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Full-Text Articles in Sociology of Culture
Director's Letter, Sarah Chinn
Director's Letter, Sarah Chinn
Center for LGBTQ Studies (CLAGS)
It was hard not to be inspired, moved, and thrilled by Douglas Crimp's remarkable Kessler Lecture on November 2nd. Combining personal history, art criticism, political analysis, and trenchant commentary on the intersections between them, Douglas gave us a guided tour of the long-abandoned, much-used piers of lower Manhattan.
Some Thoughts On China's Sexual Revolution: Sexuality And Social Change In Contemporary China, Sun Zhongxin
Some Thoughts On China's Sexual Revolution: Sexuality And Social Change In Contemporary China, Sun Zhongxin
Center for LGBTQ Studies (CLAGS)
The last two years saw several changes in the public discourse around sex and sexuality in China. So what are some of the most controversial sex-related topics to be raised in China recently?
Revisiting Queer Latinidad: A Clags Seminar Course Review, Anel Méndez Velázquez, Ileana Jiménez
Revisiting Queer Latinidad: A Clags Seminar Course Review, Anel Méndez Velázquez, Ileana Jiménez
Center for LGBTQ Studies (CLAGS)
Anel: The construction of a latinà-queer "we" is very problematic. The construction of a "queer we" and a "latinà we" separately—and any attempt to add them up in a "queer-latinà we"—privileges and universalizes particular imagined identities at the expense and exclusion of specific cultural and personal practices and ways of being.
Without Closets, Without Shame: Conference Commemorates Latino/A Autobiography And Testimony, Oscar Montero, Elena Martínez, Ramón Rivera-Servera
Without Closets, Without Shame: Conference Commemorates Latino/A Autobiography And Testimony, Oscar Montero, Elena Martínez, Ramón Rivera-Servera
Center for LGBTQ Studies (CLAGS)
Crossing Borders '99, the second CLAGS conference focusing on Latino/a queers, opened Thursday evening, March 11, with a Cabaret Night hosted by the "Songbird of Cuba," Carmelita Tropicana. The evening, subtitled "Sin closet/sin verguenza" ("Without Closets/Without Shame") featured, among others, Deyanira Bautista's Afro-Caribbean Drums, dancer Arthur Aviles with his nude flying body, and the sultry, seductive, Mexican drag chanteuse, Tito Vasconcelos.