Library and Information Science Commons^™

Finding Harmony: Social Tags And Name Authority Records In The Popular Music Domain, Kabel Nathan Stanwicks, Hemalata Iyer

University Libraries Faculty Scholarship

Libraries and cultural institutions use cataloging and metadata standards to describe works and those responsible for creating them. These standards are used to create name authority records (NAR) to collocate creators’ works under single, authorized versions of their names. NARs employ controlled vocabulary to describe individuals and disambiguate names. NAR production is costly; therefore, few are updated when standards are revised, and controlled vocabularies are slow to adapt to a rapidly changing information landscape. Artificial intelligence provides opportunities to leverage social tagging to update and enhance NARs, while simultaneously improving user search and discovery. Our research demonstrates that social tags …

Composers' Collected Works: A Case Study In Remote Work Compatible Catalog Maintenance, David Floyd

Library Scholarship

Approximately 15% of Binghamton University Libraries' 28,000 musical scores are collections of scores comprising a composer's complete works. Ideally, these large, multipart, non-circulating collections are cataloged consistently with either comprehensive records for each set, or individual records for each score within the set. Our catalog is inconsistent in this approach and requires remediation. The resulting workflow maximizes flexibility in who participates, where, and when, by siloing the portion of the work requiring data processing and advanced music cataloging skills. This poster will show both the workflow for standardizing composers' collected works sets, and how the project is designed for remote …

Moving Beyond World Music: An Exploration Of Non-Western Music Cataloging Practices In Higher Education And Where To Go From Here, Alastair L. Canavan

New Librarianship Symposia Series: Fall 2021

The term “world music” has been used for decades as a catchall genre to describe any form of music outside of Western classical. As a byproduct of the eurocentrism pervasive throughout academia, its use furthers a bubble that others or ignores Non-Western cultures and their music. By examining the public-facing catalogs of 13 university libraries across 10 different countries to determine to what extent Non-Western music is included in their collections, how it is cataloged, and if the term “world music” is used to do so, the specific cataloging practices and norms that perpetuate a bias toward Western classical music …

Research Methods For Notes For Music Catalogers: Examples Illustrating Rda In The Online Bibliographic Record, Ralph Hartsock, Peter H. Lisius

OLAC Research Grant

Research results of the OLAC Research Grant awarded in 2016.

Allmusic--Open Access Version, Michael J. Monaco

Michael Monaco

Nontextual Searching, Susannah Cleveland

Susannah Cleveland

In this article the author discusses aspects of nontextual searching for library patrons who don't know the name of a musical piece or movement. She discusses the variety of reasons why traditional library catalogs can't account for musical content, such as melody, chords, and rhythm, the use of thematic catalogs, which indexes a composer's works and includes the first few bars of each piece or movement, and mobile device applications, such as SoundHound.

Noobs Ftw!: A Discussion Of Challenges & Resources For New Music Catalogers, Autumn Faulkner

ALA Presentations

Autumn Faulkner presented a practical look at how a new music cataloger can strategize the navigation of many cataloging standards, and how to succeed in facing the challenges imposed by learning both basic cataloging as well as specialized music cataloging in the same breath.

Frbr, Facets, And Moving Images: A Literature Review, Laura Jenemann, Thelma Ross, George Wrenn

OLAC Publications and Training Materials

Annotated bibliography on resources related to FBRB, facets and moving images.