Digital Commons Network^™

Predicting Income Satisfaction From Artists’ Annual Income And Collegiate Embedded Entrepreneurial Knowledge And Skills, Joy Albert Quarmout

Doctoral Dissertations and Projects

The purpose of this quantitative, predictive correlational study was to determine how accurately income satisfaction could be predicted from a linear combination of annual income and inclusion of entrepreneurial knowledge and skills curricula in liberal arts education programs among public college graduates within the past ten years. A purposive sample of 87 graduates was drawn from universities with established art programs who graduated one to ten years ago. The planned behavior theory formed the logic model that guided the thought process, attitude, and reasoning behind this study. The research instrument, The Strategic National Arts Alumni Project: Survey Questionnaire, served as …

Dressing For The Descent: Costume Designing Eurydice, Hannah Olivia Schoen

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

During the early spring of my second graduate year, I was assigned to be costume designer for the upcoming production of Sarah Ruhl’s Eurydice. Eurydice is a retelling of a narrative that had been mostly given spotlight to the male hero in past iterations. Now we as a design team were going to tell the story from Eurydice’s point of view. After doing an analysis and research into details that would give me ideas on how I wanted to present these characters, I was able to present initial ideas to the director at our first design meeting.The design process …

Su Drama Picnic Production Photos, Henry Killbourn, Alex Jainchill, Reyna Sanchez

Drama - All Scholarship

This project strengthens the Syracuse University Department of Drama’s ability to document its theatrical productions through high-quality digital photography. With support from the SOURCE grant, the department acquired updated photography equipment that enables students to capture clearer, more accurate images of performances. These photographs document acting, staging, costumes, sets, and lighting in a professional and archival manner.

Curators Connect Taxpayer Funded Research To Their Communities, Adrianne Parker

Research on Capitol Hill

In 2025, Utah State held an exhibition celebrating 50 years of Undergraduate Research (UR) . As a freshman art history major, I was the lead student curator in charge of the exhibition. The overall story I wanted to highlight was how research is much more than STEM projects, and students across majors can conduct research on subjects they are passionate about.

Reading Ourselves: Self-Documentation, Infamy, And Collective Health In Brazilian Peripheries, Asy Pepe Sanches Neto

Proceedings from the Document Academy

This paper explores self-documentation as a social instrument for surviving misrecognition and constructing situated forms of care. Drawing from Foucault’s Lives of Infamous Men, it examines how lives become visible only when touched by power, through brief administrative inscriptions. Building on Documental Fixity (Sanches & Day, 2020), the argument shifts from the stabilizing power of documents to the anticipatory actions of those who know they are read. Rather than asking what a document is, I treat “document” as a modeling frame imposed upon things to manage indexicality. From passports to school uniforms, documentation organizes visibility and authority. In racialized and …

Neuroscience And Humanism In Norman Foster's Architecture, Francisco Javier Lahuerta Ferris, Bartolomé Serra Soriano

Interiority

The work of Norman Foster, often labelled as 'high-tech,' is renowned for its structural expressionism and technological rationalism. However, it is grounded in the conception of a unified whole in which science, technology, and the humanities are inseparable facets that shape both human beings and the spaces they design and inhabit. This article analyses the correlations between the new paradigms established by neuroscience and the design principles of Foster's architecture: the integral conception of reality, optimisation, and energy balance (homeostasis) as survival factors guiding decisions, and the role of perception, emotions, and feelings in the creation and evaluation of architectural …

Reading The Vernacular Interior: A Pattern Language For Reuse, Nusrat Kamal Ritu, Aslı Ciçek, Bie Plevoets

Interiority

Historic interiors are unique repositories of memory, yet conventional reuse practices often fail to grasp their cultural complexity, prioritising formal interventions over lived experience. Dominant strategy-based frameworks for reuse struggle to capture the incremental, user-led adaptations that define these lived interiors. This paper addresses these limitations through a case study of the community-led revival of Harat al-Aqr, Oman. Methodologically, it reframes Alexander et al.'s (1977) pattern language as an interpretive lens for analysing the incremental evolution and embedded cultural intelligence of lived interiors. The research synthesises subjective narrative writing with analytical patterns, revealing that the significance of such spaces lies …

Critical Design And The Robotic Imaginary: Design Criticism And Critical Robots, Jörgen Behrendtz

The Journal of Sociotechnical Critique

This paper brings critical design and design criticism to critical robot studies. Critical design can be described as an umbrella term for approaches making use of speculative designs to highlight and challenge narrow assumptions, preconceptions or even taken-for-granted truths about the role products play (in a wide sense) in everyday life. Design criticism refers to a reasoned procedure that investigates emancipatory and/or limiting potentials of designs, theorizes the roles of affordances, materials and embodied perception as epistemological resources in media interaction, and clarifies connections between specific design choices and their associated experiential qualities, seductive powers, ideological underpinnings, material operations, and …

Cultivating The Creative Ecosystem Amid The Disruption Of Ai, Sarah Oconnell

Tradition Innovations in Arts, Design, and Media Higher Education

Can humanity’s creativity, our artistic intelligence, thrive in symbiosis with the disruptive forces of technology’s Artificial Intelligence in work, media and education? “Who is responsible?” may be the more important question as we face a future infused with AI. Impacted individuals and industries cannot wait for ambiguous political powers to determine AI regulatory policy. They must develop strategies for critique and discernment in real time to prevent the technology’s disruption in society from devolving into oppressive dysfunction.

Who is responsible for cultivating the balance that sustains humanity? Scholars and practitioners with artistic intelligence are adaptive catalysts for collaborative problem solving …

The Quatrain - Volume 8

The Quatrain

The Quatrain is managed by students at Louisiana Tech University and advised by faculty from the College of Liberal Arts. The journal is housed in George T. Madison Hall, where undergraduates collect, assess, and edit submissions from student writers and artists.

The Quatrain is a print and electronic project for people who value quality undergraduate writing and art. Full-dress researched, academic essays and scholarly explorations; photography; life-writing; sculpture; cultural criticism; work that has a reflective, autobiographical style; and creative writing in all its forms: We simply seek to display samples of the interesting, original, and quality work being produced by …

Transmission/Reception, Ma'ayan Noy

MA Projects

From the 1940’s to the 70’s the California-based artist Wallace Berman produced a wide-spreading oeuvre, encompassed drawing, collage, assemblage, single channel video, and three dimensional object making. His practice was deeply informed by his interest in Jazz, Kabbalah and Jewish mysticism, film, and poetry, and more. The transmission and reception of an everflowing stream of references which informs Berman’s creative intake and output adopts a mystical undertone in his grand oeuvre. The unifying theme for Transmission/Reception asserts the centrality of Kabbalistic influences on Berman’s practice, his affinity and spiritual regard for the act of creating. Transmission/Reception underscores Berman’s underlying belief …

Some Assembly Required, Tanner Maxey

College of Graduate Studies: Theses & Dissertations

The dead do not carry their memory. We do. But when memory becomes the only way we can continue to hold on to our loved ones, how do we derive meaning from the fragments when memory begins to fade? Some Assembly Required examines loss as a condition in which meaning is no longer stable, but must be constructed from what remains. Through an interdisciplinary practice that combines ceramics, textiles, and installation, this work explores how domestic objects—once associated with care, function, and familiarity—can be transformed into fragile, unusable forms that persist as evidence of what has been lost. These objects …

The Collapse Of The New Tendencies: How Did A Movement That Never Existed Cease To Exist, Tonka Protega

MA Theses

This thesis examines the short lifespan of the New  Tendencies. Although the  New Tendencies have gained renewed recognition over the last couple of years, there is still limited research on their final phase. To address this topic, I analyzed the narrative history of the  New Tendencies  , alongside the essays published in the exhibition catalogues. Additionally, I considered the historical and political situation in Croatia during this period, which influenced the manifestations. Ultimately, this thesis argues for the non-existence of the  New Tendencies  as a movement in the history of art and identifies the key reasons that led to its …

Cancel Culture: A Battle Of Headlines, Not Meanings, Nataliia Sapyrkina

MA Theses

This work explores the phenomenon of “cancel culture”, with a specific emphasis on the repercussions for Russian art, artists, and cultural institutions following the outbreak of the Russia-Ukraine conflict in 2022. The study examines “cancel culture” as a reputational sanctions mechanism functioning across the modern media landscape. By analyzing selected case studies this paper addresses cases of performance cancellations, institutional distancing, the termination of cooperation with donors, and the revision of artwork attributions. Crucially, Russia’s exclusion from the dialogue is driven both by direct legal grounds, namely sanctions, and by indirect technical factors or those arising from the internal structure …

Transversal Storytelling | Wintersession 2026 Syllabus, Patrick Buhr, Movement Lab

Course Materials

What does "story" mean? How can stories help us understand what appears profoundly different from us? How might seemingly unrelated elements converge in poetic resonance?

A “transversal line” cuts across worlds — moving through unexpected spaces, ideas, people, and moments. In this course, we explore how such crossings can inspire new forms of expanded storytelling and technique, looking at vivid examples from animation, film, coding, and performance. The students will choose contrasting elements (stories / characters / places) from their personal experience and together explore artistic ways of creating meaningful transitions and intersections.

The class will culminate in the development …

Transversal Movement Framework, Patrick Buhr, Movement Lab

Personal Work

"Every type of art can be understood as performance, and every performance involves movement. Every movement has a mover, and every mover relies on something through which to move…." – Patrick Buhr

Fashioning The Body Politic: Explorations Of The Political Semiotics Of Fashion In France And England During The French Revolution, Annika F. Gauthier

Scripps Senior Theses

In the midst of the French Revolution, women’s fashion underwent a complete revolution, moving from the multi-layered elaborate gowns of the ancien regime, to light, form-fitting dresses. These gowns reveal the way clothing reflects the political positions of women and the ways the French and the British used clothing to construct national identity and politics. Following research on the political symbolism and role of clothing across France and Britain, this thesis reviews fashion’s overarching connection to politics, revealing its role in the early French Revolution’s conception of women and patriotism, women’s responses to political exclusions, and rival nations’ adaptations of …

Till Death Does Us Part: An Analysis Of Influences And Ideas Behind The Exhibition, Milo F. Rippe

Honors College Theses

“Till Death Does Us Part,” is a ceramic work created by Milo Rippe in the fall of 2025. The installation includes fifteen faceless figures, ten organ-inspired plates, and one big central figure. Also featured are three homemade stains and two homemade glazes. The figures are hand-built from slabs, combined to form a single piece. The plates were also cut from slabs, and then hand-rolled rims were added to each shape with slip. Stains and glazes are made by methodically measuring out each ingredient on a triple-beam scale, combining all ingredients with water, and running the mixture through a strainer to …

Dear Vincent, James H. Stone Iv

Playwriting (MFA) Theses

Dear Vincent is a play written for J. Harvey Stone’s MFA in Playwriting from Hollins University. The play is inspired by the life of Vincent van Gogh and his letters with his brother Theodore. The artist Vincent van Gogh was an avid writer to his brother Theodore. This play is inspired by, but not dictated by, the letters Vincent van Gogh wrote to his brother. Connected by hymns in Act I and by the news of the 1980s in Act II, this Vincent lives through his letters as well but ultimately has to make a decision regarding this life in …

The Transforming Image | Class 3.2, Hunter Whitaker-Morrow, Movement Lab

Course Materials

No abstract provided.

Transversal Storytelling Course Work, Patrick Buhr, Movement Lab

Course Materials

No abstract provided.

The Transforming Image | Class 1.3, Hunter Whitaker-Morrow, Movement Lab

Course Materials

No abstract provided.

The Transforming Image | Wintersession 2026 Syllabus, Hunter Whitaker-Morrow, Movement Lab

Course Materials

This studio course engages the contemporary digital moving (and sounding) image as a medium undergoing rapid development. Advancing the exploratory ethos of early video art, participants will probe new possibilities for experimentation against the contemporary backdrop of ubiquitous access to smartphones and production capabilities as well as the proliferation of tools for digital signal manipulation, media recycling, and image sequencing.

Coursework will center on a variety of hands-on creative exercises that challenge predominant conceptions of the moving image and engage with medium-specific approaches including video installation, desktop performance, generative cinematics, recycling media, realtime audio-visual performance, and notions of digital materiality. …

The Transforming Image | Class 1.2, Hunter Whitaker-Morrow, Movement Lab

Course Materials

No abstract provided.

The Transforming Image | Class 1.1, Hunter Whitaker-Morrow, Movement Lab

Course Materials

No abstract provided.

Creativity Through Thought Exercises: Developing A Personal Heuristic For Choreographic Decision-Making, Jalisa R. Johnson

Dance (MFA) Theses

This thesis explores the development of a personal set of heuristics, or accessible thought tools, that can be used in choreographic or creative decision-making. Through an in-depth study of the visual art of Romare Bearden paired with an evaluation of patterns of the author’s personal history, three tools or “dials” emerge: derealization, contextuality and inversion. A close study of Bearden’s work demonstrates a pattern of repurposing and distorting ideas in ways consistent with the three dials. The author found similar patterns emerge in an excavation of her personal narrative, indicative of a cyclical and prophetic re-imagining of previous life experiences. …

Centring The Audience: Attitudes And Behaviours In Australian Arts Organisations, Katya Johanson, Abbie Trott, Mark Taylor, Anne Kershaw, Hilary Glow, Tracy Margieson

Research outputs 2022 to 2026

Many arts organisations seek to increase the diversity of their audiences. Recent literature suggests that this requires organisations to interrogate and change their ways of operating. This is a fundamental shift for a sector that has long considered the goal of diversifying audiences as a problem external to the organisation. Responding to this discrepancy, this article compares attitudes and behaviours among workers in arts organisations, to identify whether staff see the need to make change and practise the behaviours required. It identifies and uses three organisational capabilities–‘dynamic capabilities’, ‘social networks’ and ‘business improvement processes’–to frame an analysis of a national …

Third Place And Nostalgia In Postcolonial Jakarta: Adaptive Reuse Of Cikini Post Office, Ade Ariyani Sari Fajarwati, Mochamad Aviandy

Paradigma: Jurnal Kajian Budaya

The transformation of space in postcolonial cities extends beyond the restoration of old buildings; it involves cultural practices that reshape collective memory and identity. Through adaptive reuse, colonial-era heritage spaces are revitalised as social hubs. This study examines Post Kantoor cafe, a former colonial post office turned into a “third place” within urban spatial culture. Using qualitative methods—visual observation, spatial documentation, and a literature review—the study finds that nostalgic aesthetics, evident in antique artefacts, colonial atmospheres, and curated visuals, foster emotional connections across generations and social classes. More than a site of consumption, the cafe becomes a space for dialogue, …

Rapture "At A Distance": Searching For Pathic-Atmospheric Aesthetics, Tonino Griffero

Duquesne Studies in Phenomenology

The paper proposes a rethinking of the role of aesthetics as a theory of sensory experience as it is encountered in the lifeworld (and only secondarily in relation to art). Accordingly, pathic and atmospheric (bottom-up) aesthetics, which centers on the ability to expose oneself to intense experiences without attempting to control them and conceives feelings as atmospheric powers that permeate a particular space without being reduced to projections of the perceiver’s moods, should replace the idealistic (top-down) approach.

Gameful Experiences In Vr Game: Comparison Between Eye-Gazing And Controller Interaction, Gong Zhengya, Nurmela Petra, Colley Ashley, Georgiev Georgi V., Häkkilä Jonna

IASDR Conference Series

As virtual reality (VR) technology continues to advance, researchers are exploring new interaction methods to enrich players’ gameful experiences. While handheld controllers remain the standard input device, emerging alternatives, such as eye-gazing, offer novel and potentially more engaging ways to interact within VR environments. This study examines how different interaction methods—traditional handheld controllers versus eye-gazing—affect players’ experiences during gameplay. A VR game was developed to support both input methods, and 22 participants engaged with the game under both conditions. Their experiences were assessed across multiple dimensions, such as playfulness, immersion, and competition. The results revealed significant differences in two gameful …