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Full-Text Articles in Social and Behavioral Sciences

Undermining National Identities: A Review Article Of New Work By Gutiérrez Arranz And Barbeito, Feijóo, Figueroa, And Sacido, Montserrat Martínez García Jun 2009

Undermining National Identities: A Review Article Of New Work By Gutiérrez Arranz And Barbeito, Feijóo, Figueroa, And Sacido, Montserrat Martínez García

CLCWeb: Comparative Literature and Culture

No abstract provided.


Nietzsche's Influence On Bakhtin's Aesthetics Of Grotesque Realism, Yelena Mazour-Matusevich Jun 2009

Nietzsche's Influence On Bakhtin's Aesthetics Of Grotesque Realism, Yelena Mazour-Matusevich

CLCWeb: Comparative Literature and Culture

In her article "Nietzsche's Influence on Bakhtin's Aesthetics of Grotesque Realism" Yelena Mazour-Matusevich discusses Bakhtin's concept of grotesque realism in the light of Nietzsche's influence, particularly his notion of chaos and its expression of the Dionysian blended with and perceived through Russian religious thought and mythological consciousness. Mazour-Matusevich postulates that Nietzsche's influence on Bakhtin is most obvious in the latter's seminal work, Rabelais and His World. In order to demonstrate Nietzsche's influence on Bakhtin, Mazour-Matusevich provides an overview of Nietzsche's reception in Russia during Bakhtin's formative years as well as of the current state of research concerning the correlation between …


About The Political Dimensions Of The Formation Of The King James Bible, Michael G. Rather Jr. Jun 2009

About The Political Dimensions Of The Formation Of The King James Bible, Michael G. Rather Jr.

CLCWeb: Comparative Literature and Culture

Michael G. Rather Jr., examines in his article "About the Political Dimensions of the Formation of the King James Bible" the politics surrounding the formation of one of the most influential text in culture and politics in England and later in English-speaking countries. The translators and King exhibited a duality of beliefs emblematic of Jacobean society. These dualities of hierarchy and commonness, ceremony and purity, clarity and majesty were instituted in England followed by the Australian, US-American, and Canadian cultures. A better understanding of the people who were a part of this translation and the King who commissioned the translation …


Rewriting Space In Ruiz De Burton's Who Would Have Thought It?, Bernadine M. Hernandez Jun 2009

Rewriting Space In Ruiz De Burton's Who Would Have Thought It?, Bernadine M. Hernandez

CLCWeb: Comparative Literature and Culture

In her article "Rewriting Space in Ruiz de Burton's Who Would Have Thought It?" Bernadine M. Hernandez analyses María Amparo Ruiz de Burton's text in the context of Mexican American and US-American literary history. After the Treaty of Guadalupe Hidalgo was signed in 1848, the place where Mexicanos lived became contested space and land of these Native subjects were conquered, penetrated, and colonized without the hope of regaining power or agency over land, status, or space. This newly deemed "opened" space was reconstructed via a literary legal document written to benefit Anglo Americans. Language is tied to the historical process …


The Gay Artist As Tragic Hero In The Picture Of Dorian Gray, Henry Alley Jun 2009

The Gay Artist As Tragic Hero In The Picture Of Dorian Gray, Henry Alley

CLCWeb: Comparative Literature and Culture

In his article "The Gay Artist as Tragic Hero in The Picture of Dorian Gray" Henry M. Alley discusses the central artistic figure in Oscar Wilde's novel, Basil Hallward. As the novel's tragic protagonist, he commands the most pity and fear and serves as the most dynamic member of the dramatis personae. Alley contextualizes his discussion within Aristotle's Poetics, contemporary criticism, as well as Wilde's own comments. In addition, Alley looks at Hallward's attempt to hide or censor his gay feelings as parallel to Wilde's struggle with the various versions of the novel. Nevertheless, the characterization of Hallward celebrates the …


Representing Postmodern Marginality In Three Documentary Films, Robert Leblanc Jun 2009

Representing Postmodern Marginality In Three Documentary Films, Robert Leblanc

CLCWeb: Comparative Literature and Culture

In his article "Representing Postmodern Marginality in Three Documentary Films" Robert LeBlanc traces the emergence of new epistemologies of documentary film experience within the cases of three recent films that explore the subject's experience of marginality as central to its constitution as subject. These films -- by Marlon Riggs, Chad Friedrichs, and Jessica Yu -- explore the crises of self-representation engaged by their documentary subjects as these subjects seek to define themselves despite -- and yet through -- their experiences of marginal status, while avoiding a reinforcement of that status that could arise through its continued placement into narrative. The …


Borat As Tragicomedy Of Anti Us-Americanism, Alexei Lalo Jun 2009

Borat As Tragicomedy Of Anti Us-Americanism, Alexei Lalo

CLCWeb: Comparative Literature and Culture

Alexei Lalo discusses in his article "Borat as Tragicomedy of Anti US-Americanism" the 2006 mockumentary in the context of stereotypes and clichés that exist about the United States and elsewhere, particularly in Europe. Anti US-Americanism is arguably at the core of this project, but Borat's creators seem to mock not only US-Americans, but also those who invent and practice clichés about the U.S. Lalo draws parallels between Sacha Baron Cohen's work and the legacies of Lenny Bruce and Charlie Chaplin (most notably his late film A King in New York). Of the numerous socio-cultural problems of the United States Borat …


Literature, Ideology, And The Imaginary, Marcello Potocco Jun 2009

Literature, Ideology, And The Imaginary, Marcello Potocco

CLCWeb: Comparative Literature and Culture

In his paper "Literature, Ideology and the Imaginary," Marcello Potocco analyses the elusive relation between literature and ideology. The notion of the "social imaginary" -- as developed by Castoriadis -- brings the possibility to reconsider the relation between the literary structure, its reception, and ideology. While ideology is seen as a radical expression of the social imaginary in modern society, it can only manifest itself through the ideological function, which does not necessarily destruct the aesthetic experience. In a literary structure, elements may exist that enable a strong identification with the extra-textual world, but this involves primarily identifications with significations …


Figurative Language In Delbo's Auschwitz Et Après, Elizabeth Scheiber Mar 2009

Figurative Language In Delbo's Auschwitz Et Après, Elizabeth Scheiber

CLCWeb: Comparative Literature and Culture

In her article "Figurative Language in Delbo's Auschwitz et après" Elizabeth Scheiber exeamines the use of figurative language in Charlotte Delbo's trilogy Auschwitz et après. Aucun de nous ne reviendra and shows how metaphors and symbols in the texts not only establish a means of imagining the concentration camps, but also how they create a community between author and reader. In Delbo's work, the ironic symbol of the stretcher as a means of conveying corpses gives the reader insight into the author's psyche at roll call as she witnesses the grim sight of the indignity of death in the concentrationary …


Introduction To And Bibliography Of Central European Women's Holocaust Life Writing In English, Louise O. Vasvári Mar 2009

Introduction To And Bibliography Of Central European Women's Holocaust Life Writing In English, Louise O. Vasvári

CLCWeb: Comparative Literature and Culture

In her "Introduction to and Bibliography of Central European Women's Holocaust Life Writing in English," Louise O. Vasvári discusses aspects and perspectives of women's life writing, including her criteria of selection, the problematics of sourcing, issues of translation, and processes of publication. While the authors listed in the bibliography are overwhelmingly Jewish and from Central and East Europe, there are works listed by others whose experiences also offer important testimony not only on the camps but also on other aspects of the Holocaust. The bibliography suggests that women have written as much and, especially during the last decades, more than …


Autobiography And Fiction In Semprún's Texts, Laia Quílez Esteve, Rosa-Àuria Munté Ramos Mar 2009

Autobiography And Fiction In Semprún's Texts, Laia Quílez Esteve, Rosa-Àuria Munté Ramos

CLCWeb: Comparative Literature and Culture

In their article "Autobiography and Fiction in Semprún's Texts" Laia Quílez Esteve and Rosa-Àuria Munté Ramos explore aspects of narration in Jorge Semprún's literary work with regard to his experience in the concentration camp. Quílez Esteve and Munté Ramos analyze auto-novelistic mechanisms Semprún employs and reflect on the various meanings of that use by Semprún. Semprún's biographical journey is characterized by a series of experiences which would determine the form and content of his writing. The perception and experience of exile permeates Semprún's pages, the fluctuation of identities which are masked or unmasked within them, or the dissolution of the …


Exile, Homeland, And Milieu In The Oral Lore Of Carpatho-Russian Jews, Ilana Rosen Mar 2009

Exile, Homeland, And Milieu In The Oral Lore Of Carpatho-Russian Jews, Ilana Rosen

CLCWeb: Comparative Literature and Culture

In her article "Exile, Homeland, and Milieu in the Oral Lore of Carpatho-Russian Jews" Ilana Rosen analyzes oral narratives of Central and East European Jewish communities. The Jewish people have spent most of their lifetime outside their promised land. Accordingly, their ethos, as reflected by holy teachings, expresses a yearning for a return to the holy land by divine agency once the nation is purified of its sins. In modern times, with the rise of nationalism, this creed changed into activist political Zionism, although traditional and conservative religious circles resisted this change. In the oral narratives of Central and East …


Introduction To New Work In Holocaust Studies, Louise O. Vasvári, Steven Tötösy De Zepetnek Mar 2009

Introduction To New Work In Holocaust Studies, Louise O. Vasvári, Steven Tötösy De Zepetnek

CLCWeb: Comparative Literature and Culture

No abstract provided.


Narrative Silences Between History And Memory In Schumann's Being Present: Growing Up In Hitler's Germany, Anne Rothe Mar 2009

Narrative Silences Between History And Memory In Schumann's Being Present: Growing Up In Hitler's Germany, Anne Rothe

CLCWeb: Comparative Literature and Culture

In her article "Narrative Silences Between History and Memory in Schumann's Being Present: Growing Up in Hitler's Germany" Anne Rothe analyzes Willy Schumann's 1991 memoir as an instance of a growing sub-genre among autobiographical writing on the Third Reich and the Holocaust, the Hitler Youth Generation memoir. Written in English for US-American college students, the memoir constructs a reactionary counter-memory to Holocaust discourse in order to exculpate ordinary Germans like himself not only from any responsibility for but any association with nazi crimes. In order to do so, Schumann not only largely omits the Holocaust but recasts the perpetrator/victim dichotomy …


In Memoriam Milan V. Dimić (1933-2007), Gerald Gillespie Mar 2009

In Memoriam Milan V. Dimić (1933-2007), Gerald Gillespie

CLCWeb: Comparative Literature and Culture

No abstract provided.


Bibliography For Work In Holocaust Studies, Agata Anna Lisiak, Louise O. Vasvári, Steven Tötösy De Zepetnek Mar 2009

Bibliography For Work In Holocaust Studies, Agata Anna Lisiak, Louise O. Vasvári, Steven Tötösy De Zepetnek

CLCWeb: Comparative Literature and Culture

No abstract provided.


"Ideologically Incorrect" Responses To The Holocaust By Three Israeli Women Writers, Rachel Feldhay Brenner Mar 2009

"Ideologically Incorrect" Responses To The Holocaust By Three Israeli Women Writers, Rachel Feldhay Brenner

CLCWeb: Comparative Literature and Culture

In her article "'Ideologically Incorrect' Responses to the Holocaust by Three Israeli Women Writers" Rachel Feldhay Brenner examines the departure from the accepted literary response to the Holocaust in the works of three Israeli women writers: the play Lady of the Castle (1954) by Lea Goldberg (1911-1970), Ruth Almog's (1936-) novel Exile (1971), and Shulamith Hareven's (1930-2003) short stories "The Witness" and "Twilight" (1980). While the writers recognized the historical bonds of the European destruction and the Zionist Jewish revival, their literary responses deviated from the mainstream which tended to concur with contemporaneous ideological positions. Feldhay Brenner begins with a …


"Mad Laughter" In Federman's The Twofold Vibration, Menachem Feuer Mar 2009

"Mad Laughter" In Federman's The Twofold Vibration, Menachem Feuer

CLCWeb: Comparative Literature and Culture

In his article "'Mad Laughter' in Federman's The Twofold Vibration" Menachem Feuer discusses one of the central questions in the debate over post-Holocaust representation with regard to comedy and laughter. Several authors and filmmakers including Mel Brooks, Lina Wertmüller, Roberto Benigni, Michael Chabon, or Jonathan Safran Foer employ comedy in work. Although the books and films of these authors and filmmakers certainly test the limits of representation through the use of comedy in post-Holocaust art, the use of "mad laughter" in the work of Raymond Federman to represent the Holocaust stands out as the most important exploration of post-Holocaust comedy …


Emigrée Central European Jewish Women's Holocaust Life Writing, Louise O. Vasvári Mar 2009

Emigrée Central European Jewish Women's Holocaust Life Writing, Louise O. Vasvári

CLCWeb: Comparative Literature and Culture

In her paper "Emigrée Central European Jewish Women's Holocaust Life Writing," Louise O. Vasvári analyzes voices of women survivors from a gendered perspective in order to provide insights for both Holocaust studies and gender studies. Vasvári considers whether it can be claimed that there is a specifically female style of remembering and of testifying about these traumatic experiences. Vasvári's selection includes the writings of some two dozen Central European emigrée survivors, all native speakers of Hungarian, later writing and publishing in languages of their adopted countries. The first group of women consists of adult survivors who must bear witness in …


Visions Of Catastrophe In The Poetry Of Miklós Radnóti, Zsuzsanna Ozsváth Mar 2009

Visions Of Catastrophe In The Poetry Of Miklós Radnóti, Zsuzsanna Ozsváth

CLCWeb: Comparative Literature and Culture

In her article "Visions of Catastrophe in the Poetry of Miklós Radnóti" Zsuzsanna Ozsváth proposes that the poet's work shows an evolution of a set of visionary images auguring the Holocaust. This development followed on the heels of the poet's earlier interest in the socialist, populist, and left-oriented movements and ideas that drove a number of Hungarian artists and young intellectuals of the time. Immersed in social-cultural activities during his university years in Szeged (1930-35), Radnóti underwent a significant change when he moved back to Budapest. He recognized the threat posed by the Third Reich and watched with great consternation …