The Next Frontier: Blockchain In The Music Industry,
2020
University of The Pacific
The Next Frontier: Blockchain In The Music Industry, Manuel J. Manriquez Jr
Backstage Pass
This Research Paper takes a look at how Blockchain technology can potentially change the music industry as we know it!
Streaming Services Insist On Buying Out Composers’ Music Rights,
2020
University of the Pacific
Streaming Services Insist On Buying Out Composers’ Music Rights, Kendra Sananikone
Backstage Pass
No abstract provided.
From Penny Lane To Stranger Things: Technology’S Influence On Music Production,
2020
University of the Pacific
From Penny Lane To Stranger Things: Technology’S Influence On Music Production, Sami Fong
Backstage Pass
No abstract provided.
Spotify Vs. Apple Music,
2020
University of the Pacific
Spotify Vs. Apple Music, Lexi Gerbino
Backstage Pass
A quick look at the differences of the two biggest music streaming services, Spotify and Apple Music.
Uc Theatre: An Internship Guide Book,
2020
University of the Pacific
Uc Theatre: An Internship Guide Book, Monica Motta
Backstage Pass
No abstract provided.
Female Representation In U.S. Music Festivals,
2020
University of the Pacific
Female Representation In U.S. Music Festivals, Kortney Burton
Backstage Pass
No abstract provided.
A Guide To 30 Northern California Venues: Excerpts,
2020
University of the Pacific
A Guide To 30 Northern California Venues: Excerpts, Nicole Wasnock
Backstage Pass
This is a sample of six venues from my senior project, A Guide to 30 Northern California Venues.
Interview With Sarah Jones, Music Industry Media Specialist,
2020
University of the Pacific
Interview With Sarah Jones, Music Industry Media Specialist, Jennifer Morrow
Backstage Pass
No abstract provided.
Letter From The Editor,
2020
University of the Pacific
Place-Making/Management: The Policy And Practice Of Arts-Centred Spatial Interventions In Singapore,
2020
Singapore Management University
Place-Making/Management: The Policy And Practice Of Arts-Centred Spatial Interventions In Singapore, Su Fern Hoe
Research Collection School of Social Sciences
Singapore has won numerous accolades and garnered global attention for its physical infrastructure and iconic architecture. Despite these achievements, its government has recognized that certain parts of the city still lack a certain human vitality and buzz. Additionally, like other post-industrial cities, the production of a positive urban experience has been identified as that critical competitive advantage that would differentiate Singapore from other cities. Consequently, the Singapore government adopted a strategy called ‘place management’ in 2008 to inject ‘heart and soul’ into the city, and deliver a liveable, globally competitive and amenity-rich urban environment for its increasingly educated and upper …
Cultural Policy And The Rise Of Multiculturalism Study Of Fine Arts Exhibition In The 2000s, The National Gallery Of Indonesia,
2020
Faculty of fine arts, Jakarta Institute of the Arts
Cultural Policy And The Rise Of Multiculturalism Study Of Fine Arts Exhibition In The 2000s, The National Gallery Of Indonesia, Citra Smara Dewi
International Review of Humanities Studies
This study focuses on the role of cultural policy in the rise of multiculturalism with a case study of the Indonesian Art Exhibition, Pameran Seni Rupa Nusantara (PSRN) 2000s, which was initiated by a cultural institution, the National Gallery of Indonesia (GNI). PSRN exhibition is one of the important programs of GNI because it gives space to the artists of the archipelago - not just Java and Bali - to present works of modern-contemporary art rooted in local wisdom. As a nation that has the characteristics of pluralism, the spirit of multiculturalism in art has become very significant, especially in …
Producing Thacker Jr. A Guidebook To Production & Reflections Of A Student Director,
2020
University of Mississippi
Producing Thacker Jr. A Guidebook To Production & Reflections Of A Student Director, Ava Street
Honors Theses
This narrative documents a student’s preparation and execution of the children’s music and literature program entitled, Thacker Jr. Radio Hour. The author documents and analyzes experiences over the course of two academic years preparing and producing the program. The author describes the process of production including content creation, marketing, budgeting, fundraising, and casting. The author recounts and reflects upon her experience in the role of Thacker Jr. Executive Director and her desire to create student-centric arts programming. Finally, the author evaluates the immediate impact of the program on the LOU community and predicts how her experience will shape her …
Exploring A Qualitative Approach To Arts Advocacy And Evaluation,
2020
Bellarmine University
Exploring A Qualitative Approach To Arts Advocacy And Evaluation, Lycette C. Belisle
Undergraduate Theses
The quantitative impact of the arts has become an increasingly important factor in determining the overall value of a project, and is often used to determine acceptance of submissions, public recognition and funding disbursement. This project evaluates current understandings of how the arts function within society, popular methods for determining the value of the arts and explores how qualitative reasoning can be utilized to communicate the value of supporting artistic endeavors. While placing a numerical value on the arts based on data collection can be important, this project will aim to evaluate the implications of relying so heavily on facts …
The Lack Of Asian American Representation In American Pop Music,
2020
Pace University
The Lack Of Asian American Representation In American Pop Music, Victoria Noriega
Honors College Theses
The purpose of this study is to analyze why there are fewer East and Southeast Asian Americans in the American pop music industry compared to other ethnicities and to see what factors influence these statistics. The data analyzed consisted of five interviews, all of whom were involved in the music industry as either musicians or managers. Data from the most recently signed artists to the top three major music companies, Warner Music Group, Sony Music Entertainment, and Universal Music Group, was also analyzed to see the most popular genre signed and most frequent ethnicity signed. From the data gathered from …
Examining Cultural Equity: Boston’S Arts & Culture Sector,
2020
University of Massachusetts Boston
Examining Cultural Equity: Boston’S Arts & Culture Sector, Marian Taylor Brown
Graduate Doctoral Dissertations
There is a cultural equity gap within the United States’ arts and culture landscape, constituting unequal representation of various identities in the arts, including, race, disability, gender, sexual orientation, and socioeconomic status. These inequities reproduce within arts management, academia, artist sales, and donor and foundation demographics and priorities. With the objective of working toward creative justice in Boston’s arts and culture sector, this multiphase study employs transdisciplinary research using inductive, mixed-methods to learn: 1) current influencers’ understanding of the cultural equity gap; 2) current influencers’ motivations to eradicate the cultural equity gap; 3) how arts leaders with various marginalized identities …
How Streaming Services Changed The Way We Listen To And Pay For Music,
2020
University of Mississippi
How Streaming Services Changed The Way We Listen To And Pay For Music, Claire Carter
Honors Theses
This thesis seeks to explain how streaming services have changed the way we listen to and pay for music. Furthermore, this analysis examines the perspective of consumers and artists on streaming services. Most data is obtained from various academic journals and organizations involved in the music industry. The result of this research indicates that after the financial peak of the music industry in 1999, a decline in revenues was due to emerging technology, the illegal file sharing website Napster and piracy, the industry’s response to piracy, and digital downloads. As streaming services started to emerge the shift in revenues from …
And Lettuce Is Nonanimal: Toward A Positive Theory Of Voluntary Action,
2020
West Virginia University
And Lettuce Is Nonanimal: Toward A Positive Theory Of Voluntary Action, Roger A. Lohmann
Faculty & Staff Scholarship
Much recent conceptual and theoretical effort to identify and define the kinds of voluntary action that take place outside households, economic markets and governments has a consistent emphasis on negation: It seems to define these matters by what they are not: not for profit, or nonprofit, nongovernmental, unproductive, inefficient, examples of contract failure, market failure, government failure and more. This paper is a beginning effort to shift the emphasis to the positive and the describe and explain what voluntary action is and what it consists of. It proposes the beginnings of an economics of common goods production, and differentiates such …
Sample-Based Hip-Hop Music And Fair Use Laws In The Age Of Streaming Services,
2020
University of South Carolina
Sample-Based Hip-Hop Music And Fair Use Laws In The Age Of Streaming Services, Michael Vanbuhler
Senior Theses
This thesis takes an in depth look at the history and processes behind creating sample-based music. Sampling was popularized during the beginnings of hip-hop music and now a wide variety of genres use samples or techniques created by sample-based music. Early hip-hop beats took samples of drum breaks or a portion of a track from another artist or band. As hip-hop grew in the late 80s and early 90s, the use of samples became a question of intellectual property rights and if it was acceptable to sample someone’s copyrighted work. Lawsuits in the early 90’s helped to create new caselaw …
The Supply Chain Of Digital Music: Empowering Independent Artists Through Availability And Accessibility,
2020
University of South Carolina - Columbia
The Supply Chain Of Digital Music: Empowering Independent Artists Through Availability And Accessibility, Justin Reed
Senior Theses
The process of creating and sharing digital music can be viewed from the “supply chain” perspective: identifying the resources and value-adding tools that ultimately result in a final audio product. By researching and documenting the steps involved in this process, I identify this supply chain as a series of steps, an itinerary, or process model of digital music creation. Moreover, I found that each step in the process can be assess for its accessibility and usability by independent artists. I conclude by exploring how this democratizes the music industry by affording independent artists the necessary tools and empowerment to create …
Helping The Singapore Arts Sector Survive The Covid-19 Crisis,
2020
Singapore Management University
Helping The Singapore Arts Sector Survive The Covid-19 Crisis, Su Fern Hoe
Research Collection School of Social Sciences
From online art classes to livestreaming performances and collective singing to cheer frontline healthcare workers, people across the globe are turning to the arts for much-needed connection and comfort amid the Covid-19 crisis.
