Social and Behavioral Sciences Commons^™

Local Traditions, Global Influences, National Belonging: Conditional Acceptance Of Cross-Gender Dance In Central Java, Indonesia, Calla Rhodes

Independent Study Project (ISP) Collection

Indonesia has a long and rich history of cross-gender performance in which males embody femininity onstage. Until recently, these diverse, locally-specific traditions were a widely accepted cultural practice. However, modern negative associations with the LGBTQ+ community and, by extension, the West, threaten the survival of traditional Indonesian cross-gender dance. By investigating feminine male gender performance in Java, I will uncover how Indonesians draw from localized cultural traditions, as well as globalized practices like Western-style drag, to destabilize restrictive national constructions of gender. I posit that traditional cross-gender dance serves as a culturally- sanctioned outlet for male expressions of femininity that …

El Artista Está En Línea: E-Performance En El Tiempo De Covid-19, Ezequiel N. González

Independent Study Project (ISP) Collection

Esta investigación propone una lectura detallada y comparativa de varias e-performances creadas por el artista visual uruguayo Ernesto Rizzo y la performer argentina Susy Shock, trazando un corpus de trabajo creado durante la crisis de COVID-19 y compartido en Instagram desde finales de marzo a finales de mayo de 2020. Al centrarse en el giro digital del arte de performance debido a las particularidades de la cuarentena, esta investigación busca distinguir este momento de "e-performance", entendiendo cuáles serán sus ramificaciones para el/la artista y el arte de performance en general. Así, a través de una reflexión teórica sobre el terreno …

Re-Imagining The Theatre: Existence And Change, Andres Aguilar

Independent Study Project (ISP) Collection

With acknowledgement of Nicaraguan Theatre and its different dynamics, this research works to expose and create visibility of current Nicaraguan Theatre with relation to social change in Managua, Nicaragua. The microcosm of theatre is revolutionary in creating the necessary change to reach a state of consciousness that allows others to accept and understand society and others for what they are and what they can be. The theater is simply a tool. Intrinsically, all acts are political, therefore the theater is a political declaration. The theater is, and always will be, a political arena, when the aesthetics of the theater are …

A Danza De Las Tijeras Continuidad Dinámica Y Reivindicación De La Identidad Indígena Andina / Dance Of The Scissors Dynamic Continuity And Reclamation Of Andean Indigenous Identity, Cinthia Durán

Independent Study Project (ISP) Collection

This research project aims to analyze the contemporary ways in which the Dance of Scissors is practiced and reproduced to determine if its continuity outside the place of origin, with all the modifications that it has experienced, can be considered a form of cultural resistance. Resistance in this context is addressed in two specific ways: as a dynamic continuity of Andean indigenous identity and as a tool of cultural vindication. To achieve this goal, during the work period the research methodology consisted of interviewing dancers and scissors musicians; be a participant as observer of skills and essays of Tijeras dancers …

La Resistencia Cultural A Través Del Teatro De Las Oprimidas Para La Cultivación De La Subjetividad De La Mujer En Un Contexto De Violencia De Género: Un Estudio De Caso Del Colectivo De Mujeres Osadía / Cultural Resistance And The Cultivation Of The Subjective Through Theatre Of The Oppressed For The Woman In A Context Of Gender Violence: A Case Study With Colectivo De Mujeres Osadía In Jose Leon Suarez, Province Of Buenos Aires, Lela Biggus

Independent Study Project (ISP) Collection

Hay en este momento en la historia una ola de movimientos feministas barriendo la vida política de Buenos Aires. Movimientos como Ni Una Menos busca, en una variedad de métodos, para interrumpir el discurso destructivo de la cultura machista que produce la violencia de género y hace que el acto de femicidio, el asesinato de una mujer por su género, sea común.

En mis investigaciones exploro cómo el Teatro del oprimido, una práctica teatral de Augusto Boal, puede transformarse en una experiencia de resistencia cultural y subjetivación de la mujer en un contexto de violencia de género. Yo pasé tiempo …

Tapez Le Tam-Tam And The People Will Come: A Study Of Theater For Social Justice In Kaolack, Senegal, Emily Schwerdtfeger

Independent Study Project (ISP) Collection

This purpose of this study is to examine the effectiveness of theater to create social change and raise awareness of social issues as used by the troupe Bamtaare in Kaolack, Senegal. Further study was done to determine why theater was successful and whether this type of theater can be implemented in the United States. I spent four weeks in Kaolack working with the troupe to understand their methods. While in Kaolack, I observed rehearsals and performances, conducted interview with actors and audience members, and reviewed relevant literature. My research showed that Bamtaare’s performances in urban neighborhoods and rural villages did …

The Complicated ‘Colours’ Of Rhythm: A Study Of Capetonian’S Battle For Identity Through The Hip Hop Movement In Post-Apartheid South Africa, Joseph Thomas Dover

Independent Study Project (ISP) Collection

This project delves into the Cape Town Hip Hop scene in an attempt to uncover how it is an inclusive and empowering space that allows individuals to deconstruct and reconstruct individual and group identities in order to subvert colonial narratives. In order to uncover the power of Hip Hop this project uses 3 interviews with individuals intimately connected to the Hip Hop scene and reviews an abundance of literature surrounding the topic. The history of ‘coloured’ as a racial classification is analysed alongside with other research and is placed within the context of contemporary Capetonian Hip Hop in order to …

Cape Town Performance Poetry: The Activist’S Pen Is Mighty, Kelsey Rae Brattin

Independent Study Project (ISP) Collection

Beginning with a look back to historical Xhosa oral traditions and then examining the role of performance poetry in resistance during Apartheid, this paper explores the existence of contemporary Cape Town performance poetry in a setting that has been a home to poets for centuries. Specifically, this project is a look into the space, mental and physical, that exists within Cape Town’s current performance poetry scene for themes of resistance and activism. Through the observation of public poetry performances in local bookstores and coffeehouse, and through interviews with poets and audience members, contemporary attitudes of writers and community members toward …

Experiencing Samoa Through Stories: Myths And Legends Of A People And Place, Samantha Lichtenberg

Independent Study Project (ISP) Collection

This research will explore oral tradition, indigenous beliefs prior to Christianity, and the significance of place through the study of Samoan myths and legends. The researcher will investigate the tradition of storytelling by hearing the stories from Samoan elders themselves. These stories will be supplemented with details from secondary written resources in order to compile comprehensive versions of the myths and legends. The research will consider the affect that Christianity has on the meaning of the stories and examine whether traces of indigenous belief/religion are preserved today through storytelling and the remembrance of myths. The researcher will spend a significant …

Spectator To Actor To Multiplier: Edisca’S Humanizing Methodology, Hannah Mcdowell

Independent Study Project (ISP) Collection

Augusto Boal, a Brazilian theater theorist and practitioner, transferred the means of production of theater to the oppressed. The oppressed, formally passive spectators filled by the elites’ images of the world, became liberated participants in the creation of dramatic action. Through “people’s theater,” Boal encouraged participants to critically analyze their relationships with the world and in the world through onstage action. EDISCA (Escola de Dança e Integração Social para Criança e Adolescente [School of Dance and Social Integration for Children and Adolescents]), located in Fortaleza, Brazil, introduces artistic languages to children and adolescents from socio-economically disadvantaged backgrounds. The youth then …

¡Dame Un Ritmo (Y Sueldo)!: La Sustentabilidad Económica De Los Artistas Callejeros En El Gran Santiago, Zachariah Smith Cheema

Independent Study Project (ISP) Collection

Street artists in the greater Santiago area are the product of a high unemployment rate and a history of street music in the city. Street artists can be found in every part of Santiago, from the shopping centers to the tranquil parks. Santiago’s street artists vary in age, talent, and future plans. However, these street artists confront many similar risks, such as the threat of detention, other street vendors, or the spectators themselves. While street art as a long-term job is a possibility, there is not a lot of room to save money for the future. Street art lacks support …