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Articles 61 - 78 of 78
Full-Text Articles in Social and Behavioral Sciences
Duality Of Illusion And Reality In Desai's In Custody, Narinder K. Sharma
Duality Of Illusion And Reality In Desai's In Custody, Narinder K. Sharma
CLCWeb: Comparative Literature and Culture
In his article "Duality of Illusion and Reality in Desai's In Custody," Narinder K. Sharma analyses Anita Desai's internal confrontation of choices. In the novel, Desai's narration offers various options at every step and the author suggests that it becomes difficult to decide what actually should be done. The attempt is to personalize impersonal time and space thereby brings it into the domain of conflicting choices signifying an existential desire to manifest freedom. Going a step further, it can be deciphered that the individual desires to make an ideal choice to experience "authenticity"; however, the desire of making an …
Introduction To New Work In Comparative Indian Literatures And Cultures, Mohan G. Ramanan, Tutun Mukherjee
Introduction To New Work In Comparative Indian Literatures And Cultures, Mohan G. Ramanan, Tutun Mukherjee
CLCWeb: Comparative Literature and Culture
No abstract provided.
Imperialist Nostalgia In Masters's To The Coral Strand, Fikret Mehmet Arargüc
Imperialist Nostalgia In Masters's To The Coral Strand, Fikret Mehmet Arargüc
CLCWeb: Comparative Literature and Culture
In his article "Imperialist Nostalgia in Masters's To the Coral Strand" M. Fikret Arargüç discusses nostalgia as a resource of identity formation. Arargüç argues that imperialist nostalgia is no innocent emotional attachment to the past; rather, it is an adaptation to changed circumstances and its discursive practices (i.e., eulogizing) evade responsibility. In addition to practices to alleviate or absolve repressed guilt about the past, they often relate to discourses of power and regret that the past is no more. This type of nostalgia is another neo-imperialist form of exploitation by (ab)using or generating fluid, dynamic, and ever-evolving identities. Arargüç …
Travel, Culture, And Society: A Book Review Article Of New Work By Andraş And Tötösy De Zepetnek, Wang, And Sun, Katerina Soumani
Travel, Culture, And Society: A Book Review Article Of New Work By Andraş And Tötösy De Zepetnek, Wang, And Sun, Katerina Soumani
CLCWeb: Comparative Literature and Culture
No abstract provided.
Free Indirect Discourse In Farsi Translations Of Woolf's Mrs. Dalloway, Zohreh Gharaei, Hossein Vahid Dastjerdi
Free Indirect Discourse In Farsi Translations Of Woolf's Mrs. Dalloway, Zohreh Gharaei, Hossein Vahid Dastjerdi
CLCWeb: Comparative Literature and Culture
In their article "Free Indirect Discourse in Farsi Translations of Woolf's Mrs. Dalloway" Zohreh Gharaei and Hossein Vahid Dastjerdi discuss the degree to which free indirect discourse is reproducible in Farsi translations of Virginia Woolf's Mrs. Dalloway. Gharaei and Vahid Dastjerdi's analysis reveals that while it is possible to employ free indirect discourse in Farsi, the grammatical features of the technique represent the most problematic areas of translation to Farsi. Although some studies have attributed deviations from the style of the original writer to the structural differences between Farsi and English or domesticating strategies on the part of …
National Trauma And The 'Uncanny' In Hage's Novel De Niro's Game, Hany Ali Abdelfattah
National Trauma And The 'Uncanny' In Hage's Novel De Niro's Game, Hany Ali Abdelfattah
CLCWeb: Comparative Literature and Culture
In his article "National Trauma and the 'Uncanny' in Hage's Novel De Niro's Game" Hany Ali Abdelfattah attempts to decipher the "uncanny" in the character of George who has been haunted by the memories of Bassam, a Lebanese survivor of trauma. Rawi Hage's De Niro's Game crystallizes the national trauma of Lebanon and the massacre of Sabra and Shatila as it unfolds in the story of the friendship between George and Bassam. Abdelfattah employs the psychoanalytic method of analysis with a focus on Freudian concepts such as "repression," "belatedness," "effacement," "displacement," and "non-abreaction of experience" in order to trace …
(Dis)Quieting The Canon: A Book Review Article Of New Work By Fishelov And Papadema, Damrosch, And D'Haen, Marta Pacheco Pinto
(Dis)Quieting The Canon: A Book Review Article Of New Work By Fishelov And Papadema, Damrosch, And D'Haen, Marta Pacheco Pinto
CLCWeb: Comparative Literature and Culture
No abstract provided.
Queer Love In Woolf's Orlando And Chu's Notes Of A Desolate Man, Pei-Wen Clio Kao
Queer Love In Woolf's Orlando And Chu's Notes Of A Desolate Man, Pei-Wen Clio Kao
CLCWeb: Comparative Literature and Culture
In her article "Queer Love in Woolf's Orlando and Chu's Notes of a Desolate Man" Pei-Wen Clio Kao analyses Virginia Woolf and T'ien-Wen Chu's novels in the context of gender studies. Kao's reading of Orlando and Notes of a Desolate Man is an elaboration on homosexual sensibilities of both men and women based on the concept of écriture féminine in the context of patriarchy and the former's power of subversion and change. Kao's analysis results in the finding that while Woolf's Orlando is more attuned to the feminist discourse based on an extended Western project in its period and …
Nation In Remarque's All Quiet On The Western Front And Eastwood's Flags Of Our Fathers, Brent M. Smith-Casanueva
Nation In Remarque's All Quiet On The Western Front And Eastwood's Flags Of Our Fathers, Brent M. Smith-Casanueva
CLCWeb: Comparative Literature and Culture
In his article "Nation in Remarque's All Quiet on the Western Front and Eastwood's Flags of Our Fathers" Brent M. Smith-Casanueva explores the commonalities between the antiwar narratives of Erich Maria Remarque's novel All Quiet on the Western Front (1929) and Clint Eastwood's film Flags of our Fathers (2006). Taking the position that narration of nation must be considered a site of hegemonic struggle, Smith-Casanueva argues that both texts employ a similar deconstructive logic to subvert the nationalist discourses and dominant war narratives of their respective nations and the national myths constructed through these narratives. In particular, both All …
The Role Of The Intellectual In Contemporary Turkish Women's Narratives, Adile Aslan
The Role Of The Intellectual In Contemporary Turkish Women's Narratives, Adile Aslan
CLCWeb: Comparative Literature and Culture
In her article "The Role of the Intellectual in Contemporary Turkish Women's Narratives" Adile Aslan analyzes the figure of the woman intellectual in two of the most widely praised novels written in Turkish, Adalet Ağaoğlu's 1971 Ölmeye Yatmak (Lying Down to Die) and Leyla Erbil's 1985 Karanlığın Günü (The Day of Darkness). Aslan discusses how the two authors represent in their texts intertwined personal histories with political history. The novels present, as well as surmount the obstacles that the current socio-historical conditions impose on people in general and intellectuals in particular and how these circumstances have a bearing on their …
Aesthetics, Opera, And Alterity In Herzog's Work, Jacob-Ivan Eidt
Aesthetics, Opera, And Alterity In Herzog's Work, Jacob-Ivan Eidt
CLCWeb: Comparative Literature and Culture
In his article "Aesthetics, Opera, and Alterity in Herzog's Work" Jacob-Ivan Eidt analyses Werner Herzog's 1982 film Fitzcarraldo. Eidt's analysis is executed in the context of opera, cinema, and aesthetics. Eidt argues that Herzog uses opera as a romantic motif with which he creates a self-critical process whereby elements of the Romantic vision are called into question thus providing a nuanced reading of the main character and the Indigenous world he encounters. This process, Eidt argues, produces a complex narrative of colonial alterity where colonial self-inscription upon an Other is ultimately doomed to failure.
Trauma, Apocalypse, And Ethics In Israeli Theater, Zahava Caspi
Trauma, Apocalypse, And Ethics In Israeli Theater, Zahava Caspi
CLCWeb: Comparative Literature and Culture
In her article "Trauma, Apocalypse, and Ethics in Israeli Theater" Zahava Caspi traces the traumatic experience as a point of departure in apocalyptic plays in Israeli literature. Caspi argues that in Israeli apocalyptic plays a critical gap opens up between the fictional narrative that ends with destruction and the theatrical apparatus that creates a sense of continuity. The theatrical text delivers a message to the audience inviting them to increase their engagement with and accountability for continuity not merely during the theatrical event, but more significantly, once the performance is over. The play's moral imperative to provide a "positive" ending …
Davis's Poetic Dialogue With Leiris's Autobiography, Jonathan Evans
Davis's Poetic Dialogue With Leiris's Autobiography, Jonathan Evans
CLCWeb: Comparative Literature and Culture
In his article "Davis's Poetic Dialogue with Leiris's Autobiography" Jonathan Evans analyzes Lydia Davis's translation of the first two parts of Michel Leiris's autobiography, which shows an encounter between two writers. Davis has also written stories which reference Leiris and thus position him as a precursor. Evans proposes that Leiris is not only a source of influence for Davis, but that their texts can be read as a dialogue. Using a methodology that draws on Lacanian psychoanalysis, Evans shows how Leiris focuses on sound and graphological patterns in order to understand his own conscious and unconscious relationship with words. Davis, …
Bellow's Letters And Biographies About Bellow: A Book Review Article Of New Work By Atlas And Taylo, Gustavo Sánchez-Canales
Bellow's Letters And Biographies About Bellow: A Book Review Article Of New Work By Atlas And Taylo, Gustavo Sánchez-Canales
CLCWeb: Comparative Literature and Culture
No abstract provided.
The Notion Of Life In The Work Of Agamben, Carlo Salzani
The Notion Of Life In The Work Of Agamben, Carlo Salzani
CLCWeb: Comparative Literature and Culture
In his article "The Notion of Life in the Work of Agamben" Carlo Salzani analyzes the notion of "nudity" Giorgio Agamben's understanding of Western culture. Beginning with a reading of the essay "Nudity," in which Agamben proposes an archaeological investigation of the theological apparatus of the concept, Salzani analyzes the pivotal trope in Agamben's Homo Sacer project, "bare" or "naked life," that is, the nudity of life in the grip of sovereign power. Nudity and the nudity of life are construed as a "limit-concept" in a double movement of simultaneous positing and negation or in a positing that grants at …
Us-American New Women In Italy 1853-1870, Sirpa A. Salenius
Us-American New Women In Italy 1853-1870, Sirpa A. Salenius
CLCWeb: Comparative Literature and Culture
In her article "US-American New Women in Italy 1853-1870" Sirpa A. Salenius discusses the Italian experience of sculptors such as Harriet Hosmer and Edmonia Lewis, who were independent, career-oriented women studying and working in Rome in the mid-nineteenth century. They were among the most representative New Woman figures who started to challenge US-American society's male-dominant norm and gender-imposed limitations, while reinventing an identity for themselves. Other progressive women, who observed them in Italy, were impressed and influenced by the example of their lives and work. For instance, the influence of Frances Willard's visit to Italy became visible after her return …
Homosexual Identity, Translation, And Prime-Stevenson's Imre And The Intersexes, Margaret S. Breen
Homosexual Identity, Translation, And Prime-Stevenson's Imre And The Intersexes, Margaret S. Breen
CLCWeb: Comparative Literature and Culture
In her article "Homosexual Identity, Translation, and Prime-Stevenson's Imre and The Intersexes" Margaret S. Breen examines the role of translation in lesbian, gay, bisexual, and transgender studies. Breen's focus is Edward Prime-Stevenson, who, under the penname Xavier Mayne, wrote two works: a short novel, Imre: A Memorandum (1906), and a general history of homosexuality, The Intersexes: A History of Similisexualism as a Problem of Social Life (1908). Breen argues that Prime-Stevenson's texts are relevant to late nineteenth- and early twentieth-century discussions of (homo)sexuality because they point to the importance of translation in writings concerning sexual and gender identities and …
The Wounded Healer As Cultural Archetype, Galia Benziman, Ruth Kannai, Ayesha Ahmad
The Wounded Healer As Cultural Archetype, Galia Benziman, Ruth Kannai, Ayesha Ahmad
CLCWeb: Comparative Literature and Culture
In their article "The Wounded Healer as Cultural Archetype" Galia Benziman, Ruth Kannai, and Ayesha Ahmad discuss the topos of the wounded healer, a concept of an archetypal dynamic coined by Jung to describe a phenomenon which may take place between analyst and analyzed. They examine representations of the archetype in diverse cultures and demonstrate how a reading of its various narratives may enrich our theoretical and practical understanding of the importance of empathy and mutuality in the healing process. The archetype of the wounded healer is valuable in acknowledging cultural diversity, as well as universal parallels between healing practices …