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Full-Text Articles in Politics and Social Change

Museum Of Modern-Day Slavery: A Photo Essay, Micah Gamboa Jan 2018

Museum Of Modern-Day Slavery: A Photo Essay, Micah Gamboa

Dignity: A Journal of Analysis of Exploitation and Violence

A photo essay from the Museum of Modern-Day Slavery in Houston, Texas, with photographs of rooms, entrances, and storage spaces in brothels following raids, including artifacts of the trade found at the scenes are documented. Photographs include brothels, bars, and strip clubs where Korean women and Mexican women were exploited. Photographs from the Mexican-American border document the violence the victims are subjected to during their journey.


Sex Trafficking Survivor, Pro-Life Advocate, Darlene Pawlik Sep 2017

Sex Trafficking Survivor, Pro-Life Advocate, Darlene Pawlik

Dignity: A Journal of Analysis of Exploitation and Violence

I was conceived by rape. I was mentally, physically and sexually abused as a child. I endured four years of juvenile sex trafficking. These experiences shaped my views on abortion and pro-life issues. Drawing from my personal experience and the experiences of others, as well as referring to empirical evidence, I set forth the position that children conceived through sexual violence are no less deserving of protection than those conceived in loving relationships. Preserving the health and dignity of sexual abuse survivors is important and supportive help is needed.


Beyond Massage Parlors: Exposing The Korean Commercial Sex Market In The United States, Youngbee Dale, Amy Levesque Sep 2017

Beyond Massage Parlors: Exposing The Korean Commercial Sex Market In The United States, Youngbee Dale, Amy Levesque

Dignity: A Journal of Analysis of Exploitation and Violence

This paper describes the Korean commercial sex market in the U.S. beyond massage parlors. Prior to this study, the U.S. anti-trafficking efforts have heavily focused on combating massage parlors to fight prostitution and sex trafficking of Korean women in the U.S. This paper introduces the shift of trends taking place within the Korean sex market as a result of changing culture and policies. It then introduces various brothel models exploiting Korean women in the U.S. It also brings a more holistic view of the Korean sex market in the U.S. by relying on primary and secondary sources available in both …


The First Special Issue Of Dignity, Donna M. Hughes Jul 2017

The First Special Issue Of Dignity, Donna M. Hughes

Dignity: A Journal of Analysis of Exploitation and Violence

No abstract provided.


Exit By Grizelda Grootboom, Anne Mayne Nov 2016

Exit By Grizelda Grootboom, Anne Mayne

Dignity: A Journal of Analysis of Exploitation and Violence

No abstract provided.


Sex-Trafficking In Cambodia: Assessing The Role Of Ngos In Rebuilding Cambodia, Katherine M. Wood Apr 2014

Sex-Trafficking In Cambodia: Assessing The Role Of Ngos In Rebuilding Cambodia, Katherine M. Wood

Senior Honors Theses

The anti-slavery and other freedom fighting movements of the nineteenth and twentieth centuries did not abolish all forms of slavery. Many forms of modern slavery thrive in countries all across the globe. The sex trafficking trade has intensified despite the advocacy of many human rights-based groups. Southeast Asia ranks very high in terms of the source, transit, and destination of sex trafficking. In particular, human trafficking of women and girls for the purpose of forced prostitution remains an increasing problem in Cambodia. Cambodia’s cultural traditions and the breakdown of law under the Khmer Rouge and Democratic Kampuchea have contributed to …


Review Of Happy Endings, Donna M. Hughes Dr. May 2009

Review Of Happy Endings, Donna M. Hughes Dr.

Donna M. Hughes

Tara Hurley, the filmmaker, has testified before the RI House Judiciary Committee and said on talk shows that based on observations making the film, there is no sex trafficking in Rhode Island. This is the view that is conveyed by “Happy Endings?” There are serious omissions of information about the people in the film and political biases that the filmmaker does not acknowledge.