaching at the New England Conservatory but concerned about enlisted …

Remembering John Rothgeb (1940–2020), Jürgen Thym

Music & Musical Performance: An International Journal

No abstract provided.

Bach And Mozart And Space And Time, Robert L. Marshall

Music & Musical Performance: An International Journal

Karol Berger’s influential study, Bach’s Cycle, Mozart’s Arrow, argues that

“what matters to Bach . . . is not the linear flow of time from past to future . . . Rather, time is made to follow a circular route or neutralized. . . . Mozart and his contemporaries “straighten[ed] the temporal cycle into an arrow.”

The present essay suggests that, in considering the music of Bach and Mozart we are not dealing with two different concepts of time but rather with two different analogies: one with space, the other with time. It argues that, for Bach, the spatial metaphor …

How About Some Borsch With Cherries? Musorgsky’S The Marriage And The Wagnerian Leitmotif, Martin Nedbal

Music & Musical Performance: An International Journal

This article explores the treatment of recurring motives in Modest Musorgsky’s experimental operatic fragment, The Marriage (1868). Previous commentators (Richard Taruskin and Márta Papp) have understated the significance of these motives. However, a closer examination at the musical score shows that they provide the opera with a certain degree of dramaturgical and musical coherence. Musorgsky’s motives also frequently comment on the dramatic procedures onstage. Furthermore, Musorgsky’s motivic work in this opera prefigures what he will do in the two versions of Boris Godunov. Therefore, The Marriage can be compared to the work of other opera composers of the time who …

Wv Bully Pulpits, Robert Ellison

English Faculty Research

This presentation is grounded in Theodore Roosevelt’s notion of the “bully pulpit,” defined by the Oxford English Dictionary as a “public office or position of authority that provides its occupant with the opportunity to speak out and be listened to on any issue” (in this context, “bully” is used in its 19th-century sense of “very good” or “excellent,” not in its modern sense of someone who likes to intimidate, threaten, or actually harm others).

Roosevelt used the term metaphorically, but my presentation will focus on literal pulpits, specifically those occupied by ministers whose sermons challenge the prevailing orthodoxies of a …

Baseball Is Back, Richard C. Crepeau

On Sport and Society

As the Baseball Season opens today, its popularity seems to be peaking. The recently concluded World Baseball Classic (WBC) generated great interest and considerable excitement. The climax of games between the Dominican Republic and the United States, and the championship game between Venezuela and the United States went down to the last pitch.

An Appalachian Expression Of Rootedness: Exploring Rootedness In The Writings Of Simone Weil And Wendell Berry, Luke Bratton

Criterion: A Journal of Literary Criticism

No abstract provided.

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V Music Magazine

No abstract provided.

Untitled, Melissa Ferreira

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Moving To The Outskirts, Jose Perez

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

“It Takes A Big Thrust To Destabilize An Entrenched Practice”: On Taruskin And The Western Traditions, Ronit Seter

Music & Musical Performance: An International Journal

This memorial essay begins with a brief appreciation of Richard Taruskin’s The Oxford History of Western Music and its critical reception (Susan McClary, Charles Rosen). It continues with comments on the early stages of his career, noting his strategic pincer movement, that is, a pivot from his early research on Russian operas—to his 1980 groundbreaking JAMS article on Stravinsky’s The Rite of Spring on the one hand, and a source reading book (Weiss-Taruskin, 1984) on the other. Both became essential for launching his career, and for our field. I then delve into several of Taruskin’s core ideas—about current and past …