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Articles 1 - 3 of 3
Full-Text Articles in Anthropology
Diasporic Women’S Mutability In South Asian Postcolonial Literature, Tasnim S. Halim
Diasporic Women’S Mutability In South Asian Postcolonial Literature, Tasnim S. Halim
Theses and Dissertations
Though Western scholarship tends to homogenize South Asian experiences, researchers and novelists shed light on different classes of South Asian postcolonial and migratory women who experience mutability, or the internal and external changes as a trauma response after British colonial rule ended and the 1947 Partition abruptly fractured national identity. Though this mutability has positive and negative transformative qualities, it also allows women characters the power to remove themselves from cycles of oppression, work towards healing, and transforming their physical bodies from sites of repressed trauma to sites of expression and agency. What binds them is not only their physical …
How To Be The Perfect Asian Wife!, Sophia Hill
How To Be The Perfect Asian Wife!, Sophia Hill
Art and Art History Honors Projects
“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.
The Auld Sod: Staging The Diaspora At The 1897 Irish Fair In New York City, Deirdre O’Leary
The Auld Sod: Staging The Diaspora At The 1897 Irish Fair In New York City, Deirdre O’Leary
e-Keltoi: Journal of Interdisciplinary Celtic Studies
The 1897 Irish Fair in New York City is significant for its map exhibit of a topographical map of Ireland, with soil from each county represented. For ten cents, participants could walk across the map and stand again on the soil of Ireland. This article examines the map exhibit as demonstrating diasporic nationalism of the late nineteenth century Irish emigrant, and also reads the exhibit as a contrapuntal political discourse on Irish nationalism, Anglo/American relations, and the position of the Irish immigrant in New York.