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Full-Text Articles in Physical Sciences and Mathematics

The Spiral Model For Generative Harmony, Jackson Guy Spargur Jan 2020

The Spiral Model For Generative Harmony, Jackson Guy Spargur

Senior Projects Spring 2020

Generative music is a broad and well-explored field, in which researchers have attempted various approaches at creating algorithmic models for the creation of music. Researchers may attempt to model the composition of melody, or of musical phrase structure, or, as is the focus of this paper, the harmonization of multiple voices. I use as the core of my model Elaine Chew’s “Spiral Array”, outlined in her 2000 thesis “Towards a Mathematical Model Of Tonality”. Chew’s applications for this model were all analytical, gaining insights about human-composed pieces of music by running them through her model. My project is comprised of …


A Machine Learning Approach To The Perception Of Phrase Boundaries In Music, Evan Matthew Petratos Jan 2020

A Machine Learning Approach To The Perception Of Phrase Boundaries In Music, Evan Matthew Petratos

Senior Projects Fall 2020

Segmentation is a well-studied area of research for speech, but the segmentation of music has typically been treated as a separate domain, even though the same acoustic cues that constitute information in speech (e.g., intensity, timbre, and rhythm) are present in music. This study aims to sew the gap in research of speech and music segmentation. Musicians can discern where musical phrases are segmented. In this study, these boundaries are predicted using an algorithmic, machine learning approach to audio processing of acoustic features. The acoustic features of musical sounds have localized patterns within sections of the music that create aurally …


The Impact Of Live Coding Within An Educational And Performance Setting, Alexus Renee Foster Jan 2020

The Impact Of Live Coding Within An Educational And Performance Setting, Alexus Renee Foster

Senior Projects Spring 2020

For the past three semesters at Bard, live coding has become my newest form of creative expression and performance. This method of coding involves either creating on the spot from scratch or editing pre-existing code in a real time manner. There is no real set structure or steps that must be followed, however, one rule must always be followed: show your code. In the classroom, live coding occurs when the professor demonstrates some algorithm by displaying the program on a projector for the entire class to observe. During musical performances, the same improvisational nature of live coding is also present, …