Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 3 of 3
Full-Text Articles in Communication
El Vínculo Entre El Arte, La Política Y El Espacio Público: Una Investigación De Colectivo El Muro Cusco Y Su Resistencia Contra Poder Estatal Y La Censura Del Espacio, Stella Gould
Independent Study Project (ISP) Collection
El Colectivo El Muro Cusco es un colectivo libertario y autogestionado dedicado al apoyo a las luchas sociales y al intercambio de información alternativa. Activo durante los últimos 20 años, El Muro,1 como se le conoce coloquialmente, ha sido un proveedor de la verdad en Cusco, utilizando el arte y la protesta para expresar descontento con las injusticias perpetuadas por el gobierno peruano. Utilizando el muro del Paraninfo Universitario de la UNSAAC ubicado en la Plaza de Armas de Cusco como su centro focal, el Colectivo utiliza el espacio como galería de arte y lugar de exposición, pero también como …
Aït Khbach Nomads And A Thousand Plateaus: An Investigation Into The Challenges Of Nomadism Using Concepts From Deleuze And Guattari, Ryder Hobbs
Independent Study Project (ISP) Collection
The Aït Khbach nomads of Drâa-Tafilalet Region in Morocco face several challenges to their lifestyle. Namely, their obstacles relate directly to desertification and the state. Through interviews with the Aït Khbach, this paper seeks to present their narratives. Additionally, this paper grapples with the metaphysics of nomadism and the groundwork of its praxis. In their work, A Thousand Plateaus, Gilles Deleuze and Felix Guattari construct concepts, such as smooth space, the state apparatus, and nomadism, which can be utilized pragmatically to complement and explore the narratives of Aït Khbach nomads.
The Role Of Moroccan Street Art In Decolonial Discourse And Binary Deconstruction, Taylor Rokala
The Role Of Moroccan Street Art In Decolonial Discourse And Binary Deconstruction, Taylor Rokala
Independent Study Project (ISP) Collection
As a country historically subjected to French colonialism and currently the site of a burgeoning street art scene, Morocco is a locus for street art that contributes to the decolonial project and deconstruction of remaining colonial structures left by the French. Drawing from Edward Said’s concept of orientalism, the idea of gaze, and bell hooks’s counter concept of oppositional gaze, this paper seeks to understand how Moroccan street artists use their art to challenge the binary opposition between tradition and modernity constructed during the French Protectorate. I will discuss the theme of temporality, because of street art’s ephemeral nature and …