Sociology Commons^™

The Captivity Of Opportunity: The Conversation Surrounding Church-Going Hispanic Immigrants, Nicolet Hopper Bell

Master's Theses

Immigration is a long-standing topic of discussion in the United States. Hispanic immigrants, or families of Hispanic immigrants, living in America face unique challenges. Through focus group interviews, participants from a predominantly Hispanic Protestant church narrated their experience of living in the United States. Guided grounded theory data analysis revealed three categories and 14 subcategories, or themes of conversation, surrounding this hot topic. Participants shed light on the distinctive challenges they faced, how these challenges affected them, and how they attempted to overcome these difficulties. By exploring these results through the lens of social stigma theory (Goffman, 2009) and intergroup …

Oral History With Jerome Wilson, Matthew R. Griffis

Oral History Archive

Dr. Jerome Wilson was born in Meridian, Mississippi in 1942. He attended St. Joseph’s Catholic School in Meridian from kindergarten to secondary school, whereupon he attended Dillard University in New Orleans to earn a BA in Chemistry and Mathematics.

Wilson later earned an MA in Immunology and Biochemistry from Cornell and, in 1983, earned his PhD in Epidemiology from the University of North Carolina at Chapel Hill. He spent much of his career as a researcher and a research administrator in the pharmaceutical industry, later transitioning to academe when he helped set up the department of epidemiology at Howard University. …

Choral Theatre, Albert Joseph Wolfe Jr.

Dissertations

Jamaica gained its independence from Great Britain in 1962, after some 300 years of colonization. Prior to Independence, the standard arts education curriculum was decidedly British and Western European. That which was labeled Caribbean or Jamaican “folk” by the British was deemed inferior and was not taught, demonstrated, or performed in formal settings. Thus, generations of Jamaicans never observed or imagined a Caribbean aesthetic in the visual and performing arts. Instead, pre-Independence Jamaicans were taught British and Western European music and performed it the “British” way.

Today, Jamaicans boast a number of artistic developments that are instantly recognized across the …