Psychology Commons^™

Music As The Guide On The Pathway To Empowerment And Wellbeing. A Narrative On An Arts-Based Holistic Health Solution., Sabine Adler

Independent Study Project (ISP) Collection

This study explored music as the guide on the pathway to empowerment and wellbeing at a nonprofit organization called Durban Music School. Using narrative inquiry, I have collected stories from different people involved with Durban Music school as well my own observations and reflections. Through finding empowerment through music myself, I was able to add in my personal experiences to compliment the experience of others. Using informal interviews and conversations, direct observations, journaling, and playing guitar as a method of inner reflection, I looked to explore through stories how underprivileged individuals have found empowerment through their musical journey. Out of …

Human Creativity As A Vehicle For Societal Change: Can Social Action Through Art And Music Drive Positive Societal Change In Jordan?, Marina Qutab

Independent Study Project (ISP) Collection

This case study addresses a gap in the research on society and culture as it examines the relationship between social action through human creativity and positive societal change in Jordan. This relationship was studied through the following methods: six formal interviews with three Musicians, one Artist, one Organizational Behavior and Work Psychologist, and one Cognition and Didactics Researcher; one informal interview with a Jordanian taxi driver; and 30 oral surveys provided to students at The University of Jordan. The researcher’s main goal was to investigate how human creativity expressed through music and the arts can address current pressing environmental and …

“Oh Uncle Pema!” The Role Of Musical Agency In The Creation Of A Modern Tibetan Identity, Tracy Ellwanger

Independent Study Project (ISP) Collection

“Aku Pema,” a widely popular song in both Tibet and exile, is a useful vehicle for camparing the agency of Tibetan musicians and audiences, as they interact with dominating cultures (Chinese, Hindi, and Western) and official paradigms (espoused by the Chinese government and the Tibetan government-in-exile). After examining the role and implications of “Aku Pema” as a “political” song in both locales, I will look at notions of modernity and tradition, especially in the context of the growing sinocization of Tibetan culture in Tibet and the resulting exile views of pure versus impure Tibetan music.

At the heart of this …