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Full-Text Articles in Urban Studies and Planning

The Amphibious Public: A Historical Geography Of Municipal Swimming And Bathing New York City, 1870 - 2013, Naomi Miriam Adiv Oct 2014

The Amphibious Public: A Historical Geography Of Municipal Swimming And Bathing New York City, 1870 - 2013, Naomi Miriam Adiv

Dissertations, Theses, and Capstone Projects

Since 1870, the city of New York has engaged in a project of building and maintaining enclosed sites for municipal bathing, including building floating `river baths' (1870 - 1942), indoor municipal baths (1901 - 1975), eleven enormous outdoor pools built with WPA funds (1936 - present), and outdoor pools of various sizes built under the Lindsay administration (1968 - present). This dissertation explores the changing rationale, over almost 150 years, for the municipal construction of public bathing places in New York City, and the ways in which the physical structures have taken on new social goals, meanings and ideals, both …


The Irreconcilable Tension Between Dwelling In Public And The Regulatory State, Renia Ehrenfeucht, Anastasia Loukaitou-Sideris Dec 2013

The Irreconcilable Tension Between Dwelling In Public And The Regulatory State, Renia Ehrenfeucht, Anastasia Loukaitou-Sideris

Renia Ehrenfeucht

No abstract provided.


This Is My Front Yard!” Claims And Informal Property Rights On Sidewalks, Anastasia Loukaitou-Sideris, Renia Ehrenfeucht Dec 2013

This Is My Front Yard!” Claims And Informal Property Rights On Sidewalks, Anastasia Loukaitou-Sideris, Renia Ehrenfeucht

Renia Ehrenfeucht

No abstract provided.


Art, Public Spaces And Private Property Along The Streets In New Orleans, Renia Ehrenfeucht Dec 2013

Art, Public Spaces And Private Property Along The Streets In New Orleans, Renia Ehrenfeucht

Renia Ehrenfeucht

In this article, I investigate how and why a street art controversy that emerged in post- Katrina New Orleans was transformed from a dispute over property transgressions to a broader struggle over the meanings of art amidst the city’s devastated condition. The controversy began when a street art initiative by the New Orleans artist Rex Dingler invoked a backlash of anti-graffiti activism. In response, local artists began painting on the walls. When the locals were joined by artists from different cities, the discussion intensified about the merits of street art as well as commentary on and reflection of a city …