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Review Of The Cabinet Of Eros: Renaissance Mythological Painting And The Studiolo Of Isabella D'Este. By Stephen J. Campbell, Andrea Bolland Jul 2009

Review Of The Cabinet Of Eros: Renaissance Mythological Painting And The Studiolo Of Isabella D'Este. By Stephen J. Campbell, Andrea Bolland

School of Art, Art History, and Design: Faculty Publications and Creative Activity

Isabella d'Este's activities as an art collector and patron are richly documented and have received a correspondingly large amount of art historical attention in the modern era. Yet Isabella--and the studiolo she had created and decorated in the Mantuan Palazzo Ducale--have gotten mixed reviews in this scholarship; the former has historically emerged as difficult, irrational, and acquisitive rather than discerning, while the paintings done for the latter by Andrea Mantegna, Perugino, Lorenzo Costa, and Correggio between 1497 and 1530 are often treated as curiosities-stilted in style and didactic in subject-within the larger scope of the artists' careers. The paintings have …


Jienan Yuan (Chien Yuan) Interview, Lauren Smith Jun 2009

Jienan Yuan (Chien Yuan) Interview, Lauren Smith

Asian American Art Oral History Project

2009 interview with record producer and composer Chien Yuan by Lauren Smith


Japan's Haunting War Art: Contested War Memories And Art Museums, Asato Ikeda Apr 2009

Japan's Haunting War Art: Contested War Memories And Art Museums, Asato Ikeda

disClosure: A Journal of Social Theory

No abstract provided.


Design Research Quarterly Volume 4 Issue 2, Peter Storkerson Apr 2009

Design Research Quarterly Volume 4 Issue 2, Peter Storkerson

Design Research Quarterly (2006 - 2009)

Design Research Quarterly (2006-9) was a hybrid journal-newsletter of the Design Research Society. It contained news of the society, its members and regions and its sister societies, as well as peer-reviewed articles about issues of importance to design research, theory and knowledge.


Words & Images 2009, University Of Southern Maine Jan 2009

Words & Images 2009, University Of Southern Maine

Words and Images

Words & Images is an annual arts and literature publication distributed by the University of Southern Maine.

Managing Editor: Seth A. Bishop

Fiction Editor: Chad Chamberlain

Poetry Editor: Jeff Hodenberg


That Moment Now = 此時.那刻, Tin Yan, Celia Ko Jan 2009

That Moment Now = 此時.那刻, Tin Yan, Celia Ko

Artists-in-Residence Programme : Exhibition Catalogues

Art Exhibition by Celia Ko

In a new exhibition ‘Th at Moment Now’ on show at Lingnan University, Hong Kong artist Celia Ko presents three bodies of work that take as their subject the artist’s relationship to her maternal Chinese ancestry. In pursuing her subject Ko has created a trilogy of images through which the interior life of her family is approached from diff erent vantage points. Using large-scale images and hand made garments and jewellery Ko explores the pervasive power of familial myths and narratives.

The first part of the exhibition are large-scale portraits of her mother’s parents: grandfather …


Textile Society Of America Newsletter 21:1 — Winter 2009, Textile Society Of America Jan 2009

Textile Society Of America Newsletter 21:1 — Winter 2009, Textile Society Of America

Textile Society of America: Newsletters

The Woven Word: Sasigyo
Stephen Beal Receives 2008 Lillian Elliott Award at TSA Symposium
From the President: Symposium Thanks, 2010 Symposium, Board Concerns, Study Tours, The Next Two Years
TSA News: TSA Board Committees 2008-2010, First Founding Presidents Awardee, Students/New Professional Awardees, Shep Award Nominations Sought, TSA Study Tour 2009: Uzbekistan, Publications Initiative Summary
TSA Member News
In Memoriam: Fran Reed, 1943-2008; Peter Collingwood, 1922-2008
Call for Papers
2008 Symposium Reviews
Collections News
Featured Collection: New Costume and Textiles Facilities at Philadelphia Museum of Art
Exhibition Reviews
Book Reviews
Calendar—Exhibitions
Calendar—Lectures, Workshops, Tours
Conferences & Symposia
TSA 12th Biennial Symposium, …


Mfa09 (Mfa 2009), Sam Fox School Of Design & Visual Arts, Mildred Lane Kemper Art Museum, Carmon Colangelo, Patricia J. Olynyk, Stephanie Barenz, Carolyn Dawn Bendel, Jacob Cruzen, Rachel Ann Dennis, Bryan Eaton, Maya Escobar, Meredith Foster, Morgan Gehris, Gina Grafos, Stephen Hoskins, Amelia Jones, Hye Young Kim, Anne Lindberg, Goran Maric, Kelda Martensen, Erica L. Millspaugh, Carianne Noga, Joel Parker, Rebecca C. Potts, Shannon Randol, Elaine Rickles, Michael Kenneth Smith, Dan Solberg, Natalie Toney, Glenn Tramantano, Kathryn Trout, J. Taylor Wallace Jan 2009

Mfa09 (Mfa 2009), Sam Fox School Of Design & Visual Arts, Mildred Lane Kemper Art Museum, Carmon Colangelo, Patricia J. Olynyk, Stephanie Barenz, Carolyn Dawn Bendel, Jacob Cruzen, Rachel Ann Dennis, Bryan Eaton, Maya Escobar, Meredith Foster, Morgan Gehris, Gina Grafos, Stephen Hoskins, Amelia Jones, Hye Young Kim, Anne Lindberg, Goran Maric, Kelda Martensen, Erica L. Millspaugh, Carianne Noga, Joel Parker, Rebecca C. Potts, Shannon Randol, Elaine Rickles, Michael Kenneth Smith, Dan Solberg, Natalie Toney, Glenn Tramantano, Kathryn Trout, J. Taylor Wallace

Books and Monographs

Catalogue of a culminating student exhibition held at the Mildred Lane Kemper Art Museum in 2009. Content includes A new paradigm / Carmon Colangelo -- Evolving practices / Patricia Olynyk -- Stephanie Barenz -- Carolyn Dawn Bendel -- Jacob Cruzen -- Rachel Ann Dennis -- Bryan Eaton -- Maya Escobar -- Meredith Foster -- Morgan Gehris -- Gina Grafos -- Stephen Hoskins -- Amelia Jones -- Hye Young Kim -- Anne Lindberg -- Goran Maric -- Kelda Martensen -- Erica L. Millspaugh -- Carianne Noga -- Joel Parker -- Rebecca C. Potts -- Shannon Randol -- Elaine Rickles -- Michael …


Ap Studio Art As An Enabling Constraint For Secondary Art Education, Mark Graham Jan 2009

Ap Studio Art As An Enabling Constraint For Secondary Art Education, Mark Graham

Faculty Publications

No abstract provided.


Textile Society Of America Newsletter 20:3 — Fall 2008, Textile Society Of America Oct 2008

Textile Society Of America Newsletter 20:3 — Fall 2008, Textile Society Of America

Textile Society of America: Newsletters

TSA 2008 Symposium: "TSA Membership Provides Rich Program in Hawaii"
President's Letter
TSA News
TSA Member News
Collections News
Conference Reviews
Book Reviews
Exhibition Reviews
Calendar: Exhibitions, Lectures, Workshops, and Tours
Calendar: Conferences and Symposia
Positions


Words & Images 2008, University Of Southern Maine Jan 2008

Words & Images 2008, University Of Southern Maine

Words and Images

Words & Images is an annual arts and literature publication distributed by the University of Southern Maine.

Publishing Director: Ryan Gato

Assistant Publishing Director: Grace Mueller

Managing Editor: Benjamin Rybeck


Reading The Gardner: Viewership, Readership, And Public Art, Nicole Williams Jan 2008

Reading The Gardner: Viewership, Readership, And Public Art, Nicole Williams

Undergraduate Review

No abstract provided.


Social Cohesion And Cultural Expressions: The Case Of The Sacred Textiles In The Armenian Orthodox Churches Of Istanbul, Marlene R. Breu, Ronald T. Marchese Jan 2008

Social Cohesion And Cultural Expressions: The Case Of The Sacred Textiles In The Armenian Orthodox Churches Of Istanbul, Marlene R. Breu, Ronald T. Marchese

Textile Society of America: Symposium Proceedings

Prologue

The social and cultural history of Armenians is long; indeed one cannot fully appreciate its parameters without deeper investigation. This paper reports on a segment of Armenian history— the sacred historical textiles housed in the Armenian Orthodox Churches of Istanbul, Turkey. These artifacts had never before been studied, although a select few objects produced in Istanbul have been published in books devoted to the Armenian collections in Jerusalem, Etchmiadzin (Armenia), and the Sis collection from Anatolia currently in Beirut, Lebanon. Illuminated manuscripts receive the greatest attention among the historical Armenian religious artifacts, followed by stone, metal and wooden objects. …


Author Biographies Jan 2008

Author Biographies

Textile Society of America: Symposium Proceedings

Author Biographies A-Z


The Centre For Advanced Textiles: A Case Study In Uk Digital Textile Culture, Eulanda A. Sanders Jan 2008

The Centre For Advanced Textiles: A Case Study In Uk Digital Textile Culture, Eulanda A. Sanders

Textile Society of America: Symposium Proceedings

If textiles serve as records of a culture’s history and values, how should we approach and evaluate the integration of digitally-created and digitally-produced textiles? How do the application of digital technologies encourage or inhibit cultural expressions?

Government and academic institutions in the United Kingdom (UK) are actively trying to support and invigorate what is being called the ‘research culture’ in the UK, yet the ability to create and maintain sustainable research centres in the creative textile fields have proven to be difficult. Through reflectively analysing the creation, re-evaluation and re-focusing of the Centre for Advanced Textiles (CAT) at Glasgow School …


The Centre For Advanced Textiles: A Case Study In Uk Digital Textile Culture, Eulanda A. Sanders Jan 2008

The Centre For Advanced Textiles: A Case Study In Uk Digital Textile Culture, Eulanda A. Sanders

Textile Society of America: Symposium Proceedings

Introduction

The faculty and graduate students at the Centre for Advanced Textiles (CAT), located in the Glasgow School of Arts in Scotland, have created a unique academic environment that not only employs culture in design inspiration, but also creates a dynamic academic culture. The team consists of the following five, individuals who are all practicing designers and researchers: Alan Shaw, Industry Coordinator; Vicky Begg, Bureau Coordinator; Helena Britt, a Practitioner/Educator/Graduate Student; and Andrew McDonald, a Research Assistant/Graduate Student and J.R. Campbell, the Research Fellow/Coordinator. Each faculty member and graduate student on this team interacts with each other on various activities …


Graphic Novels As Contemporary Art? The Perplexing Question Of Content In The High School Art Classroom, Mark Graham Jan 2008

Graphic Novels As Contemporary Art? The Perplexing Question Of Content In The High School Art Classroom, Mark Graham

Faculty Publications

The postmodern condition of contemporary art is characterized by appropriation, layering of styles, recontextualization, interaction between text and image, and a willingness to embrace multiple meanings (Fehr, 1997; Gude, 2004). As the high school teacher contemplates the world of contemporary art and the expanse of visual culture, an insistent question comes to mind: What work of art or artifact of visual culture will provide the richest educational experiences for adolescent students? One viable answer is the graphic novel. Graphic novels have a postmodern flavor in that they are often ironic, playful, self-referential, and contain multiple narratives (Congdon & Blandy, 2003; …


Floating World Projects : Two Views, Delicacies, Inside Out = 浮世, Klaus Peter Knoll, Cella Jan 2008

Floating World Projects : Two Views, Delicacies, Inside Out = 浮世, Klaus Peter Knoll, Cella

Artists-in-Residence Programme : Exhibition Catalogues

Floating World Projects photographs and exhibition were realized through the Visual Studies Artist-in-Residence Programm and the generous support of the Department of Philosophy.


Image’Nation : The Search For A Folk Image Of Ireland In Art And Popular Culture, 1849 To 1949., Ciarán Walsh Jan 2008

Image’Nation : The Search For A Folk Image Of Ireland In Art And Popular Culture, 1849 To 1949., Ciarán Walsh

Theses

This study considers how visual images became central to the folk imagination of Irishness between 1849 and 1949. It begins with contrasting representations in photography of the Irish in the 1890s. The political/cultural contexts of images of Irishness is established and developed with reference to the juxtaposition of contemporary visual arts, folk song and nationalism in Kilmainham Gaol in 1991. It considers whether distinct cultural systems have historically competed for legitimacy and whether, specifically, art and tradition are incompatible in terms of a nationalist construction of Irishness. The Irishness of Irish art in the nineteenth century, the role of the …


Social Cohesion And Cultural Expressions: The Case Of The Sacred Textiles In The Armenian Orthodox Churches Of Istanbul, Marlene R. Breu, Ronald T. Marchese Jan 2008

Social Cohesion And Cultural Expressions: The Case Of The Sacred Textiles In The Armenian Orthodox Churches Of Istanbul, Marlene R. Breu, Ronald T. Marchese

Textile Society of America: Symposium Proceedings

This paper reports on data collected from textiles used in the religious life of members of the Armenian Orthodox Church community of Istanbul, Turkey, specifically consecrated items associated with the expression of the Divine Liturgy.  Our analysis of selected objects and their inscriptions revealed a valuable source of information about the culture and how it expressed itself in one of the key aspects of Armenian identity as a minority population in the Islamic society of Istanbul—its religion.  The production and use of these artifacts contributed to the cohesiveness of a people both in Istanbul and in the Diaspora, where Armenians …


Design Research Quarterly Volume 2 Issue 4, Peter Storkerson Oct 2007

Design Research Quarterly Volume 2 Issue 4, Peter Storkerson

Design Research Quarterly (2006 - 2009)

Design Research Quarterly (2006-9) was a hybrid journal-newsletter of the Design Research Society. It contained news of the society, its members and regions and its sister societies, as well as peer-reviewed articles about issues of importance to design research, theory and knowledge.


Participatory Design Of A Cross-Media Community For Societal Action: Lessons From Avatopia, Ylva Gislén, Jonas Löwgren, Ulf Myrestam May 2007

Participatory Design Of A Cross-Media Community For Societal Action: Lessons From Avatopia, Ylva Gislén, Jonas Löwgren, Ulf Myrestam

Nordes Conference Series

A cross-media platform was designed for a community of young teenagers oriented towards societal change, a task which motivated a deeply sociotechnical participatory design process. The final outcome involved an interactive web forum featuring creative and communicative collaborative tools in a 3D avatar environment, combined with a weekly show in national public-service television. An assessment of our work indicates that a participatory design process, where participants transition into the role of mentors and norm carriers upon deployment, can be a feasible way to support subcultural community building towards »difficult« topics, even though it entails considerable resource demands. This result is …


Waterfront Development With Web Mediation, Andrew Morrison, Synne Skjulstad, Birger Sevaldson May 2007

Waterfront Development With Web Mediation, Andrew Morrison, Synne Skjulstad, Birger Sevaldson

Nordes Conference Series

The term ‘unreal estate’ is coined to refer to online mediations of projected and planned urban developments, especially luxury domestic residency. A related website is studied as a mediation of co-ordinated artifacts and assembled persuasion. The site is also examined as a mediating artifact through which multiple representations are co-articulated. Taking the form of a visual essay, we argue that at tention is needed to mediation in design research.


Contemporary Art Facing The Earth’S Irreducibility, Amanda Boetzkes Apr 2007

Contemporary Art Facing The Earth’S Irreducibility, Amanda Boetzkes

Reconstruction: Studies in Contemporary Culture

This article considers the aesthetic strategies and ethical implications of contemporary earth art. Drawing from feminist and ecological phenomenology, I argue that an ethical preoccupation with the earth is identifiable in works that evoke the sensorial plenitude of natural phenomena, but refuse to condense it into a coherent image or art object. By denying a perceptual grasp of the earth, contemporary earth artists question the possibility of representing it as such. They thereby position the earth as a territory of alterity that exists beyond our conceptual and perceptual limits. This approach counters two deeply flawed but nevertheless pervasive stances towards …


Our Terrain: How Art Reflects This Historical Dichotomy In Imagery, Meredith Davidson Jan 2007

Our Terrain: How Art Reflects This Historical Dichotomy In Imagery, Meredith Davidson

Whittier Scholars Program

This project is divided into three sections. The first and largest section is an essay about the paradoxical view that Americans have of nature. It explores how art reflects the dichotomy between conservation and exploitation. The essay investigates the historical foundations of this paradox through 19th century landscape painting. It then covers two 20th century art movements, Regional Photography and Earthworks, to reinvestigate the dualistic American outlook. The essay concludes by examining a select group of artists whose work investigates land use and land conservation in modern-day America. The second section is a detailed account of the process of curating …


Contemporary Art, Science, Ecology, And A Critical Pedagogy Of Place, Mark Graham Jan 2007

Contemporary Art, Science, Ecology, And A Critical Pedagogy Of Place, Mark Graham

Faculty Publications

In contemporary life and education, the local is marginalized in favor of large-scale economies of consumption that are indifferent to ecological concerns. The consequences of neglecting local human and natural communities include a degraded habitat, loss of wilderness, alienation, rootlessness, and lack of connection to communities. Place-based education responds to this indifference to local ecological concerns by grounding student learning in the experiences of their own lives, communities, and regions. Critical place-based pedagogy broadens the scope of place-based learning by incorporating critical theory into the curriculum of the local. This article describes a critical pedagogy of place as a prelude …


Mirror Of Culture: The Study Of A Nineteenth-Century Sewing Diary, Elizabeth M. Dellabadia May 2006

Mirror Of Culture: The Study Of A Nineteenth-Century Sewing Diary, Elizabeth M. Dellabadia

Senior Honors Projects

Hidden inside the library of the American Textile History Museum in Lowell, Massachusetts is wonderful resource for the study of late nineteenth-century America. When Ann Eliza Cunningham was middle aged, she compiled a sewing diary that included scraps of material from dresses she wore or China trade fabrics brought home by her father. Ann Eliza not only included assorted swatches; but she associated the fabrics with different events in her life. She includes swatches from dresses she wore on her wedding day in 1856, for Thanksgiving, and for various family celebrations like birthday parties. Similar to the work of a …


Textile Society Of America Newsletter 18:2 — Spring 2006, Textile Society Of America Apr 2006

Textile Society Of America Newsletter 18:2 — Spring 2006, Textile Society Of America

Textile Society of America: Newsletters

TSA Symposium Highlights, October 11–14, 2006
Symposium Exhibition
President’s Letter
TSA News
From the Nominating Committee: TSA Board Nominees
TSA Member News
Featured Collection [Collections of the Kennedy Museum of Art, Ohio University, Athens, Ohio]
Exhibition Reviews [The Katha Collection: Fabricated Tales from Kala Raksha, Artist’s Center, Mumbai, India, March 6–12, 2006]
Book Reviews
Collections News
Calendar-Exhibitions
Calendar-Lectures, Workshops
Grants
Opportunities
Calls for Papers
Conferences & Symposia


Abstracts Jan 2006

Abstracts

Textile Society of America: Symposium Proceedings

Textile Society of America

10th Biennial Symposium 2006

October 11–14, 2006

Harbourfront Centre

Toronto, Ontario

A-Z


Author Biographies Jan 2006

Author Biographies

Textile Society of America: Symposium Proceedings

Textile Society of America

10th Biennial Symposium 2006

October 11–14, 2006

Harbourfront Centre

Toronto, Ontario

A-Z pp. 1-26