Digital Commons Network^™

Eng And The Entertainment Film In The People's Republic Of China, Munib Rezaie

CLCWeb: Comparative Literature and Culture

In his article "Eng and the Entertainment Film in the People's Republic of China" Munib Rezaie discusses the rise of film as entertainment in the People's Republic of China with a focus on the accomplishments director Dayyan Eng, known in China as Shixian Wu. Rezaie briefly reviews the changing definitions and views towards film as entertainment in the PRC as well as some relevant changes in regulation and policy within the industry itself that largely stem from the ongoing process of globalization and China's accession to the World Trade Organization. Within this new cinematic landscape, Rezaie argues that Eng should …

Explaining The Unexplainable: A New Cultural Outlook On H. P. Lovecraft’S Cthulhu Mythos, Erika L. Mutter

Pell Scholars and Senior Theses

Although the majority of the scholarship on H. P. Lovecraft focuses on the idea of nihilism as the purpose of the Cthulhu mythos, the exploration of three stories The Nameless City, The Whisperer in Darkness, and The Shadow over Innsmouth disproves this overly basic and irrelevant reasoning. Through a cultural studies lens, there is a parallel between the curiosity and fear surrounding the other within the text and those same emotions felt towards the immigrants coming into America during the 1920s. This argument analyzes the transformation of the relationship between the narrator and the aliens, showcasing how this otherness can …

Sinologism, The Western World View, And The Chinese Perspective, Ming Dong Gu

CLCWeb: Comparative Literature and Culture

In his article "Sinologism, the Western World View, and the Chinese Perspective" Ming Dong Gu discusses how the West formulated its ways of observing China and how the rest of the world and the Chinese themselves view Chinese culture through the Western lens. Gu discusses the thought of selected scholars in Western history who have contributed to the formation of Sinologism and explores the motivation, logic, rationale, epistemology, methodology, and characteristics of the West's long-term endeavor to incorporate China into the Western-centered world system.

Shimoda's Program For Japanese And Chinese Women's Education, Mamiko Suzuki

CLCWeb: Comparative Literature and Culture

In her article "Shimoda Program for Japanese and Chinese Women's Education" Mamiko Suzuki discusses Western developments as a facet of educational curricula in Japan in the early twentieth century. When in the early 1900s a number of elite Chinese women traveled to Tokyo — for most, their first time abroad — to receive a modern education, it was at Jissen Women's Academy, which was the first to enroll female Chinese students in Tokyo and thus a crucial site for the development of a modern pan-Asian female identity. A central figure in the popularization of women's education and household and hygiene …

Re-Defining South Korean Scholarship And Education Within The Context Of Globalization, Simon C. Estok

CLCWeb: Comparative Literature and Culture

In his article "Re-defining South Korean Scholarship and Education within the Context of Globalization" Simon C. Estok discusses effects of globalization on the educational and scholarly goals and realities of Korea. Estok argues that although the transformational impacts of globalization in terms of sports, entertainment, politics, and business in Korea are visible, efforts to produce more globally visible Korean scholarship have been ineffective and counter-productive. Estok shows that the imagined dangers to Korean nationhood are rooted in fears of invasion which have strong historical and contemporary justification. Colonized for a third of the twentieth century, Korea in the twenty-first century …

Singapore, State Nationalism, And The Production Of Diaspora, Cheryl Narumi Naruse

CLCWeb: Comparative Literature and Culture

In her article "Singapore, State Nationalism, and the Production of Diaspora" Cheryl Narumi Naruse examines The Straits Times series "Singaporean Abroad" and analyzes how conceptions of national time, space, and community are restructured by state concerns of economic survival within the era of globalization. In "Singaporean Abroad," readers find a curious amalgamation of feature writing, travel writing, and advertising about cosmopolitan, transnationally connected citizens of Singapore. Naruse shows how positive representations of overseas Singaporeans as "national heroes" reflected in the content of the series evidences efforts by the Government of Singapore to refashion cultural values and to advance beyond national …

Intermarried Couples And "Multiculturalism" In Japan, Kaori Mori Want

CLCWeb: Comparative Literature and Culture

In her article "Intermarried Couples and 'Multiculturalism' in Japan" Kaori Mori Want discusses why hyphenated names for the children of intermarried children are important for the achievement of multiculturalism in Japan in an era of globalization. In Japan the number of people who marry interracially or inter-ethnically is increasing, but changes to naming practices must occur for Japan to become a multicultural society. Intermarriage is not a reliable indicator of the maturity of multiculturalism. Foreign residents who have intermarried in Japan do not have the rights of Japanese, such as those of voting, social welfare, education, and so on. This …

Us-American Protestant Missionaries And Translation In China 1894-1911, Mingyu Lu

CLCWeb: Comparative Literature and Culture

In her article "US-American Protestant Missionaries and Translation in China 1894-1911" Mingyu Lu discusses impact of and surrounding atmosphere between Protestant missionaries and Chinese intellectuals in translating Western texts. During the national crisis in 1894-1911, Protestant missionaries and Chinese intellectuals co-translated a large number of Western texts and adjusted their translations with regard to content and objectives. While the missionaries and their Chinese co-translators held different views towards the mapping of learning specifically towards Western learning, Chinese learning, and Christian messages, the translations were of significant impact in the period discussed. Lu argues that under the appeal of national renewal, …

Wait Upon Ishiguro, Englishness, And Class, Mustapha Marrouchi

CLCWeb: Comparative Literature and Culture

In his article "Wait upon Ishiguro, Englishness, and Class" Mustapha Marrouchi analyzes Kazuo Ishiguro's novels with focus on the writer's interest in Japanese culture and his preoccupation with matters of class in England. Marrouchi analyzes Ishiguro's novels as located astride of East, West, and the in-between: his precise, exquisitely made stories are shadowed by absences and silences, balanced "between elegy and irony" (Rushdie) and this is so whether the speaker is the obsessive butler in The Remains of the Day or one of the demented heroes in The Unconsoled or When We Were Orphans or the Japanese, guilty or exiled, …

The Narration Of Transnational Territory In Kingston's China Men And Kim's 검은 꽃 (Black Flower), Ju Young Jin

CLCWeb: Comparative Literature and Culture

In her article "The Narration of Transnational Territory in Kingston's China Men and Kim's 검은 꽃 (Black Flower)" Ju Young Jin analyzes Maxine Hong Kingston's and Young-Ha Kim's novels both of which feature East Asian indentured workers in the U.S. and Mexico, respectively. Jin traces the way in which the transnational subjects in the two novels create a textual territory by displacing national histories in a period that has witnessed an increase in indentured workers from East Asia to American continents. Kim creates an apocryphal history of the Korean presence in the New World reimagining the forgotten past by interweaving …

The Myth Of Nothing In Classics And Asian Indigenous Films, Sheng-Mei Ma

CLCWeb: Comparative Literature and Culture

In his article "The Myth of Nothing in Classics and Asian Indigenous Films" Sheng-mei Ma discusses how the desert and the permafrost region are terra incognita, except nomads and Indigenous peoples. Given the extreme conditions of these forbidding places, Western modernity sees its own shadow cast on such black holes on earth. Since the 1960s, classic Hollywood or art house films by David Lean, Akira Kurosawa, Hiroshi Teshigahara, Anthony Minghella, and Sergei Bodrov romanticize and/or mythologize what is perceived as modernity's mirror image. Indie films in recent decades, particularly by Asian Indigenous filmmakers Byambasuren Davaa, Zacharias Kunuk, and Khyentse …

Hollywood And Shanghai Cinema In The 1930s, Adrian Song Xiang

CLCWeb: Comparative Literature and Culture

I In his article "Hollywood and Shanghai Cinema in the 1930s" Adrian Song Xiang argues that Hollywood films provided a repertoire of images Chinese filmmakers of the 1930s adapted to their films. Xiang analyses Yu Sun's (孙瑜) 1932 film 野玫瑰 (Wild Rose), whose leading female character Xiaofeng was adapted from Hollywood actress Mary Pickford's iconic rambunctious teenager screen persona, particularly from the 1922 film Tess of the Storm Country. The modernist connotations of Tess' teenage girl character were changed in the process to meet Chinese cultural and political needs. Xiang's analysis suggests an adjustment in the history of early …

Virtuality, Nationalism, And Globalization In Zhang's Hero, Ping Zhu

CLCWeb: Comparative Literature and Culture

In her article "Virtuality, Nationalism, and Globalization in Zhang's Hero" Ping Zhu examines how Yimou Zhang's martial arts film dislodges the historical tale from its spatiotemporal context by creating virtual images, characters, narratives, and ideologies, and presents the virtual idea of tianxia (天下) (all under heaven) as an active mode of participation in the virtual global. Amidst the surge of virtuality in its cinematic space, with Hero Zhang aims to eclipse the national by a higher order: a homogenizing and harmonizing order that originates in traditional Chinese culture and that is compatible with the post-9/11 world order. However, Zhu …

Cultural Hybridization In A 1930s Taiwanese Popular Song, Mei-Wen Lee, Timothy P. Urban

CLCWeb: Comparative Literature and Culture

In their article "Cultural Hybridization in a 1930s Taiwanese Popular Song" Mei-Wen Lee and Timothy P. Urban present a comparison of the three different sets of lyrics used for the melody of the 1930s Taiwanese popular song, "Moonlight Sorrow": Taiwanese lyrics used by Yu-Xian Deng and Tian-Wang Chou in their 1933 arrangement, Japanese lyrics by Kurihara Hakuya from the late 1930s, and Mandarin lyrics added by Nu Chuan in the 1960s. Lee and Urban examine three orchestral settings of the "Moonlight Sorrow" melody. In the first orchestral version Japanese composer Hayakawa Masaaki uses the melody in a manner similar to …

Crossed Boundaries In Musical Culture Between Asia And The West, Kheng K. Koay, Mikel Ledee

CLCWeb: Comparative Literature and Culture

In their article "Crossed Boundaries in Musical Culture between Asia and the West" Kheng K. Koay and Mikel LeDee examine Tony Prabowo's Pasar Loak (Flea Market) for soprano and percussions and Chinary Ung's Grand Alap (A Window in the Sky). Composers Prabowo and Ung adopt modernist techniques from Western and traditional Asian music cultures in their compositions. Koay and LeDee explore aspects which broaden the presentation of sound in the two selected compositions and the background influences of Western and Asian music on the two composers. Prabowo and Ung absorb new experiences and embrace music that excites them and Prabowo, …

Rethinking Theatrical Images Of The New Woman In China's Republican Era, Li Guo

CLCWeb: Comparative Literature and Culture

In her article "Rethinking Theatrical Images of the New Woman in China's Republican Era" Li Guo analyses the multivalent representations of the New Woman and posits that they encompass a broad array of blended feminine identities following the introduction of Western literary and cultural trends into Chinese culture. The tensions between ideological discourses about nation, gender, and politics as revealed in the plays of the republican period reveal the many underlying cultural paradigms and the processes in which dramatists Sinicized foreign models of the New Woman to appeal to their domestic audiences. Guo explores how the playwrights' gendered viewpoints contribute …

Globalization And Theater Spectacles In Asia, I-Chun Wang

CLCWeb: Comparative Literature and Culture

In her article "Globalization and Theater Spectacles in Asia" I-Chun Wang discusses how performance is an integral part of cultural discourse: in industrially advanced Asian nations governments started to examine the relationship between cultural discourse and popular culture, cultural identity and tourist attractions and artists have become prominent participants in this development in particular with regard to theater performance, an activity with old traditions in Asian cultures. With the uptake of technology and in some cases Western innovation, Asian theater performance not only became an important part of social and cultural discourse, it rejuvenated itself. Wang posits that Asian theater …

Bibliography For The Study Of Asian Culture(S) And Globalization, Chien-Hang Liu, Li Guo, I-Chun Wang

CLCWeb: Comparative Literature and Culture

No abstract provided.

Contesting The Marginalization Of Female Leadership In Sports: The Struggle For Equal Opportunities In Men's Collegiate And Professional Basketball, Caitlain Tinker

Cultural Studies Capstone Papers

This feminist critique interrogates the discourses and practices of gender discrimination in men's professional and collegiate sporting institutions in the United States. This study focuses on delineating and 'naming' the discriminatory ideologies that are (re)produced by dominant social and cultural institutions, revealing in the process how these practices (over)determine gender equality in the professional and collegiate sporting field. To this end, I perform a post-structuralist discourse analysis of what Louis Althusser calls the dominant 'ideological state apparatuses,' namely schools, the media and sporting institutions. I argue that these institutions coalesce to form a network of power that produces, reproduces, and …

As The World Turns...Gay, Not Queer: Privileging Heteronormalized Representations Of Sexuality In American Soap Operas From 1977 - Present, Brett Edward King

Cultural Studies Capstone Papers

This project argues that American daytime soap operas, since the1970s, have adopted prevailing discursive ideas of queerness, re-articulated them, and introduced new discursive understandings of queerness into popular culture. Most often, these re-articulated representations reflect a heteronormalized model,owing to myriad historically-situated discourses related to human sexuality (e.g.,mental health, AIDS, and gender identity). This point is made through a broad examination of these shifting discourses, coupled with a direct analysis of salient queer characters and storylines that appeared concurrently within daytime serials. Building on Feminist and Media theory, this project includes Queer theory to frame a comprehensive historical-discursive understanding of queerness …

Paradox On The Playa: Uncovering The Contradictions Embedded In Burning Man, Shelby Anne Rothman

Cultural Studies Capstone Papers

This project examines the contradictions embedded in the stated goals and organizational structure of Burning Man. Burning Man is something that is portrayed as positive in an alternative community; but in reality has its own hegemony and hierarchical bureaucracy. Through a discourse analysis and participant observation, this project shows that the ideologies of the culture are partially liberatory while most other aspects of Burning Man are hegemonic. The social contradictions of Burning Man are pointed out through employing theories of ideology, hegemony, place and space, heteronormativity, and subculture theory.

Nature And The Environment In Ana Castillo's So Far From God And Elmaz Abinader's Children Of The Roojme, Rosario Nolasco-Bell

Graduate Theses and Dissertations

This study analyzes the role of nature and the environment in two works by the ethnic minority women writers Ana Castillo and Elmaz Abinader. The works examined are Castillo's novel So Far From God and Abinader's memoir Children of the Roojme. My research begins with a review of these authors' ouvre, contextualizing it within the themes here addressed. It continues with an analysis of a spectrum of Arab American and Chicano/a works that lend fruitful content and perspective to an ecocritical analysis. Although these two works are dissimilar in genre, my study demonstrates significant parallels in the following areas: characters' …

The John Muir Newsletter, Spring 2013, The John Muir Center

Muir Center Newsletters (1981-2015)

Page 1 transcription missing

PAGE 2 F o Andrea Wulf unding Garden Speaks e r s " AT o N P A C I F I C On February 27, prize-winning author Andrea Wulf spoke on the subject of "Founding Gardeners: How the Revolutionary Generation Created an American Eden." The talk was sponsored by Phi Beta Kappa, the University Library, and John Muir Center and attracted more than eighty faculty, staff, students, and community members, many of the latter members of Master Gardeners. Born in India of German parents on assignment to the equivalent of our own Peace Corps, Wulf …

[Sabbatical Report], Dawn Hall

Sabbatical Reports

Using a feminist and cultural studies perspective, my project discusses the independent film industry and its treatment of women directors and female oriented narratives. It begins with a snapshot of male filmmakers' challenges and opportunities with a focus on Kelly Reichardt's career, definition of success, and specific model of filmmaking, with a brief comparison to other female filmmakers whose definitions are different and who have chosen a more commercial path. In addition to discussing industry data and feminist film theory, the body of the work focuses on Reichardt's feature films (one per chapter) framing each within her larger political statements. …

American Exceptionalism And The Historical Fiction Of Chabon And Delillo: Media Identity Commodification And The Truth Of Lies, Samm Yeakel

English Theses & Dissertations

At the heart of any democratic nation lie the individuals that inhabit its borders, heed allegiance to its flag, comprise its political and economical bodies, and fight the very wars that disrupt its political ideals. Max Weber, who is revered not merely as a great sociologist, but the sociologist, contends that any sociological explanation regarding the w1derlying will and motives of these individuals must relate to their self-conscious actions. But, however self-conscious these actions may appear, they are decidedly influenced by external factors, and, as will be shown, a well-constructed novel captures the interplay between the individual, the nation, and …

A Nation In Its Prime: A Pentadic Study Of Walt Disney World's Main Street, U.S.A., Casey Guise

Masters Theses

The purpose of this paper is to consider the entrance to Walt Disney World, Main Street, U.S.A., as a rhetorical text and apply Kenneth Burke's dramatistic pentad. Background is provided on rhetorical theory and The Disney Company. Meanings are derived from messages interpreted using semiotics and symbolic interaction within the location. The significance of Main Street, U.S.A., as a replica of historic architecture and an illustration of revival architecture in creating emotive messages is discussed. Further discussion includes the implications of this study on corporations and the field of rhetorical studies in addition to suggestions for further research.

Damsels And Heroines: The Conundrum Of The Post-Feminist Disney Princess, Cassandra Stover

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

This research explores cultural shifts in the popularity of the Disney princess in American culture, especially its postmodern resurgence, as well as the complex relationship between Disney’s recent representations of women in the 1990’s and post-feminist ideology. My project begins by analyzing the historic appearance of the Disney female in relation to the women’s movements. I also examine lingering anti-feminist backlash in representations of what I call “New Wave” Disney heroines. Finally, I examine the implications of post-feminist discourse and advertising for young female viewers.

Re-Masculating The Vampire: Conceptions Of Sexuality And The Undead From Rossetti's Proserpine To Meyer's Cullen, Emily Schuck

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

This paper explores the relationship between sexuality and the undead from Victorian England to present day vampire narratives. Specifically, I examine the shift in the vampire narrative from the frightening Dracula to the extremely sexualized nature of vampires in the early twenty-first century. My results are concerned with the nature and exchange of fluids between vampire bodies and their victims (or lovers) and the power associated with that exchange. My conclusion implies that re-masculating the vampire is a return to a patriarchal dominant discourse promulgates the heteronormative status quo, unlike their early predecessors, which tend to undermine heteronormative sexuality.

Tiki Kitsch, American Appropriation, And The Disappearance Of The Pacific Islander Body, Daniel Mcmullin

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

After Greenberg's famous analysis of kitsch in terms of aesthetics, Art critic James Gaywood, reasserted the question of kitsch in terms of market. (Gaywood 1997) Here Picasso and cultural appropriation were supplanted by Marcel Duchamp and the readymade. The products of art became completely non-native on all fronts, the world so reflected was postcultural. In that sense, cultural appropriation was no longer an aesthetic, it was a commodity for production, and as much as possible, production by machines. The form of such commodity, of Pacific Islander cultures, was highly variable, from a 17th century English play by John Clarke, to …

Manifest Content Without A Dreamer: A Freudian Analysis Of Percival Everett’S Erasure, Irene Rose De Lilly

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

This paper will provide a Freudian analysis of Erasure in order to prove that Everett is, in fact, the two main characters he has created, as well as attempt to challenge the stigma of interpreting through a psychoanalytical lens, rather than treating writing and literature as manifest content without a dreamer.