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Negotiating Authenticity: Reproducing The Past For The Present, David Symanzik-Stock
Negotiating Authenticity: Reproducing The Past For The Present, David Symanzik-Stock
Theses and Dissertations
Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition considers the complex relationships between "original” artifacts and their reproductions, which historically has been the focus of scholarly debate. Walter Benjamin, in his 1936 essay The Work of Art in the Age of Technological Reproduction, highlights the intrinsic questions posed of this relationship – when an original work of art (or object) is reproduced, what relationship does both the reproduction and its model (the original) have with …
The Role Of Fake And Fraudulent Objects Within The Museum Context: A Case Study Of Tiwanaku Ceramics In The Milwaukee Public Museum Collection, Armando Manresa
The Role Of Fake And Fraudulent Objects Within The Museum Context: A Case Study Of Tiwanaku Ceramics In The Milwaukee Public Museum Collection, Armando Manresa
Theses and Dissertations
During the 20th century thousands, if not millions, of fake and fraudulent artifacts made their way into museum collections around the world through purchases, donations, and museum exchanges. The growth in Pre-Columbian collections, in particular, was precipitated by the many archaeological discoveries during that time as well as the continued looting of known and unrecorded sites across Latin America. As authentic items flooded the collectors’ market and from there into art and natural history museums, a mass-scale industry in fake and fraudulent artifacts arose to meet the demand. These items were primarily created for tourists, but some artists became so …