Communication Commons^™

Stain Upon The Silence: Samuel Beckett’S Deconstructive Inventions, Leigh Howard

Masters Theses & Specialist Projects

In recent years, deconstruction theory has emerged as a key method for exploring public address, organizational culture, and literary discourse. Deconstruction theory encourages tearing apart hierarchy and established order to gain insights about the artifact being studied. Furthermore, the theory questions surface or superficial messages and encourages the reader to explore signals hidden below the surface. Deconstruction discounts context and places faith in experience.

Using the early plays of Samuel Beckett, this research explores deconstruction as a method to create messages. This new perspective transports deconstruction from a set of theoretical concepts into basic assumptions that enhance communication. This study …

The Price Of Folk: The Progression Of Two Decoy Makers’ Work From Folk To Non-Folk, Benjamin Vincent

Masters Theses & Specialist Projects

Applying the standards for delineating folkcraft developed by Japanese scholar Soetsu Yanagi to the work of two Maryland decoy makers, Lem and Steve Ward, revealed that the Wards’ work followed a progression from folk to non-folk. A Hearst newspaper chain article on the two carvers plus winning first place at the New York Decoy Show brought publicity far beyond that usually encountered by the average folk craftsman. These events also exposed the two brothers to a range of wealthy collectors. When the Wards began to experiment with ornately carved birds, they had a waiting, and financially capable market. The extremely …

Performance Attitudes Toward Read Or Imagined Events In “Scenes Of Passion And Despair” By Joyce Carol Oates, Bruce Creed

Masters Theses & Specialist Projects

The object of this study is to examine the diction of “Scenes of Passion and Despair” by Joyce Carol Oates in an attempt to discover performative attitudes for the interpreter. The discussion centers on the theme of illusion and reality as it manifests itself in the story. Because this theme superimposes itself on diction, it becomes necessary to examine words in detail, searching for the manner in which words are used to create a certain degree of reality for each character of the story. The discovery of these realities reassures the interpreter that his is a faithful rendering of one …

An Analysis Of The Themes Of Guilt And Atonement In The Writings Of Tennessee Williams, James Curry

Masters Theses & Specialist Projects

The themes of guilt and atonement have been analyzed in selected writings of Tennessee Williams. Research concerning these two themes has been developed simultaneously with Williams’s concept of the universe and man. Many of Williams’s characters seek a form of atonement or purification for their guilt which has arisen due to their “incompleteness and unnatural desires.” Williams’s basic concept concerning the universe is that it is fragmented, a universe not completed by its Creator. Consequently, Williams envisions man and his nature to be likewise incomplete. It is this incompletion in man which causes him to have “unnatural desires,” labeled as …

The Theatrical Innovations Of Charles Laughton, Gary Joseph Jones

Masters Theses & Specialist Projects

In most journalistic studies the film career of Charles Laughton overshadows his theatrical activities to the extent that the reader is hardly aware of the importance of his theatrical innovations to the theater of our time. The more commercial side of Laughton’s career was publicized while his artistic efforts, as characterized by the innovations, were frequently forgotten. More people remember him as the man who played Captain Bligh in the movies than as the man who worked with Bertolt Brecht, created the First Drama Quartette and developed a new American art form, Readers’ Theatre.

The rationale of this study is …

The Career Of Edward Ward Carmack And The Cooper-Sharp Trial, Robert Franklin Crutcher

Masters Theses & Specialist Projects

The subject of this thesis was suggested to the writer in October 1931, by the History Department of the Western Kentucky State Teachers College. The writer at that time was considering a number of other subjects, but seeing that material could be located easily, and that the field suggested by the subject had not been covered, this subject was chosen. When much of the material had been located and examined it was clearly seen that the material in the field could be grouped under two heads and given this title, “Career of Edward Ward Carmack and the Cooper-Sharp Trial”.

Most …