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Full-Text Articles in Political Science
Liberating Genocide: An Activist Concept And Historical Understanding, Tony Barta
Liberating Genocide: An Activist Concept And Historical Understanding, Tony Barta
Genocide Studies and Prevention: An International Journal
From the outset, historians of genocide have seen themselves as activists. Among historians of colonial societies that is what distinguishes them most in relation to indigenous peoples. An ethnographic sensibility should be visible in any such study, and the more so when a question of genocide is raised. After all, if we do not have a sense of difference between peoples we fail the test of genocide at the first hurdle. And if we do not have an ethnographic sensibility towards our own cultures (including academic cultures) we will fail to make the most of our role in affecting deeply …
Community Control: Civil Rights Resistance In The Mile High City, Summer Burke
Community Control: Civil Rights Resistance In The Mile High City, Summer Burke
Psi Sigma Siren
Black power in the late 1960s was once blamed for the fall of the civil rights movement. The more militant and abrasive black power approach was mistaken for the alternative civil rights movement, contradictory to the progressive approach of nonviolent marches in the South. However, recent scholarship contextualizing black power and the Black Panthers in particular, restructured this paradigm. This move toward a more inclusive approach to studying black resistance across the country steered The Movement out of the Memphis to Montgomery narrative, and instead provides a more textured understanding of black radicalism as a vital aspect of civil rights …
Raharimanana : « Le Viol Des Douceurs », Patricia Célérier
Raharimanana : « Le Viol Des Douceurs », Patricia Célérier
Présence Francophone: Revue internationale de langue et de littérature
constant and paradoxical paradigm, violence is at the core of the Malagasy writer, Jean-Luc Raharimanana’s work. What are its representations, its modulations and functions in his shortstories, his novel, Nour, 1947, and his narrative, L’arbre anthropophage ? His poetic elaboration of violence puts his production at the juncture of postmodern and committed literatures and gives it a singular value in the world of postcolonial literature.
Gommage Et Résistance Dans Le Processus De Mythification Postcoloniale, Robert Fotsing Mangoua
Gommage Et Résistance Dans Le Processus De Mythification Postcoloniale, Robert Fotsing Mangoua
Présence Francophone: Revue internationale de langue et de littérature
Using the central figures of Um Nyobe and Patrice Lumumba, this paper aims to show that postcolonial mythology is a confrontation of two tendencies: on one hand, the colonial and postcolonial States, whose efforts tend to rub out history and its great faces, and on the other, artists and thinkers from Africa or abroad who want to establish the memory and the deeds of the missing as a source of inspiration for the present and next generation.