Digital Commons Network^™

Choosing The Past: Agency And Ethnicity In Sidney Luska / Henry Harland's As It Was Written, Loren Glass

Journal X

No abstract provided.

Vol. 1, No. 2 (Spring 1997): Full Issue, Journal Editors

Journal X

No abstract provided.

Electing A Department: Differences, Fictions, And A Narrative, Terry Caesar

Journal X

No abstract provided.

Cover Pages, Journal Editors

Journal X

Includes table of contents and advisory board.

Vol. 1, No. 1 (Autumn 1996): Full Issue, Journal Editors

Journal X

No abstract provided.

Editor's Preface, Journal Editors

Journal X

No abstract provided.

Cover Pages, Journal Editors

Journal X

Includes table of contents and advisory board.

Print Culture, Digital Culture, Poetics And Hermeneutics: Discussion With J. Hillis Miller, Liyuan Zhu

CLCWeb: Comparative Literature and Culture

This paper is a response to Hillis Miller’s query on the author’s essay “Hillis Miller on the End of Literature.” The author basically agrees with Miller’s view on the shift from print culture to digital culture, explaining the special cultural context under which Chinese scholars emphasize the visual turn. Based on the rapid development of Chinese online literature, the author points out that print culture does not rival but coexists with digital culture. On the other hand, drawing on Aristotle’s Poetics and insights of several leading figures of contemporary hermeneutics, the author contends that Miller’s dichotomy of poetics (form) and …

China Question Of Us-American Imagism, Qingben Li

CLCWeb: Comparative Literature and Culture

This paper investigates first the influences of ancient Chinese culture on Ezra Pound, and then Pound’s influence on the New Culture Movement of modern China (1917). It is a kind of circular journey of literary texts and theories from ancient China to the West and then back to China. This journey, or “circle model,” involves textual appropriation, variation, transformation and misunderstanding in every stage.

Western Theory And Historical Studies Of Chinese Literary Criticism, Zhirong Zhu

CLCWeb: Comparative Literature and Culture

This paper examines the formation of modern historical studies of classical Chinese literary criticism in terms of its interaction with and transformation of western theory. The discipline emerged during the eastward movement of Western ideas in the early twentieth century, promoting the “scientific study” of classical Chinese learning, and instituting curriculum and textbooks in Chinese universities. The reception of Western concepts of “literature” and “literary criticism” in the early twentieth century, largely through Japan, laid the very foundation of historical studies of classical Chinese literary criticism as an independent subject of study. This paper argues that when adopting Western methods …

The Chuanyue (Traversing) Of Western Cultural Industry Theories In China, Hui Li, Naihai Zhai

CLCWeb: Comparative Literature and Culture

This paper discusses the reception and transformation of western theories of Culture Industry in China during the Reform Era (1978-present). It proposes the term 穿越 (chuanyue, traverse), rather than communication or traveling theory, in order to probe into the complexity of the interaction, modification and transformation of western theories of Culture Industry and creative industries in China. The paper focuses on 1) issues of time lag or disjunction, in that it took more than half a century for the critique of Culture Industry to enter China; 2) divergent interpretations of Culture Industry with a strong critical edge of …

Cinematic Representation Of Ethnic Minorities In Prc And Postcolonialism, Xinyu Lu

CLCWeb: Comparative Literature and Culture

This paper explores the notions of “Sinophone” and “Chinese-language cinema” under the rubrics of postcolonialism in Chinese film studies both in China and elsewhere around the world. The paper argues that these postcolonial-inspired notions misconstrue Chinese national identity building as imperialist/colonialist endeavours, and dichotomize Han and Chinese ethnic minorities. The paper offers its counterargument by examining cinematic practices of people’s cinema, minority nationality films and native-language films in the PRC.

“Western Marxism” In Mao’S China, Jun Zeng, Yichen Wang

CLCWeb: Comparative Literature and Culture

China’s reception of “Western Marxism” is a critical part of the global history of Marxism. This paper examines three aspects of the reception of Western Marxism in literary and art criticism during the early years of Mao’s China (1949-65): the Western Marxist critique of surrealism, debates over Marx’s Economic and Philosophical Manuscripts of 1844, and Sartrean existentialism and Western Marxism. The impacts of Western Marxist literary thought upon Chinese literary studies during the early years of the PRC are discussed, along with the extensive influx of Western Marxism that began in the reform era of post-Mao China (1978- ) …

Amjambo Africa! (December 2020), Kathreen Harrison

Amjambo Africa!

In This Issue

Boko Haram .................................2/3

Publisher’s Editorial ........................4

Meet Georges Budagu Makoko .....4

Elections/immigration reform .......5

Translations

French ............................................7

Swahili............................................8

Somali ............................................9

Kinyarwanda...............................20

Portuguese ............................20/21

News from Africa.....................10/11

Piece Together Project .................12

I’m Your Neighbor Books.............13

Pious Ali mourns Rawlings of Ghana ....................14

A Man on the move.......................15

Black Mainer project.....................16

Finance/Business............................19

Auto Insurance ..............................21

Poem by Ekhlas Ahmed................22

Guest columns...............................23

Titi de Baccarat .......................26/27

“9/11 And The Collapse Of The American Dream: Imbolo Mbue’S Behold The Dreamers”, Elizabeth Toohey

Publications and Research

Behold the Dreamers follows a Cameroonian couple who, as newcomers to America, harbor dreams of success unavailable to them back home. Undocumented immigration, the widening gulf between rich and poor, and the thinly veiled racism of an avowedly "post-racial" culture converge in this new generation of immigrants' painful encounter with the American dream. I consider the ways Mbue's novel shares themes with a "second wave" of post- 9/11 literature—first, in centering the disillusionment of a protagonist aspiring to the American dream; next, in its representation of New York as a space haunted by 9/11, but also of resistance to the …

No Longer, Not Yet: Retrofuture Hauntings On The Jetsons, Stefano Morello

Publications and Research

From Back to the Future to The Wonder Years, from Peggy Sue Got Married to The Stray Cats’ records – 1980s youth culture abounds with what Michael D. Dwyer has called “pop nostalgia,” a set of critical affective responses to representations of previous eras used to remake the present or to imagine corrective alternatives to it. Longings for the Fifties, Dwyer observes, were especially key to America’s self-fashioning during the Reagan era (2015).

Moving from these premises, I turn to anachronisms, aesthetic resonances, and intertextual references that point to, as Mark Fisher would have it, both a lost past …

Florida Historical Quarterly, Volume 90, Number 3, Florida Historical Society

Florida Historical Quarterly

Florida: The Mediated State by Julian C. Chambliss and Denise K. Cummings, Guest Editors
Murders and Pastels in Miami: The Role of Miami Vice in bringing back Tourists to Miami by Alison Meek
Is South Florida the New Southern California?: Carl Hiaasen's Dystopian Paradise by David M. Parker
Florida Porch Reverie by Charlie Hailey
In Marjorie's Wake: A Film Voyage Into Florida's Nature Consciousness by Leslie Kemp Poole
Miami Stories by Jeff Rice
Book Reviews
End Notes

Late Postmodernism, Nicholas Brown

CLCWeb: Comparative Literature and Culture

No abstract provided.

Sedimented Forms: Coming Back To Autonomy, Marina Vishmidt

CLCWeb: Comparative Literature and Culture

No abstract provided.

The Minimal Politics Of Autonomy, Myka Tucker-Abramson

CLCWeb: Comparative Literature and Culture

No abstract provided.

Immanuel Kant’S Manifesto For Dad Rock, Christian Thorne

CLCWeb: Comparative Literature and Culture

No abstract provided.

Genre’S Autonomy, Autonomy’S Genre, Tim Lanzendörfer

CLCWeb: Comparative Literature and Culture

No abstract provided.

Admiring Autonomy, Fabio Akcelrud Durão

CLCWeb: Comparative Literature and Culture

No abstract provided.

When ‘Interplay Is The Content Of The Work’—A Response To Nicholas Brown’S Autonomy, Elise Archias

CLCWeb: Comparative Literature and Culture

No abstract provided.

Aesthetics Today, Fredric Jameson

CLCWeb: Comparative Literature and Culture

No abstract provided.

Amjambo Africa! (November 2020), Kathreen Harrison

Amjambo Africa!

In This Issue

batimbo Foundation Family ..........2

The Power of We.............................3

election 2020................................../5

Panel on childcare in maine............5

Publisher’s editorial ........................6

Translations

French ............................................7

Swahili............................................8

Somali ............................................9

Kinyarwanda...............................20

Portuguese..................................21

CovID in maine ..............................0

DiriGo TouchPass ..........................12

Youth photography.......................13

market basket..................................4

A Shooting Star................................5

Community News............................6

organization updates...................17

Telling room poetry.....................18

Finance ...........................................19

Guest columns...............................22

The mix...........................................25

Kennedy Park little library ........27

Florida Historical Quarterly, Volume 63, Number 2, Florida Historical Society

Florida Historical Quarterly

FRANCIS’S METALLIC LIFEBOATS AND THE THIRD SEMINOLE WAR George E. Buker
MILITARY DUTY IN ANTEBELLUM FLORIDA: THE EXPERIENCES OF JOHN HENRY WINDER Arch Fredric Blakey
PLANTATION DEVELOPMENT IN BRITISH EAST FLORIDA: A CASE STUDY OF THE EARL OF EGMONT Daniel L. Schafer
NOTES AND DOCUMENTS: Cracker— SPANISH FLORIDA STYLE James A. Lewis
BOOK REVIEWS
BOOK NOTES
HISTORY NEWS
ANNUAL MEETING

Amjambo Africa! (October 2020), Kathreen Harrison

Amjambo Africa!

In This Issue

bus Shelter Project ..........................2

Victoria Pelletier’s story..................3

Publisher’s editorial ........................6

Financing higher education..........12

World Market basket ..............14-15

Metamorphosis awards ................17

News from Africa.....................18-19

Chess Game by Ali Ali...................19

letters to the editor......................24

Guest columns ...............................25

New Mainers Alliance ...................25

translations

French............................................7

Swahili ...........................................8

Somali............................................9

Kinyarwanda ..............................20

Portuguese .................................21

Recalling The (Afro)Future: Collective Memory And The Construction Of Subversive Meanings In Janelle Monáe’S Metropolis-Suites, Anders Liljedahl

Third Stone

Focusing on the intersection of collective memory, technology, and African American popular music, this paper use aspects of the sonic narratives in Janelle Monáe’s Metropolis-Suites I–V to introduce core concepts of Afrofuturism. The paper challenges the positioning of collective memory as being exterior to the sphere of individual cognitive memory. By inhabiting past, present, and future at once, Afrofuturism is able to critically revisit collective memory not only as a social framework but also as actual individual memory. Afrofuturist discourse questions the status of the human being by examining African Americans as always already robotic, and posits African American …

“The Jews Love Numbers”: Steven L. Anderson, Christian Conspiracists, And The Spiritual Dimensions Of Holocaust Denial, Matthew H. Brittingham

Genocide Studies and Prevention: An International Journal

From his pulpit at Faithful Word Baptist Church (Independent Fundamental Baptist) in Tempe, AZ, fundamentalist preacher Steven L. Anderson launches screeds against Catholics, LGBTQ people, evolutionary scientists, politicians, and anyone else who doesn't share his political, social, or theological views. Anderson publishes clips of his sermons on YouTube, where he has amassed a notable following. Teaming up with Paul Wittenberger of Framing the World, a small-time film company, Anderson produced a film about the connections between Christianity, Judaism, and Israel, entitled Marching to Zion (2015), which was laced with antisemitic stereotypes. Anderson followed Marching to Zion with an almost 40-minute …