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Full-Text Articles in Earth Sciences
Echoed Sites And The Unknowable Object, Joseph Canizales
Echoed Sites And The Unknowable Object, Joseph Canizales
MFA in Visual Art
This thesis will discuss the expanded field of sculpture, simulacra, digital technology, and two terms I’ve devised: the unknowable object, and echoed sites. Within these two terms, I’m concerned with the complicated relationship between humans and geology and how we extract material from the ground without reflecting on the geologic history of the site. In echoed sites I create sculptures with and without a geologic site or object, by way of digital technology. These forms display two states paradoxically in balance, where what’s presented leaves more questions than answers. Thus, as part of echoed sites, exists the unknowable object. …
Protean Caves And Cyrenean Grottos: The Subterranean World Of Vergil's Fourth Georgic, Kirby Schoephoerster
Protean Caves And Cyrenean Grottos: The Subterranean World Of Vergil's Fourth Georgic, Kirby Schoephoerster
Arts & Sciences Electronic Theses and Dissertations
Using the studies and methodologies spearheaded by the burgeoning field of geomythology, this project aims to reevaluate one of the most famous works of ancient literature, the Georgics of Vergil, within the context of karst geology. In other words, I plan to critically investigate the famous myth of Aristaeus using a geomythological lens that focuses on how Vergil treats caves and cave systems as related to (his) myth. The didactic poem as a whole, and much less so the myth of Aristaeus, has been assessed relatively little by archaeologists, and by geomythologists not at all. Yet, book four contains an …
Crystal Queer: Fracturing The Binaries Of Matter, Creation, And Landscape, Sarah Knight
Crystal Queer: Fracturing The Binaries Of Matter, Creation, And Landscape, Sarah Knight
Graduate School of Art Theses
In this thesis, I compile a series of fragments consisting an analysis of my artwork in the gendered contexts of landscape, self-identity, mythology, and philosophy. I develop my concept of a “queer mark” in my art that serves as a form of queering, a disruption of visual and conceptual cohesion. I form a picture of how our contemporary selves are influenced by our gendered understanding of the landscape through the analysis of philosophical, artistic, and mythological concepts of creation. I see my sculptures as an atlas to an alternative means of understanding identity, a queering of these historical and exclusionary …