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How About Some Borsch With Cherries? Musorgsky’S The Marriage And The Wagnerian Leitmotif, Martin Nedbal

Music & Musical Performance: An International Journal

This article explores the treatment of recurring motives in Modest Musorgsky’s experimental operatic fragment, The Marriage (1868). Previous commentators (Richard Taruskin and Márta Papp) have understated the significance of these motives. However, a closer examination at the musical score shows that they provide the opera with a certain degree of dramaturgical and musical coherence. Musorgsky’s motives also frequently comment on the dramatic procedures onstage. Furthermore, Musorgsky’s motivic work in this opera prefigures what he will do in the two versions of Boris Godunov. Therefore, The Marriage can be compared to the work of other opera composers of the time who …

Wv Bully Pulpits, Robert Ellison

English Faculty Research

This presentation is grounded in Theodore Roosevelt’s notion of the “bully pulpit,” defined by the Oxford English Dictionary as a “public office or position of authority that provides its occupant with the opportunity to speak out and be listened to on any issue” (in this context, “bully” is used in its 19th-century sense of “very good” or “excellent,” not in its modern sense of someone who likes to intimidate, threaten, or actually harm others).

Roosevelt used the term metaphorically, but my presentation will focus on literal pulpits, specifically those occupied by ministers whose sermons challenge the prevailing orthodoxies of a …

Baseball Is Back, Richard C. Crepeau

On Sport and Society

As the Baseball Season opens today, its popularity seems to be peaking. The recently concluded World Baseball Classic (WBC) generated great interest and considerable excitement. The climax of games between the Dominican Republic and the United States, and the championship game between Venezuela and the United States went down to the last pitch.

An Appalachian Expression Of Rootedness: Exploring Rootedness In The Writings Of Simone Weil And Wendell Berry, Luke Bratton

Criterion: A Journal of Literary Criticism

No abstract provided.

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V Music Magazine

No abstract provided.

Untitled, Melissa Ferreira

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Moving To The Outskirts, Jose Perez

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

“It Takes A Big Thrust To Destabilize An Entrenched Practice”: On Taruskin And The Western Traditions, Ronit Seter

Music & Musical Performance: An International Journal

This memorial essay begins with a brief appreciation of Richard Taruskin’s The Oxford History of Western Music and its critical reception (Susan McClary, Charles Rosen). It continues with comments on the early stages of his career, noting his strategic pincer movement, that is, a pivot from his early research on Russian operas—to his 1980 groundbreaking JAMS article on Stravinsky’s The Rite of Spring on the one hand, and a source reading book (Weiss-Taruskin, 1984) on the other. Both became essential for launching his career, and for our field. I then delve into several of Taruskin’s core ideas—about current and past …

Taruskin’S Great Contributions And A Few Shortcomings, Ralph P. Locke

Music & Musical Performance: An International Journal

Among the most needed, and durable, features of Richard Taruskin’s life’s work was his consistent interpretation of music and music-making within and against their societal and cultural contexts. This stood in contrast to the positivistic methodologies that German, British, and American musicology valued in the 1960s–70s: instances of the latter include the making of reliable critical editions and, in a very different sense, various “the notes only” methods of music analysis.

The breadth of Taruskin’s vision and his command of musical and cultural history are apparent in the enormous “Nationalism” entry in the 2001 edition of Grove (now available at …

“Good For You!”: Remembering Richard Taruskin, Anna Dalos

Music & Musical Performance: An International Journal

Richard Taruskin was a major promoter of Eastern European music. His interest was also shaped by his personal contacts, particularly in Hungary, where he visited more frequently in his later years, presenting at conferences. He developed close relations with several representatives of Hungarian musicology, among them Katalin Komlós, László Somfai, László Vikárius, and Tibor Tallián. In addition to presenting conference keynote lectures, and later courses at the Doctoral School of the Liszt Academy of Music, Taruskin also participated in the advisory board of the Béla Bartók Complete Critical Edition, and became an honorary member of the Hungarian Academy of Sciences. …

Richard Taruskin And His Russian Music, Marina Ritzarev

Music & Musical Performance: An International Journal

Richard Taruskin’s contribution to Russian-music studies can profitably be viewed through a historiographic lens. A comparison of the Russian-Soviet and American schools of musicology shows that both were strongly influenced by the same source – the German fin-de-siècle tradition shaped by Hugo Riemann, Hermann Abert, Hermann Kretzschmar, and others. Brought to the United States by German scholars who fled the Nazis, this tradition was transmitted by Paul Henry Lang in his seminal book Music in Western Civilization (1941). On the Russian side, distorted by the ideologized and emphatically nationalistic doctrine of socialist imperialism, it was carefully preserved by those who …

Taruskin’S Dichotomies: Beyond Text And Act, Alon Schab

Music & Musical Performance: An International Journal

Richard Taruskin’s brilliant rhetoric sometimes led him to overly categorical generalizations. One notable example is his four-stage “genealogy of musical morals,” summarizing the history of music’s objectification as “art” through literacy, printing, the birth of transcendent and autonomous art, and recording. Similarly, Taruskin’s subtle bias against the British early music scene was often camouflaged under various generalized dichotomies such as “straight-style versus crooked-style.”

Taruskin’s views, initially seen in CD reviews and newspaper columns, gained enduring influence through their repackaging in Text and Act. This work also impacted John Butt’s Playing with History, where Taruskin played a key role in summarizing …

Introduction, Ronit Seter, Ralph P. Locke

Music & Musical Performance: An International Journal

Richard Taruskin—the single most prominent and influential musicologist of the past half-century—died on July 1, 2022 at age 77. This Colloquy consists of extended versions of papers presented on July 2, 2023, at the annual meeting of the Israeli Musicological Society, and additional essays by scholars who knew Taruskin personally. The essays engage in critical reflections on his personality, ethics, teaching philosophy, methodologies, and massive and skillful literary output. Moreover, they illuminate developments in musicology over the past fifty years, from its positivistic roots and its focus on Western canonical works to challenges from ethnomusicological practices, feminist theory, and anti-racism/colonialism.

Beethoven The European, Edited By Malcolm Miller And William Kinderman. Turnhout: Brepols, 2023 [Review]., Jürgen Thym

Music & Musical Performance: An International Journal

No abstract provided.

Orthography, Jeremy Gill

Music & Musical Performance: An International Journal

The myth of Pope Gregory I taking melodic dictation from a magical singing bird is the imaginative starting point of Western musicʼs love-hate relationship with the music notation systems it later developed. This essay traces that development through Thomas Tallis and J. S. Bach to the dichotomous modern examples of Brian Ferneyhough and Arvo Pärt. In it, I suggest that Western musicʼs eventual development hinged upon that earliest desire to document and codify melodies, answering Gregoryʼs contemporary Isidore of Seville, who lamented that “unless sounds are held by the memory of man, they perish, because they cannot be written down.”

Mozart’S Jewish Librettist: A Brief History Of A Poorly Kept Secret, Robert L. Marshall

Music & Musical Performance: An International Journal

Lorenzo da Ponte, the librettist of Mozart’s three greatest Italian operas, was born a Jew, a fact rumored about during his lifetime but not definitively established until 1900. The treatment (or not) of Da Ponte’s Jewish origins as documented from his time to the present constitutes a history of concealment, rumor, discovery, denigration, and exploitation. Its nadir was reached during the Nazi period, its zenith most recently, as the poet, hitherto a secondary player in the Mozart biographies, has emerged as the colorful protagonist in substantial biographies of his own.

Berlioz's Mysterious Amélie, Pascal Beyls, Peter Bloom

Music & Musical Performance: An International Journal

In September 1864, in a letter to his long-time confidante, the Princess Carolyne von Sayn-Wittgenstein, Berlioz mentioned the name of the woman with whom, as he had earlier confided to the Princess, he had conducted a brief but passionate affair: “her name was Amélie.” Until now, the Berlioz scholars have been unable properly to identify this mysterious person. From other letters and documents, including Ernest Legouvé’s Soixante ans de souvenirs, we have known the approximate dates of the beginning and ending of the relationship. But only now, on the basis of the birth and death certificates of the woman and …

William Albright's Whistler (1834-1903): Three Nocturnes: "Why The Hell . . . Should Anyone Listen To This?!", R. Douglas Reed

Music & Musical Performance: An International Journal

The article explores William Albright's Whistler (1834-1903): Three Nocturnes (1989) through historical context, musical analysis, performance practice, and the composer's essay on the relationship between his composition and Whistler's paintings. Commentary by composer Sydney Hodkinson gives information about the 1960s new music scene in Ann Arbor (the ONCE Group, The Grate Society) composition study with Ross Lee Finney.

Svatopluk Havelka: Symphony No. 1 [In B-Flat Minor]. Supraphon Sua 18138 (Lp, 196?)., Stephen Thomson Moore, Tom Moore

Music & Musical Performance: An International Journal

No abstract provided.

Two Essays On Contemporary Music, Bálint András Varga

Music & Musical Performance: An International Journal

Bálint András Varga (1941–2019) was an advocate for and a keen critic of contemporary music, first on radio, and later as an acquisitions editor for both Editio Hungarica and Universal-Edition. He interviewed many musical figures and planned to interview visual artists before he died. His interlocutors were impressed with Varga’s insightful questions and frequently answered them much more comprehensively than they would ones from standard journalists. These two essays were intended to be published in Varga’s third book, From Boulanger to Stockhausen: Interviews and a Memoir. The first, “What to Listen for in Music,” refers to Aaron Copland’s book of …

The Ossianic Maiden Colma In Compassionate View: Ferdinand Hiller’S “Colma’S Klage” (1873) And Vinzenz Lachner’S Die Klage Der Kolma (1874), James W. Porter

Music & Musical Performance: An International Journal

The widespread, positive reception of Ossianic poems in Germany and Austria inspired many musical settings from Beethoven, Schubert, Mendelssohn, and perhaps also Schumann. Settings of the poetic narrative of Colma, which relates the anguish of a maiden discovering that her brother and her lover have slain each other in mortal combat, were composed by Zumsteeg, Reichardt, Schubert, and Weber. This essay examines two later settings composed in the 1870s by Ferdinand Hiller and Vinzenz Lachner. While the settings are undeniably effective in their use of common idioms of German composition in the third quarter of the nineteenth century, they are …

Parents Engaging In Early Literacy (Peel): Outcomes From A Shared Reading Program Implemented Via Text Messaging, Victoria Henbest, Brenda L. Beverly, Gina M. Mejia

Victoria S. Henbest Publications

Purpose: Investigators delivered an asynchronous parent education for improving early literacy skills of typically developing preschoolers. The home-based shared-book reading program, PEEL, consisted of strategies modeled via videos and sent as text messages.

Method: Twenty parent-child dyads were randomly assigned to one of two 8-week programs targeting evidence-based early literacy strategies. One parent group was taught strategies to support print-related knowledge for learning to read, and the other learned skills to promote vocabulary and story knowledge underlying comprehension.

Results: The asynchronous parent education resulted in more frequent parental use of taught strategies compared to non-taught strategies during …

Carver, Kafka, And Woolf On Re-Enchanting Modernity, Zachary Davis

University Honors Theses

Though removed from the time of the modernists, Raymond Carver shares similar interests with Woolf and Kafka in his late century story "Cathedral," as he investigates art's capacity for creating meaning, or "re-enchanting." While Carver investigates the function of art in a chaotic world, his story does not feature a central artist figure or a hierarchical social structure surrounding the artistic process, but rather an organic artistic experience which creates community among the characters. In this way, "Cathedral" can be seen as a mediation between Woolf's and Kafka's distinct, if not opposing, reactions to Matthew Arnold's prophecy that "most of …

Auditing Genai Literature Search Workflows: A Replicable Protocol For Traceable, Accountable Retrieval In Student-Facing Inquiry, Cristo Leon Ph.D., Michelle Kudelka

STEM for Success Resources

Auditing GenAI literature search workflows, this article evaluates whether AI-assisted literature review retrieval is traceable, metadata-accurate, and reproducible under student-facing conditions. Across four systems and two retrieval postures, the study finds that natural-language prompting often produces unstable or unverifiable citation outputs, while Boolean translation improves auditability but not full reproducibility. The article offers a practical framework for accountable AI-assisted literature search, citation verification, DOI traceability, and transparent evidence retrieval.

Expanding Access To Latin American Art Song: A Study Of Theodoro Valcárcel's Andean-Influenced Art Songs, Douglas E. Perez

LSU Doctoral Dissertations

EXPANDING ACCESS TO LATIN AMERICAN ART SONG: A STUDY OF THEODORO VALCÁRCEL’S ANDEAN-INFLUENCED ART SONGS advocates for the exploration and performance of underrepresented Latin American composers. Multiple methods of increasing access are discussed, including the creation of a central source for IPA, literal, and poetic translations of Latin American art songs; the study of seldom-performed composers, their output, and influences; and the application of these elements through informed performance. This document centers on the Peruvian composer Theodoro Valcárcel and analyzes the intersection of his indigenous heritage with his Latin American and European musical training as reflected in his compositional style …

Hot Ears, Anna Thomas

Landshark Literary Review

A short creative non-fiction piece about the daily battle of living with depression. This work explores the diagnosis of depression through a singular moment in time, taking a scene and expanding it into it's higher meaning. This piece also develops part of the support system an individual with depression relies on, as well as an intimate relationship between college students.

Romances For Voice And Guitar, Arranged By Hector Berlioz. Atma Classique Acd2 2800, 2020 [Review], Peter Bloom

Music & Musical Performance: An International Journal

No abstract provided.

‘Brillez, Astres Nouveaux!’ Arias And Other Excerpts From Eighteenth-Century French Operas By Rameau, Leclair, Boismortier, And Others. Aparte Cd Ap223, 2020 [Review], Ralph P. Locke

Music & Musical Performance: An International Journal

No abstract provided.

Ludwig Van Beethoven: Leonore. Harmonia Mundi 902414, 2019 [Review], Ralph P. Locke

Music & Musical Performance: An International Journal

No abstract provided.

Landshark Literary Review, Hanny Zermeno

Landshark Literary Review

The poems of this selection delve into the complexities of familial relationships as well as the internal battles of insecurities brought on by the complications of a lack of harmony and love primarily displayed in families. Other poems in this selection describe the love between two people and the physical and emotional effects of yearning and their human connections.