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Full-Text Articles in Sociology
Performing Que(E)Ries: Nina Arsenault With J. Paul Halferty, Benjamin Gillespie
Performing Que(E)Ries: Nina Arsenault With J. Paul Halferty, Benjamin Gillespie
Center for LGBTQ Studies (CLAGS)
This exciting conversation and performance demo with one of Canada’s leading queer performance artists took place on October 26th, 2012 in the Segal Theatre at the CUNY Graduate Center. The event featured two short films made by Arsenault and filmmaker Jordan Tannehill, Plane of Immanence and Guadalajara, as well as an extended monologue by Arsenault retelling an autobiographical story on her quest for feminine beauty entitled The Ecstasy of Nina Arsenault: a surgical pilgrimage through a waking facelift.
The Robert Giard Foundation Fellows Enlighten Our World, Carl Sylvestre
The Robert Giard Foundation Fellows Enlighten Our World, Carl Sylvestre
Center for LGBTQ Studies (CLAGS)
This spring, the Robert Giard Foundation's partnership with CLAGS completed the first of what is anticipated to be an annual event in both organizations' calendars.
The Robert Giard Fellowship, Sarah Chinn
The Robert Giard Fellowship, Sarah Chinn
Center for LGBTQ Studies (CLAGS)
For several years we at CLAGS had wanted to work with the Robert Giard Foundation on a project for LGBT artists, but couldn't come up with the right vehicle. Eventually we hit on a perfect project: a fellowship for photographers and video artists working on queer and trans themes that would honor Robert Giard's legacy while directly supporting emerging and mid-career artists.
Giard Fellowship Evokes Enthusiastic Response, Shawn(Ta) Smith-Cruz
Giard Fellowship Evokes Enthusiastic Response, Shawn(Ta) Smith-Cruz
Center for LGBTQ Studies (CLAGS)
In his 1997 book, Particular Voices: Portraits of Gay and Lesbian Writers, Robert Giard captures nearly 200 photographs of his contemporaries. Giard's compilation of these portraits of lesbian and gay writers, carefully accompanied with textual excerpts, led this coffee-table monograph to stand as a supreme example of what Giard himself describes as "the autobiography of one gay reader."
"Sodoma, Sodoma, Thus Cried The Boys: A Reappraisal Of Gianantoni Bazzi's Life And Work, James Saslow
"Sodoma, Sodoma, Thus Cried The Boys: A Reappraisal Of Gianantoni Bazzi's Life And Work, James Saslow
Center for LGBTQ Studies (CLAGS)
The farther back we go from modern into early modern history, the harder it gets to document those facets of an artist's personal life that might provide an anchor for claims to discern forms of homosexual authorial intention—without the probability of which, gay/lesbian studies might indeed collapse into the baldest claim of its detractors, that it is naught but meaningless psychospeculation.