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Face. Off. Faceoff: Mapping African Representations In Western Art Institutions, Samantha Lyn Goral Maloney
Face. Off. Faceoff: Mapping African Representations In Western Art Institutions, Samantha Lyn Goral Maloney
Theses and Dissertations
In this project, I analyze the influential perceptions of African art objects, cultures, and histories formed through audience interactions with museum representations of Africa. In the Western world, curiosity cabinets and natural history museums first presented African objects as cultural artifacts aimed to intrigue and educate viewers about distant, exotic lands. Later, art museums reclassified African objects as art and some displays highlighted this shift, but African art exhibitions largely conformed to the anthropological models previously established. Scholars have analyzed these distinct display techniques while considering the visual environment from which these works were historically significant. Despite this critical scholarship, …
Distorted Norms: German Expressionist Prints And The Legacy Of The Early German Masters, Youngchul Shin
Distorted Norms: German Expressionist Prints And The Legacy Of The Early German Masters, Youngchul Shin
Theses and Dissertations
German Expressionism, one of the most influential art movements of the twentieth century, was the source of unprecedented experiments in printmaking. Although the works appear modern to our eyes, Expressionist printmakers drew heavily from the early history of printmaking, which emerged in northern Europe in the fifteenth and sixteenth centuries. The early history of the print included the development of the woodcut, the innovation of the printing press, and the invention of new printmaking techniques such as engraving and drypoint. The ways in which German Expressionists drew upon their heritage in printmaking is evident in three key ways: the revival …