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Full-Text Articles in Library and Information Science

Tweeting The Government: Preliminary Findings From A Genre Analysis Of Canadian Federal Government Tweets, Elizabeth M. Shaffer, Luanne Freund, Mackenzie Welch May 2013

Tweeting The Government: Preliminary Findings From A Genre Analysis Of Canadian Federal Government Tweets, Elizabeth M. Shaffer, Luanne Freund, Mackenzie Welch

Elizabeth M. Shaffer

Social media is rapidly becoming an integral part of the Canadian Federal Government’s communication plan. Its use has been institutionalized with the adoption of the Guidelines for External Use of Web 2.0, which provides policy guidelines for government agencies on using social media tools. Twitter, a microblogging site, has rapidly gained popularity with Canadian government agencies. The primary purpose of this research is to identify the communicative intents behind federal government agencies’ use of Twitter. A random set of 2,000 tweets were collected over a one month period in 2012 and were coded using a schema derived from both relevant …


Preserving Social Media: Opening A Multi-Disciplinary Dialogue, Lisa P. Nathan, Elizabeth M. Shaffer Sep 2012

Preserving Social Media: Opening A Multi-Disciplinary Dialogue, Lisa P. Nathan, Elizabeth M. Shaffer

Elizabeth M. Shaffer

Digital artefacts generated through use of social media tools= have potential long-term value to individuals, organizations and societies. If there is a desire to systematically collect and preserve accounts of daily life, government activities, and societies’ documentary heritage, archival approaches must account for changing information systems—the tools, policies, and practices through which we engage in the contemporary information ecosystem. Through this paper we argue that in light of the growing complexity of digital information practices, particularly in relation to the use of social media, archivists need look to the scholarship of design and planning, in particular the work of human …


Heritage, Records & Trust: Understanding SocietyʼS Past Through Social Media?, Elizabeth M. Shaffer, Lisa P. Nathan May 2012

Heritage, Records & Trust: Understanding SocietyʼS Past Through Social Media?, Elizabeth M. Shaffer, Lisa P. Nathan

Elizabeth M. Shaffer

The relationship between the archival concept of the record requires examination and analysis in a social media context. If there is a desire to systematically collect and preserve accounts of daily life, archival theory must account for changing information systems, both the tools and the practices through which we engage them. At the same time system designers need to draw upon contemporary archival theory. The field of human computer interaction is uniquely positioned to work with archivists to both inform archival theory and to be informed by archival theory in recognition of the longer-term, multi-lifespan functions information systems play in …


Records Governance In Enterprise 2.0: Toward An Archival Understanding Of Social Media (Poster), Elizabeth M. Shaffer, Luciana Duranti Oct 2011

Records Governance In Enterprise 2.0: Toward An Archival Understanding Of Social Media (Poster), Elizabeth M. Shaffer, Luciana Duranti

Elizabeth M. Shaffer

Social media are consistently evolving with the ever-increasing ability to combine tools and information to create new forms of documents that can pose challenges to traditional paradigms and raise questions of intellectual property, privacy and confidentiality, authorship and ownership.


The Rise Of The New Experts: Decision-Making In The Art World In The Digital Age, Payal Arora, Filip Vermeylen Mar 2011

The Rise Of The New Experts: Decision-Making In The Art World In The Digital Age, Payal Arora, Filip Vermeylen

Payal Arora

In this digital age, declarations surface on the death of the expert. Crowd wisdom is instead seen as the new guide to constructing and evaluating knowledge. In the context of the art world, this tension between the amateurs and the experts becomes particularly pronounced as popular meets high culture. Questions arise such as what is the role of the amateur in the evaluation of art in current times? Does social media level the playing field here and can we assume that equity in participation results in better judgments? Does online participation on art valuation impact its actual market pricing? Who …