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Articles 31 - 39 of 39

Full-Text Articles in Social and Behavioral Sciences

Conscience's De Leeuw Van Vlaanderen (The Lion Of Flanders) And Its Adaptation To Film By Claus, Gertjan Willems Sep 2014

Conscience's De Leeuw Van Vlaanderen (The Lion Of Flanders) And Its Adaptation To Film By Claus, Gertjan Willems

CLCWeb: Comparative Literature and Culture

In his article "Conscience's De Leeuw van Vlaanderen (The Lion of Flanders) and Its Adaptation to Film by Claus" Gertjan Willems discusses Hugo Claus's 1984 filmic adaptation of Hendrik Conscience's 1838 historical novel, a landmark in the history of the Flemish Movement. Willems's analysis is executed by means of a textual film analysis and archival research. Willems pays special attention to the Flemish-Dutch coproduction's complex relations with the national question. Despite various difficulties concerning Flemish nationalist sensitivities of the project, the producers wanted the film to be as faithful as possible to Conscience's novel. This resulted in an …


Reverse Anti-Semitism In The Fiction Of Bellow And Roth, Jay L. Halio Jun 2014

Reverse Anti-Semitism In The Fiction Of Bellow And Roth, Jay L. Halio

CLCWeb: Comparative Literature and Culture

In his article "Reverse Anti-Semitism in the Fiction of Bellow and Roth" Jay L. Halio discusses anti-Semitism in Philip Roth's fiction that what might be called reverse anti-Semitism: the active reaction by Jews who are subjected to anti-Semitism. This aspect of Roth's work is not often discussed: it is not the same as philo-Semitism, which takes a different form entirely. Since Roth was an admirer of Saul Bellow, Halio begins by considering reverse anti-Semitism in Bellow's early novel The Victim. In the novel the protagonist, Asa Leventhal, is accused by a character named Allbee of costing him his job …


Literary Adaptations Of James In Roth's, Ozick's, And Franzen's Work, John Carlos Rowe Jun 2014

Literary Adaptations Of James In Roth's, Ozick's, And Franzen's Work, John Carlos Rowe

CLCWeb: Comparative Literature and Culture

In his article "Literary Adaptations of James in Roth's, Ozick's, and Franzen's Work" John Carlos Rowe posits that Henry James continues to exert a powerful influence on contemporary writers. Given the dramatic social, economic, and political changes from modern to postmodern eras, his continuing influence requires explanation. Rowe considers three US-American novelists—Philip Roth, Cynthia Ozick, and Jonathan Franzen—who are influenced by James and presents an interpretation of James's continuing impact. Despite James's reputation as a cosmopolitan modern who influenced global literature in significant ways, US-American writers attempt to "Americanize" him. Their effort expresses the problem of contemporary US-American literary practice …


Intertextuality In Beckett's And Ağaoğlu's Work, Elmas Şahín Mar 2014

Intertextuality In Beckett's And Ağaoğlu's Work, Elmas Şahín

CLCWeb: Comparative Literature and Culture

In her article "Intertextuality in Beckett's and Ağaoğlu's Work" Elmas Şahín discusses Adalet Ağaoğlu's 1973 novel Ölmeye Yatmak (Lying Down to Die) and Samuel Beckett's 1950 Malone Dies in terms of intertextuality. Şahín employs tenets of comparative literature in order to analyze the two texts with regard to form and content and focuses on the on protagonists' worlds. In Şahín's interpretation, Ağaoğlu's protagonist Aysel is narrated in postmodern intertextuality as an individual of our days alienated from society, searching for her self/selves as she cannot succeed in dying. Both Beckett's and Ağaoğlu's protagonists attempt to "escape" from their selves and …


Is First, They Killed My Father A Cambodian Testimonio?, John Maddox Dec 2013

Is First, They Killed My Father A Cambodian Testimonio?, John Maddox

CLCWeb: Comparative Literature and Culture

In his article "Is First, They Killed My Father a Cambodian testimonio" John T. Maddox discusses aspects of the testimonial. Dialoguing with leading Latin Americanists, Maddox argues that Cambodian writer Loung Ung's First, They Killed My Father (2000) challenges this uniqueness and opens studies on the testimonio to new possibilities for intellectual reflection and political activism. In Maddox's view, the continued use of the term testimonio would serve as a reference to this long-standing tradition of writing and thinking about political violence in Latin America. After a discussion of the debate of the definition and function of testimonio and …


Achebe's Work, Postcoloniality, And Human Rights, Eric Sipyinyu Njeng Mar 2013

Achebe's Work, Postcoloniality, And Human Rights, Eric Sipyinyu Njeng

CLCWeb: Comparative Literature and Culture

In his article "Achebe's Work, Postcoloniality, and Human Rights" Eric Sipyinyu Njeng argues that Chinua Achebe exposes failings in the fabric of African society and engages with violations of human rights. Achebe is careful not to hurt the pride of Africans who in the Zeitgeist of the nationalist ferment of the 1950s were wary of European powers. Achebe does not "write back" to the empire: he writes the empire in and he lays bare the weaknesses in African culture grounded in the father-son-grandson trajectory he narrates. Achebe presents what may be termed a cultural dialectics: the thesis (flawed African customs …


Evans's The Turducken And Chekhov's The Seagull, Brian R. Johnson Dec 2012

Evans's The Turducken And Chekhov's The Seagull, Brian R. Johnson

CLCWeb: Comparative Literature and Culture

In his article "Evans's The Turducken and Chekhov's The Seagull" Brian R. Johnson approaches The Turducken as a travesty of The Seagull, examining six iconic scenes from The Seagull, in order to explore the satirical effect of the altered scenes. In December of 2008, Bedlam Theatre of Minneapolis presented The Turducken, "a holiday dinner theater spectacular inspired by Anton Chekhov's The Seagull." Playwright Josef Evans takes Chekhov's 1895 work and turns the classic piece into a musical and farcical satire. The plot of The Turducken follows the plot of The Seagull, and some scenes …


Victims Of The City In Novels Of Zola And Dostoevsky, Marta L. Wilkinson Dec 2012

Victims Of The City In Novels Of Zola And Dostoevsky, Marta L. Wilkinson

CLCWeb: Comparative Literature and Culture

In her article "Victims of the City in Novels of Zola and Dostoevsky" Marta Wilkinson argues that urbanity in its nineteenth-century setting functioned as the culpable agent in criminal behavior found in Dostoevsky's Crime and Punishment and in several of Zola's Rougon-Macquart novels. Wilkinson an analysis of the novels based on Merlin Coverly's concept of psychogeography which supports the extension of the cityscape as an integral part of the novels' characters. Further, Wilkinson illustrates how in Zola's and Dostoevsky's novels the city reigns triumphant as characters fall victim to disease, drink, or are left with desperate choices: in Dostoevsky's novel …


Contemporary Us-American Satire And Consumerism (Crews, Coupland, Palahniuk), J.C. Lee Dec 2012

Contemporary Us-American Satire And Consumerism (Crews, Coupland, Palahniuk), J.C. Lee

CLCWeb: Comparative Literature and Culture

In her article "Contemporary US-American Satire and Consumerism (Crews, Coupland, Palahniuk)" J.C. Lee focuses on contemporary satire's potential (or lack thereof) for change, reform, or rebellion through an investigation of works by Harry Crews, Douglas Coupland, and Chuck Palahniuk, all of which target consumerism. The said writers employ satire not to initiate rebellion or cultural change, but to reflect the problematic role of institutions in modern life and, in turn, the potential, even hope, for personal growth. Lee's analysis of texts by Crews, Coupland, and Palahniuk is intended to question satire's potential as a form of cultural critique and institutional …