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Articles 661 - 690 of 791
Full-Text Articles in Entire DC Network
From Tutor-Led To Student-Led Design Education: The Global Studio, Aysar Ghassan, Erik Bohemia
From Tutor-Led To Student-Led Design Education: The Global Studio, Aysar Ghassan, Erik Bohemia
Learn X Design Conference Series
“Tutor-led” design education has been argued to be a system where lecturers are at the centre of teaching & learning activities and where educators’ tastes strongly influence students’ outcomes. Design education has also been argued not to prepare graduates for working in highly complex professional capacities synonymous with the contemporary era. We argue the role of tutors in tutor-led design education to be a factor in this. The Global Studio runs Web 2.0 enabled industry sponsored international collaborations between students. One aim is to introduce learners to “complex project situations” and consequently to prepare them for contemporary working life. It …
Exploring 'Reflective' Design: An Approach To Digital Archives, Reuben Stanton, Laurene Vaughan, Jeremy Yuille
Exploring 'Reflective' Design: An Approach To Digital Archives, Reuben Stanton, Laurene Vaughan, Jeremy Yuille
Nordes Conference Series
In this short paper we discuss our explorations with adopting reflective design as an approach to designing a digital archive for the performing arts. The stakeholders in this project are diverse, comprised of members of the partner organisation, the public, the design team and government funding agencies. Each stakeholder has different expectations and skills to bring to the project. It is proposed that reflective design with its mix of critical reflection with a human centred design and prototyping approach provides a methodological framework that enables the complexities of the project to be integrated into an action orientated design exploration.
Why Hypothetical? Grounding “The Guess” In Experimentation, Mary Anne Beecher
Why Hypothetical? Grounding “The Guess” In Experimentation, Mary Anne Beecher
Nordes Conference Series
This exploratory paper discusses the advantages and disadvantages of the use of design experimentation to augment students’ approaches to speculative projects within the context of professional interior design education. By analysing student-based research as integrated into final comprehensive graduate-level design projects at a major North American university, the potential for experimentation to inform design process is articulated. Although the results of such acts are not always easily assessed within the constraints of real-life criteria, it is optimum for generating innovations in design process and hybrid theoretical frameworks that ultimately challenge the profession to define its boundaries in new ways.
Towards A Manifesto For Methodological Experimentation In Design Research, Henry Mainsah, Andrew Morrison
Towards A Manifesto For Methodological Experimentation In Design Research, Henry Mainsah, Andrew Morrison
Nordes Conference Series
This paper argues that design research may benefit from investigations, explorations and innovations in the means of conducting and of conveying design research from qualitative methods in the social sciences. The paper examines how inter-disciplinary and intermethodological experimentation as a mode of knowledge building. At the end of the paper we draw out a manifesto that proposes potential actions concerning design research methods which ought to be applicable for designers and design researchers, but also for social scientists engaging with the changing nature of production-related inquiry and critique in which design increasingly features.
Pedagogy For Teaching Design – With An Emphasis On Sustainable Design, Stephanie Carleklev, Marie Sterte
Pedagogy For Teaching Design – With An Emphasis On Sustainable Design, Stephanie Carleklev, Marie Sterte
Learn X Design Conference Series
Teaching sustainability is not solely a question of providing relevant information; it is foremost about training students to meet the challenges of tomorrow. In design this can mean to shift the focus from material, form and function towards systems, correlation and time – a process supported both by how we teach as well as what we teach. But pedagogy still seems to be treated like a poor cousin to the more important design knowledge. This made us curious about the correlation between pedagogy and teaching design for sustainable change. By applying a study of Eilam and Trop (2011) onto the …
Design Education And Non-Eu Students: Shifts In Teaching Practice, Karen Bull, Jane Osmond
Design Education And Non-Eu Students: Shifts In Teaching Practice, Karen Bull, Jane Osmond
Learn X Design Conference Series
The number of UK international HE students has gradually increased over the last decade, in particular the number of non-EU Chinese and Indian students. This influx has resulted in the recognition that exposure to an unfamiliar pedagogical cultural habitus can cause problems, often compounded by language problems. This paper outlines the response of an MA teaching team at Coventry University to misconceptions that a cohort of Chinese and Indian students expressed during a research methods module. This was evidenced by uncertainty as to what they were expected to produce in terms of a research proposal, as the extension of the …
Electrospun Plant Protein Scaffolds With Fibers Oriented Randomly And Evenly In Three-Dimensions For Soft Tissue Engineering Applications, Shaobo Cai
Department of Textiles, Merchandising and Fashion Design: Dissertations, Theses, and Student Research
In this work, electrospinnable and water stable soyprotein was extracted by using a reducing agent in mild alkaline condition, and novel 3D zein and 3D pure soyprotein electrospun scaffolds with three-dimensionally and randomly oriented fibers and large interconnected pores were successfully fabricated by reducing surface resistivity of materials. This unique structure is different from most electrospun scaffolds with fibers oriented mainly in one direction. The structure of novel 3D scaffolds could more closely mimic the 3D randomly oriented fibrous architectures in many native extracellular matrixes (ECM). Confocal laser scanning microscope shows that instead of becoming flattened cells when cultured in …
The Effects Of Social Rank On Shame And Guilt, Alexandra Bohaska
The Effects Of Social Rank On Shame And Guilt, Alexandra Bohaska
All-Inclusive List of Electronic Theses and Dissertations
The differentiation of shame and guilt is not widely discussed. The reason why some people feel shame while others feel guilt is also not universally understood. Various theories have examined cultural influences and how individuals attribute the outcome of various situations. This paper discusses past theories of the reasons behind shame and guilt and conducts a study that examines how social rank, or lack thereof, could affect a person’s emotional response. It was predicted that when the participants, consisting of college undergraduates and residents of a private community, are primed towards feelings of superordination or equality, via vignettes, they would …
The Art Of Perl: How A Scripting Language (Inter)Activated The World Wide Web, Norberto Gomez Jr.
The Art Of Perl: How A Scripting Language (Inter)Activated The World Wide Web, Norberto Gomez Jr.
Theses and Dissertations
In 1987, computer programmer and linguist Larry Wall authored the general-purpose, high-level, interpreted, dynamic Unix scripting language, Perl. Borrowing features from C and awk, Perl was originally intended as a scripting language for text-processing. However, with the rising popularity of the Internet and the advent of Tim Berners-Lee’s World Wide Web (Web), in the 1990s, Perl soon became the glue-language for the Internet, due in large part to its relationship to the Hypertext Transfer Protocol (HTTP) and the Common Gateway Interface (CGI). Perl was the go-to language for on the fly program writing and coding, gaining accolades from the likes …
Place-Based Art Education/Anasazi & Fremon Art And Culture, Mark Graham
Place-Based Art Education/Anasazi & Fremon Art And Culture, Mark Graham
Journal of Undergraduate Research
This project engaged students in arts-based research of the rock art of Anasazi, Fremont and other ancient cultures in central and southern Utah. Their research had three components: (1) A review of research literature describing the history and interpretations of this ancient art, place-based education, and the issues of educating the indigenous people of Utah and the American Southwest. (2) A visual documentation of this ancient rock art in its various locations that includes photography, drawing and painting. (3) A scholarly presentation of the background research and the visual documentation that incorporates arts-based research methodology. This project will began during …
Textile Society Of America Newsletter 25:2 — Spring/Summer 2013, Textile Society Of America
Textile Society Of America Newsletter 25:2 — Spring/Summer 2013, Textile Society Of America
Textile Society of America: Newsletters
New TSA Program: Textiles Close Up
From the President
TSA News
TSA Study Tours
TSA Member News
In Memoriam: Irene Good
Textile Community News
Exhibition Review
Book Reviews
Call for Papers: TSA Symposium 2014 [New Directions: Examining the Past, Creating the Future, Los Angeles, California, September 10–14, 2014]
Calendar-Conferences & Symposia, Exhibitions, Lectures, Workshops, Tours
Kara Walker: Harper's Pictorial History Of The Civil War (Annotated), Shannon Egan
Kara Walker: Harper's Pictorial History Of The Civil War (Annotated), Shannon Egan
Schmucker Art Catalogs
The preface to the original edition of Harper’s Pictorial History of the Civil War, published in 1866 by Alfred H. Guernsey and Henry M. Alden asserts, “We proposed at the outset to narrate events just as they occurred; … to praise no man unduly because he strove for the right, to malign no man because he strove for the wrong." The suite of lithographs on display at Schmucker Art Gallery by prominent contemporary African-American artist Kara Walker entitled Harper’s Pictorial History of the Civil War (Annotated), on loan from the Middlebury College Museum of Art, challenges the truth Guernsey and …
The Birth Of Mass Media: Printmaking In Early Modern Europe, Alison Stewart
The Birth Of Mass Media: Printmaking In Early Modern Europe, Alison Stewart
School of Art, Art History, and Design: Faculty Publications and Creative Activity
In the digital age, when images and films can be streamed with lightning speed onto computers at the press of a button, it is hard to fathom the society-altering impact the new printed image had when it first appeared in Europe around 1400. The introduction of printed images or repeatable pictorial statements irrevocably changed the practice of manually producing images one by one, by making them available in identical form, as multiple examples printed onto paper, a material that was newly available in Europe. Such multiples appeared first as independent images, then as book illustrations, but either way, this process …
Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 34 (2013), Lynne Zacek Bassett, Hallie E. Bond, Cheryl Cheek, Sharon Fulton Pinka, Merikay Waldvogel, Sarah Bliss Wright
Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 34 (2013), Lynne Zacek Bassett, Hallie E. Bond, Cheryl Cheek, Sharon Fulton Pinka, Merikay Waldvogel, Sarah Bliss Wright
Uncoverings Journal
Preface by Lynne Zacek Bassett
Adirondack Quilts and Comforters: A Regional Study by Hallie E. Bond
The "Cooish" Rescue of the Quilt in Harry Kelly's Cottage by Cheryl Cheek
Lowcountry Chintz: The Townsend/Pope Quilt Legacy by Sharon Fulton Pinka
Printed Panels for Chintz Quilts: Their Origin and Use by Merikay Waldvogel
Alabama Cotton and Bemis Bags: Pieced into Quilt History by Sarah Bliss Wright
Contributors
Index
A Picture Is Worth A Thousand Votes: Graphicacy Skills For Political Debate, Amanda Rainey, Stuart Medley
A Picture Is Worth A Thousand Votes: Graphicacy Skills For Political Debate, Amanda Rainey, Stuart Medley
Research outputs 2013
Political campaigns are greatly influenced by changes in technology and communication, from FDR’s ‘Fireside Chats’ to JFK’s embrace of television. Now a combination of technologies allows almost everyone to create, reproduce, transform, and share images with friends and family, or with the world. Individuals and grassroots organisations can communicate using images alongside mainstream media, corporations and governments. There is now a great need for all of us to develop the visual literacy – or graphicacy – required to interpret and recreate images, to communicate as educated equals in this new political environment. Political advertising can use graphic design to make …
Evocation Of Memory And Place, Colleen Pendry
Evocation Of Memory And Place, Colleen Pendry
Masters Theses, 2010-2019
My work investigates the inseparability of memory and emotion. Guided by what remain of my mother’s tattered memoirs, I have investigated a place from her past that suggests an intense search which filters through her writings and in tandem with my own visual remembrance. Through the manipulation of materials, technique and space, my work reveals a simple yet complex connectedness to memory and place.
On Provisionality, Dave Colangelo, Alex Fraser
On Provisionality, Dave Colangelo, Alex Fraser
School of Film Faculty Publications and Presentations
Brief essay which discusses the works of four artists shown in the "Everything and Nothing" exhibition, and places them in an historical, cultural, technological and artistic lineage.
Note: At the time of writing, Dave Colangelo was affiliated with N/A, an art and design collective dedicated to project and event‐based cross‐pollination.
Ua68 Arts & Letters :The Magazine Of Potter College At Western Kentucky University, Karen Schneider, Editor-In-Chief, David Lee, Dean
Ua68 Arts & Letters :The Magazine Of Potter College At Western Kentucky University, Karen Schneider, Editor-In-Chief, David Lee, Dean
PCAL Publications
No abstract provided.
Textile Society Of America Newsletter 24:2 — Spring 2012, Textile Society Of America
Textile Society Of America Newsletter 24:2 — Spring 2012, Textile Society Of America
Textile Society of America: Newsletters
Textiles and Politics: Textile Society of America 13th Biennial Symposium, September 19-22, 2012, Washington, DC
From the President
TSA Member News
Textiles and Cultural Context: Ecuadorian Artesanía Vendors and Transnational Markets
The Mola: Imagery of Culture and Politics
Taiwan Aboriginal Textiles: Translations and Transformations: Background of Yushan Tsai's Exhibition
Book Reviews
Textile Community News
Featured Collection: Denver Art Museum Textile Art Department Expansion
Call for Papers
Calendar: Conferences & Symposia
Exhibitions: United States
Exhibitions: International
Lectures, Workshops, Tours
Buttering Up The British: Irish Exports And The Tourist Gaze, Mary Ann Bolger
Buttering Up The British: Irish Exports And The Tourist Gaze, Mary Ann Bolger
Articles
This paper argues that the advertising of Irish exports in the 1960s provided for their consumers a form of ‘tourism without travel’. (1) This concept is borrowed from Mark McGovern, who uses it to describe the experience of the consumer of the ‘Irish pub experience’ in his article ‘”The cracked pint glass of the servant”: the Irish pub, Irish identity and the tourist eye’ in Michael Cronin and Barbara O’Connor (eds) Irish tourism: image, culture, and identity. Clevedon; Buffalo, N.Y.: Channel View Publications, 2003 In particular, Kerrygold butter acted as an especially authentic souvenir of Ireland because it was, as …
The Arts As A Social Cause, Felicia Low
The Arts As A Social Cause, Felicia Low
Social Space
The arts may be quietly making waves, says Felicia Low, but much more can be done to support the movement and effect real change.
"We Should Have Brought The Tank": Hypermediated Interactivity In Red Vs. Blue, Marc A. Ouellette
"We Should Have Brought The Tank": Hypermediated Interactivity In Red Vs. Blue, Marc A. Ouellette
English Faculty Publications
Machinima, the practice of adapting recorded video game play into short films, highlights an often unacknowledged but significant shift in the consumption of video games and represents a key and underexplored intersection between the two leading theoretical camps. Considering the landmark series Red vs. Blue through the lens of Bolter and Grusin's propositions about "new" media's relationships with other forms offers an entry point for theorizing not only machinima but also the intersections between the ludology and narratology positions in games studies.
Teaching Conversations, Contemporary Art, And Figure Drawing, Mark Graham
Teaching Conversations, Contemporary Art, And Figure Drawing, Mark Graham
Faculty Publications
An important problem for high school art teachers is deciding what belongs in the art curriculum. What works of art, media, or ideas will inspire their students to more fully develop their own artistic potential and critically engage with contemporary art and culture? What artifacts of art, visual culture, or material culture should be included and how can these artifacts be connected to student interests? This article will visit these questions and contextualize figure drawing within contemporary art practice and emerging discussions about art education curricula. Although new media and technologies have important and unexpected places within the art curriculum, …
Analysis Of Audience Reception On Youtube Towar D Gender Construction In The Music Video If I Were A Boy By Beyonce Knowles, Ria Avriyanty
Analysis Of Audience Reception On Youtube Towar D Gender Construction In The Music Video If I Were A Boy By Beyonce Knowles, Ria Avriyanty
Paradigma: Jurnal Kajian Budaya
Youtube is one of the favorite sites to share videos. Moreover,it facilitates the users to give a free and direct comment toward the videos they watch. The research examines the music video entitled If I Were a Boy (2010) by Beyonce Knowles as well as the authentic responses from the viewers in Youtube. I argue that this music video creates a conventional gender construction which perpetuates the patriarchal norms in the society. As an attempt to give a new perspective on the similar kind of research, I do not stop at this point. Applying the concept of encoding-decoding by Stuart …
Art Of Life: Gauguin’S Language Of Color And Shape, Eva Maria Raepple
Art Of Life: Gauguin’S Language Of Color And Shape, Eva Maria Raepple
Philosophy Scholarship
Friedrich Nietzsche, the nineteenth century philosopher (1844 -1900), whose works speak of his unyielding search for an art of life, warns of the serpent’s promise, a promise that according to Genesis 3 foreshadows tribulations. On the stage of life the promise to know, to know as a subject that actively grasps the world, is an alluring, call, one that permits free spirits to explore and design life as a work of art beyond the confines of the herd. A changing role of the knowing and imagining subject in the nineteenth century enticed philosophers and inspired artists, unleashing their creativeness to …
Appropriateness In Design, Wing Man, Karen Ma
Appropriateness In Design, Wing Man, Karen Ma
Lingnan Theses
When the term ‘design object’ is used to refer to artifacts, we presuppose that they can serve mundane functions and provide aesthetic pleasure. In many cases, the visual form of a design object is a result of achieving aesthetic function and practical function. What is the relation between these two functions? In the design process, designers also strike a balance between aesthetic pursuit, utilitarian purpose and other factors, such as environmental protection. What is the balance of these aims (aesthetic aim and the non-aesthetic aims)? My research on this topic suggests that it may be useful to conceive it in …
Recognizing Paradoxical Identities Of Design Managers, Ulla Johansson, Jill Woodilla
Recognizing Paradoxical Identities Of Design Managers, Ulla Johansson, Jill Woodilla
Nordes Conference Series
There is a need for designers with knowledge in business as well as business people with knowledge in design. Master-level education programs for this “in between” area are growing all over the world. We argue that the knowledge and identity of being “in between” is essential but also problematic. There is a danger that, similar to relations between men and (wo)men, the business way of thinking becomes the common ground for (design) management, and the designerly characteristics become decoration, rather than another ground. In order not to suppress the one or the other, we argue for a paradoxical identity of …
Again, With Feeling! [Exhibition Catalogue], Dave Colangelo
Again, With Feeling! [Exhibition Catalogue], Dave Colangelo
School of Film Faculty Publications and Presentations
Again, With Feeling! presents the work of artists whose visions are injected with properties of pattern, repetition, and appropriation. Taking cues from the everyday, the works displayed show new incarnations or morphs of their originals. This multidisciplinary show explores the ‘re’-mixing, producing, or contextualizing of an original, whether through motif, object or experience. By re-negotiating the terms around their borrowed imagery or performance, these artists present us with a fresh composition of a thing we’ve seen before.
Painting Parisian Identity: Place And Subjectivity In Fin-De-Siecle Art, Chelsea Anne Watts
Painting Parisian Identity: Place And Subjectivity In Fin-De-Siecle Art, Chelsea Anne Watts
USF Tampa Graduate Theses and Dissertations
In this thesis I provide analysis of several nineteenth-century artworks in order to elucidate the connections between place and identity as expressed in visual representations of Paris. I utilize Bakhtin's idea of the dialogical as a means of identifying multiple subject positions that might be accessed by particular individuals who live in socially constructed spaces specific to fin-de-siècle Paris. I discuss the construction of three performed identities unique to nineteenth-century Paris: the Flâneur, the bohemian, and the primitivist. In each chapter I will parse out the social construction of the spaces where these identities existed and were performed, and link …
Martha Stewart's Graphic Design For Living, Melanie Mcnaughton
Martha Stewart's Graphic Design For Living, Melanie Mcnaughton
Bridgewater Review
A living brand or a force of darkness, Martha Stewart is an indomitable figure in 20thcentury domestic life and her place in North American domestic history is tied to the success of Martha Stewart Living, the flagship publication of the Martha Stewart Living Omnimedia (MSLO) empire. The success of Living is tied to its graphic design. Living typographically enacts the values it argues for by fusing traditional elements with modern edges to present a vision of homemaking that is soft and appealing yet also a statement of skilled precision and quality. Tacking between broad, more theoretical analysis and close …