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Sandy Winters: Creation And Destruction, Shannon Egan

Schmucker Art Catalogs

The title of Sandy Winters’s exhibition is a bit of a misnomer, as the process that perhaps best describes the artist’s practice is creation and re-creation. The evolution of her long and active career reveals a sensitive awareness of connectivity and progeny. In other words, she allows for her paintings, prints, drawings, and sculpture to give birth in a way to subsequent works. She continually recognizes the pregnant possibilities in a singular form and the opportunities for each to exist in new, unique environments. Aspects of Winters’s oeuvre seem to have a generative function, and these repetitive motifs exist as …