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Una Mueca Irónica: !El Travestismo Como Recurso Artístico De Las Yeguas Del Apocalipsis / An Ironic Grin: ! Cross-Dressing As An Artistic Resource Of The Apocalypseof The Yeguas, Sophia Cantizano
Independent Study Project (ISP) Collection
The Yeguas del Apocalipsis (Mares of the Apocalypse), were an art collective consisting of two men, Pedro Lemebel and Francisco Casas, who revolutionized the way transvestism was used in performance art. Active between 1988 and 1997, the Yeguas lit the way out of the dictatorship and into the post-regime transition period. For this reason, the context in which Lemebel and Casas made their art was more conducive to their own open criticism and explicit commentary of the political and social landscape, than that of the performance artists who functioned during the authoritarian dictatorship itself. This gave the Yeguas’ performances a …
Queer Connections: Social Media As A Versatile Tool Of The Marginalized Moroccan Lgbt, Savannah Vickery
Queer Connections: Social Media As A Versatile Tool Of The Marginalized Moroccan Lgbt, Savannah Vickery
Independent Study Project (ISP) Collection
This paper examines the role of social media in the Moroccan LGBT sphere. It draws on personal narratives from LGBT men and women as well as activists in order to establish the various ways that social media is employed in the interests of the individual, the community, and the activist. While social media has been a tool to expand the LGBT community around the world, it is specifically and unusually useful in Morocco where there is considerable censorship of incoming and outgoing media. Additionally, many public displays of resistance are considered to be counter productive to the pro-LGBT movement because …