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Full-Text Articles in Communication
Memory And Distance: On Nobuhiro Suwa's A Letter From Hiroshima, Jessica Fernanda Conejo Muñoz
Memory And Distance: On Nobuhiro Suwa's A Letter From Hiroshima, Jessica Fernanda Conejo Muñoz
Genocide Studies and Prevention: An International Journal
A Letter from Hiroshima is the second production directed by Nobuhiro Suwa on the Japanese city that was ravaged by the atomic bombings, by the United States, in 1945. The short film is a reflective game which approach to the past is based on distancing effects. The distance, understood in the sense of Brecht and counter cinema, is part of an experimental process that becomes a political technique of construction and decipherment of memory. Suwa’s work is opposed to the belief that history is something that can be narrated, since the approximation to the past is not carried out through …
Documenting An Imperfect Past: Examining Tampa's Racial Integration Through Community, Film, And Remembrance Of Central Avenue, Travis R. Bell
Documenting An Imperfect Past: Examining Tampa's Racial Integration Through Community, Film, And Remembrance Of Central Avenue, Travis R. Bell
USF Tampa Graduate Theses and Dissertations
This research examines the Civil Rights Movement in Tampa, Florida through documentary film to recognize an imperfect past and visually reconstruct Central Avenue as a physical and Thirdspace site of remembrance located at an intersection of race and community. Motivated by an ethnographic approach and through community engagement, Tampa Technique: Rise, Demise, and Remembrance of Central Avenue is a 54-minute film that explores Central Avenue’s rise to prominence through segregation, its physical and symbolic demise as a racialized site of communal space, and how it is remembered through collective and public memory in the location it once occupied. Documentary film …
Improvisational Music Performance: On-Stage Communication Of Power Relationships, David A. Steinweg
Improvisational Music Performance: On-Stage Communication Of Power Relationships, David A. Steinweg
USF Tampa Graduate Theses and Dissertations
This project explores how musical improvisational processes come into being through interacting discursive power relationships that are embodied and enacted through performance. By utilizing the concepts of framing and performativity I am able to show how discursive power constitutes the performance of improvisational music. To exemplify this theory, the project presents a case study examining a Grateful Dead cover band named Uncle John's Band that performs at Skipper's Smokehouse in Tampa, FL. Using an ethnographic methodology, the project articulates the dominant discursive power relationships that constitute Uncle John's Band's improvisational performances. The dominant discursive power relationships revolve around the lived …