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Full-Text Articles in Psychology
Mental Concerts: Musical Imagery And Auditory Cortex, Robert J. Zatorre, Andrea R. Halpern
Mental Concerts: Musical Imagery And Auditory Cortex, Robert J. Zatorre, Andrea R. Halpern
Andrea Halpern
Most people intuitively understand what it means to “hear a tune in your head.” Converging evidence now indicates that auditory cortical areas can be recruited even in the absence of sound and that this corresponds to the phenomenological experience of imagining music. We discuss these findings as well as some methodological challenges. We also consider the role of core versus belt areas in musical imagery, the relation between auditory and motor systems during imagery of music performance, and practical implications of this research.
Cerebral Substrates Of Musical Imagery, Andrea R. Halpern
Cerebral Substrates Of Musical Imagery, Andrea R. Halpern
Andrea Halpern
Musical imagery refers to the experience of "replaying" music by imagining it inside the head. Whereas visual imagery has been extensively studied, few people have investigated imagery in the auditory domain. This article reviews a program of research that has tried to characterize auditory imagery for music using both behavioral and cognitive neuroscientific tools. I begin by describing some of my behavioral studies of the mental analogues of musical tempo, pitch, and temporal extent. I then describe four studies using three techniques that examine the correspondence of brain involvement in actually perceiving vs. imagining familiar music. These involve one lesion …
How Musical Oddballs Warp Psychological Time, Rhimmon Simchy-Gross
How Musical Oddballs Warp Psychological Time, Rhimmon Simchy-Gross
Graduate Theses and Dissertations
Oddballs—low-probability, attention-capturing expectancy violations—are judged as longer than non-oddballs, but are temporal intervals that contain oddballs judged as longer than those that do not? In 2 experiments, we tested competing model predictions using a novel and covert measure of subjective duration—musical imagery reproduction. Participants verbally estimated and reproduced with musical imagery repeated, coherent, or incoherent familiar or unfamiliar chord sequences (3.5 s, 7 s, or 12 s) that either did or did not contain dynamic auditory oddballs. Participants verbally estimated repeated chord sequences that contained oddballs as shorter than those that did not, but reproduced with musical imagery incoherent chord …
Mental Concerts: Musical Imagery And Auditory Cortex, Robert J. Zatorre, Andrea R. Halpern
Mental Concerts: Musical Imagery And Auditory Cortex, Robert J. Zatorre, Andrea R. Halpern
Faculty Journal Articles
Most people intuitively understand what it means to “hear a tune in your head.” Converging evidence now indicates that auditory cortical areas can be recruited even in the absence of sound and that this corresponds to the phenomenological experience of imagining music. We discuss these findings as well as some methodological challenges. We also consider the role of core versus belt areas in musical imagery, the relation between auditory and motor systems during imagery of music performance, and practical implications of this research.
Cerebral Substrates Of Musical Imagery, Andrea R. Halpern
Cerebral Substrates Of Musical Imagery, Andrea R. Halpern
Faculty Journal Articles
Musical imagery refers to the experience of "replaying" music by imagining it inside the head. Whereas visual imagery has been extensively studied, few people have investigated imagery in the auditory domain. This article reviews a program of research that has tried to characterize auditory imagery for music using both behavioral and cognitive neuroscientific tools. I begin by describing some of my behavioral studies of the mental analogues of musical tempo, pitch, and temporal extent. I then describe four studies using three techniques that examine the correspondence of brain involvement in actually perceiving vs. imagining familiar music. These involve one lesion …