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Spectrum December 1951, Students Of Risd, Risd Archives

All Student Newspapers

Spectrum was a publication released in the early 1950s by the undergraduate students at Rhode Island School of Design. This issue from December 1951 includes editorials, student-submitted articles and creative writing, hand drawn illustrations, poetry, and advertisements primarily for local businesses. Pieces cover Arthur William Heintzelman, a humorous evolution of women in college, advertising, trends in European automobile design, international students, sports at RISD, and more.

The Hodges Haul, November 20, 1951, Marshall University

The Hodges Haul

No abstract provided.

The Hodges Haul, November 6, 1951, Marshall University

The Hodges Haul

No abstract provided.

New Haven Railroad Travel Guide, November 1951, New Haven Railroad

The Brown University Alumnus Travel Menu Collection

New Haven Railroad to New York City. "Take this with you as a souvenir of your trip." Where to dine in New York. Dining car menu.

The Hodges Haul, October 9, 1951, Marshall University

The Hodges Haul

No abstract provided.

The Hodges Haul, May 1, 1951, Marshall University

The Hodges Haul

No abstract provided.

Spectrum May 1951, Students Of Risd, Risd Archives

All Student Newspapers

Spectrum was a publication released in the early 1950s by the undergraduate students at Rhode Island School of Design. This issue from May 1951 includes feedback from the first issue, budget restaurant recommendations, a poll of student social habits, campus news, an "After Hours" column with entertainment recommendations, alumni notes, and an interview of Professor Ernest Lichtblau, along with articles on the Bluebird Diner, a ballet "Black Haiti" put on by a RISD student group, and perceptions of artists.

The Hodges Haul, March 6, 1951, Marshall University

The Hodges Haul

No abstract provided.

Spectrum March 1951, Students Of Risd, Risd Archives

All Student Newspapers

Spectrum was a publication released in the early 1950s by the undergraduate students at Rhode Island School of Design. This issue from March 1951 is the first published issue and includes creative writing, a recap of Take-A-Break Weekend, campus news and events, and an article about freshmen artwork.

The Lantern Vol. 19, No. 1, Winter 1951, Caroline Herber, William Lekernec, Lou Cresse, Robert N. Jordan Jr., E. A. Chambers, Carl Donne Young, Sally Canan, David Hallstrom, Joan Sapp, Aubre Givler, Emile Schmidt

The Lantern Literary Magazines, 1933 to Present

• Nevin LaRue
• There Stands a Wall
• An Iron God
• Little Reginald and the Goat Tale
• The Atom After Dark
• Lament
• To
• Tell Me
• Eight-Fifteen
• After Reading Robert Frost
• New Era
• Eternity
• Recollection
• Two Poems

1951 Portfolio, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.

The Hodges Haul, December 14, 1950, Marshall University

The Hodges Haul

No abstract provided.

The Hodges Haul, November 21, 1950, Marshall University

The Hodges Haul

No abstract provided.

1950 April, Morehead State College.

Inkpot Magazine

April of 1950 issue of Inkpot magazine published by the English Department of Morehead State College.

The Hodges Haul, February 16, 1950, Marshall University

The Hodges Haul

No abstract provided.

The Hodges Haul, January 19, 1950, Marshall University

The Hodges Haul

No abstract provided.

The Interior Plan Of A Workable Little Theater For Napa College, Dayton Coffey

University of the Pacific Theses and Dissertations

Considered from the viewpoint of drama and stagecraft instructors, many of our school theater buildings are inadequate. Visits to numerous high school and college auditoriums in northern California and contact with faculty members using them have convinced the writer of the need for improvement to campus theater planning. The auditorium and little theater in the recently constructed Franklin school in Stockton, California, are good examples of poor planning. In the writer's opinion the auditorium is too large and the little theater too small for either of them to give practical service, especially in relation to their construction costs.

That successful …

The Hodges Haul, November 22, 1949, Marshall University

The Hodges Haul

No abstract provided.

A Critical Estimate Of Alliance Between The Art Theory And The Art Practice Of Willa Cather, Betty Bohannon Forsyth

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.

An Objective Study Of The Production Problems Encountered In The Preparation And The Presentation Of A Choric Performance Of Sons Of The Prairie, Herbert Adrian Rehner

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.

The Lantern Vol. 17, No. 2, Spring 1949, Roy Foster, Frank Edwards, J. W. Howse, Joan Verburg, Betty Lou Scheirer, Fay Horner, John B. Martin Jr., Anita Frick, Charles Lyon Chandler, Charles Wetzel

The Lantern Literary Magazines, 1933 to Present

• Psyche
• Home Country
• Liberation
• The Last Haul
• The Tempting of Willie
• The Turtle
• Interlude
• Black Waters
• Lines on Abandoned Spring House
• Afraid
• Gone is the Winter's Night
• A Word to the Wise

The Hodges Haul, March 31, 1949, Marshall University

The Hodges Haul

No abstract provided.

1949 Portfolio, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.

School Of Practical Art Course Catalog (1948-1949), School Of Practical Arts

Art Institute of Boston (AIB) Course Catalogs

It is the purpose of the School of Practical Art to train students so thoroughly in the various phases of commercial art, that they may upon completion of the course earn a good living in their chosen career. Earnest effort and thorough preparation are necessary if the student is to become successful professionally. Enthusiastic and excellent working habits must be developed early and maintained throughout the course. Deadlines must be given and met punctually. Good design, composition, color and technical skill must be evident in all finished work. In preparation for this high standard the beginner receives a thorough foundation …

School Of Practical Art Course Catalog (1947-1948), School Of Practical Arts

Art Institute of Boston (AIB) Course Catalogs

It is the purpose of the School of Practical Art to train students so thoroughly in the various phases of commercial art, that they may upon completion of the course earn a good living in their chosen career. Earnest effort and thorough preparation are necessary if the student is to become successful professionally. Enthusiastic and excellent working habits must be developed early and maintained throughout the course. Deadlines must be given and met punctually. Good design, composition, color and technical skill must be evident in all finished work. In preparation for this high standard the beginner receives a thorough foundation …

1947 Yearbook, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.

Spartist Yearbook, 1946, School Of Practical Art

Art Institute of Boston (AIB) - Yearbooks

1946 Spartist. Yearbook published by the School of Practical Art. Original volume available for browsing in the Lesley University Archives.

The Lantern Vol. 14, No. 1, December 1945, Betsy Shumaker, Irene Suflas, Helen Gorson, Rhoda Klein, Nelson Yeakel, Helen Hafeman, Ronnie Sare, John Trevaskis, Joan Wilmot, Lois Goldstein, Lt. B.L. Garris, Marjorie Williams, Margaret Oelschlager, George Otto Frey Jr.

The Lantern Literary Magazines, 1933 to Present

• Editorial
• The Medal
• Pain
• Wonder
• Warmth
• Memory Lingers
• Morning
• Watch the Birdie
• Poems
• The War Dogs of the Devildogs
• Joy in Every Heart
• To Live in Hearts
• The Operation
• Moderately Well Done
• Steak is King
• Grateful America?

School Of Practical Art Course Catalog (1945-1946), School Of Practical Art

Art Institute of Boston (AIB) Course Catalogs

Earnest effort and thorough preparation are necessary if the student is to become successful professionally. Enthusiastic and excellent working habits must be developed early and maintained throughout the course. Deadlines must be given and met punctually. Good design, composition, color and technical skill must be evident in all finished work. In preparation for this high standard the beginner receives a thorough foundation of basic work in graphic analysis, principles of freehand drawing, constructive design, composition, perspective, lettering, color theory, anatomy and life drawing. This is followed by the practical application of fundamentals. Here problems are assigned which are in every …

School Of Practical Art Course Catalog (1944-1945), School Of Practical Art

Art Institute of Boston (AIB) Course Catalogs

The School of Practical Art was established in 1912 by Roy Atherton Davidson. For twenty-nine years it has regularly and consistently trained its students to engage in remunerative work in those branches of art which are necessary to business and industry. Today it occupies an important position in the training and placing of artists in this work.

The drawings and paintings reproduced in this catalog are all original, and were made by students who began their art school training with no more talent than you are familiar with in high school work. Unusual talent is not necessary and you should …