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- 1896-1940 -- Criticism and interpretation; Gothic fiction (Literary genre) -- Criticism and interpretation; (1)
- 1896-1940 -- Technique; Fitzgerald (1)
- Academic theses; Thesis; English language -- 20th century -- Rhetoric Fiction -- Technique; Fitzgerald (1)
- F. Scott (Francis Scott) (1)
- Women and literature -- United States -- History; Academic theses; Thesis; (1)
Articles 1 - 2 of 2
Full-Text Articles in Sociology
F. Scott Fitzgerald’S Homme Épuisé: Usurping The “Madwoman” In Tender Is The Night (1934) [2022], Emma Hill
F. Scott Fitzgerald’S Homme Épuisé: Usurping The “Madwoman” In Tender Is The Night (1934) [2022], Emma Hill
Master's Theses
Nineteenth-century women writers commonly use themes of entrapment and madness in what are now classified as gothic novels. In texts such as Jane Eyre, Frankenstein, and The Yellow Wallpaper, confinement and madness are synchronous in developing the figure of “the madwoman.” These texts were written during a time when it was uncommon for female writers to seek publication, and many used pseudonyms to get their works published or to be taken seriously by critics. The “madwoman” emerged as a powerful trope to articulate what writing under a patriarchal system feels like. That is to say, confinement scenarios resulting from female …
The Mythos Of Lilith: A Collection Of Madwomen, Megan Mau
The Mythos Of Lilith: A Collection Of Madwomen, Megan Mau
Master's Theses
For too long, women’s stories have been mitigated, translated, truncated, and censored, if they were even recorded at all before the world could hear them. What could women be writing that would be so threatening to incite such censorship? To a male-dominated world, anything that could disrupt their illusions of power is a threat. If a woman penned a narrative of her experiences in this world, or if she were to begin speaking on a new way of thinking that called for change, that must be stopped. The ultimate goal is to prevent women from writing or stepping out of …