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Full-Text Articles in Folklore
Adapting Skazki: How American Authors Reinvent Russian Fairy Tales, Sarah Krasner
Adapting Skazki: How American Authors Reinvent Russian Fairy Tales, Sarah Krasner
Scripps Senior Theses
Adaptations of works have the potential to bring their subject matter to a new audience. This thesis explores the adaptation of Russian fairy tales into novels by authors Orson Scott Card and Joy Preble by looking at how they present Russian fairy tales, folkloric figures, and fairy tale structure to an American audience.
Drowning In Rising Seas: Navigating Multiple Knowledge Systems And Responding To Climate Change In The Maldives, Rachel Hannah Spiegel
Drowning In Rising Seas: Navigating Multiple Knowledge Systems And Responding To Climate Change In The Maldives, Rachel Hannah Spiegel
Pitzer Senior Theses
The threat of global climate change increasingly influences the actions of human society. As world leaders have negotiated adaptation strategies over the past couple of decades, a certain discourse has emerged that privileges Western conceptions of environmental degradation. I argue that this framing of climate change inhibits the successful implementation of adaptation strategies. This thesis focuses on a case study of the Maldives, an island nation deemed one of the most vulnerable locations to the impacts of rising sea levels. I apply a postcolonial theoretical framework to examine how differing knowledge systems can both complement and contradict one another. By …
Fire – The Enigma That Continues To Blaze, Sara Kapadia
Fire – The Enigma That Continues To Blaze, Sara Kapadia
The STEAM Journal
How did humans first discover fire? What stories do we pass down to explain the discovery of fire?
Folk Songs And Popular Music In China: An Examination Of Min’Ge And Its Significance Within Nationalist Frameworks, Belinda Li
Pomona Senior Theses
This thesis examines the function of music within different theories of nationalism and the appropriation of folk music within the genre of min’ge. Min’ge, a term in Chinese which directly translates to “folk songs”, has generally been defined as oral musical traditions. However, due to the increased politicization of popular music since the 1930s, the nature folk music has fundamentally changed, reflecting its new significance within Chinese nationalism. Through the years, min’ge has become more useful to promoting the goals of the state than representing the musical traditions of the many different ethnic groups in China. This transformation …